Similarities Between The Yellow Wallpaper And Trifles

The texts ‘Sonnets from the Portuguese’ (1845) by Elizabeth Barrett Browning and F. Scott Fitzgerald’s ‘The Great Gatsby’ (1926). Both explore the universal values of idealised love, limitation of time and hope of restoration. As such inherently reflected through their relevant contexts of the Victorian Era and 1920’s Jazz age value systems. Even though the text share similar themes their interpretation completely differ influenced by diverse historical context, personal experiences and human values.

Changes, occurring in the 1920’s and continuing into the 20th Century have been significant in the lives of women. However, today, women are still treated unequally with men still being considered the dominant gender. Women were considered as being naturally weaker than men. Since early times, women have been the strength in the home and family. Connecting those periods from the early, nineteenth century into the 20th Century, life for women have changed in so many ways. According to, Wheeler, William and Becker, Susan “in 1920, the Nineteenth Amendment to the Constitution, granting women the right to vote, was finally ratified. Seventy-five years in the making, ratification came too late for women such as Susan B. Anthony and Elizabeth Cady

In the nineteenth century, woman had no power over men in society. They were limited in their freedom, as their lives were controlled by their husbands. Some women did not mind this lifestyle, and remained obedient, while some rebelled and demanded their rights. “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “The Birthmark” by Nathaniel Hawthorne, are short stories that exposes the lifestyle women lived in the nineteenth century. The protagonists from both stories, Jane and Georgiana, similarly lived a male dominated lifestyle. Although both Georgiana and Jane lived the same era, in which their husbands dominated them, their behaviors, social reputation, and tolerance differed.

“Trifles” and “The Yellow Wallpaper” are early 20th century short stories that depict women’s suppressive role in society and the belief that women should be treated as subservient and substandard to men. Authors Susan Glaspell (“Trifles”) and Charlotte Anna Gilman (“The Yellow Wallpaper”) are both known for advocating feminism in their works of literature. “Trifles” and “The Yellow Wallpaper” exploit patriarchal dominance and its effect on suppressing women’s intellectual and societal equality. In each short story, the woman protagonist is depicted as trapped in her marriage. Common themes in these stories address the dominance of men towards women which affects the physical and emotional well-being of the female characters. The authors use symbolism, similes, metaphors and dramatic irony to exemplify patriarchal dominance and its suppressive treatment of women.

For decade women have been discriminated by society, all around the world. In many countries women are still treated as the inferior sex. “daily life for women in the early 1800s in Europe(Britain), was that of many obligations and few choices. Some even compare the conditions of women in time as a form of slavery.” (Smith, Kelley. "Lives of Women in the Early 1800s." Lives of Women in the Early 1800s. N.p., 2002.) Women have always been expected to find a husband, get marry and have children and nothing less was expected of them. Women during decades ago and even today in 2017, many women live by the norm that if you don’t get marry you’re a dishonor/disgrace to the family. Many men treated women as objects and without a doubt not as equals.

In both Trifles and A Doll’s House the reputation and appearances of the two women are examined within nineteenth century marriages. The men believe that the women only focus on trivial matters. These two poems are so powerful because of the metaphors, emphasis on gender roles, and tone the narrator uses to convey the way women were treated in the nineteenth century.

In the short story “The Yellow Wallpaper”, author Charlotte Perkins Gilman uses many literary techniques to allow the reader to understand the universal truth that a woman’s class is seen as lower than that of a man’s, due to their sex. We see this truth throughout the literary work, when the main character who is a woman, is put in confinement and later becomesdistraught and mentally unstablebecause her husband and brother who are both Physicians diagnoses her as “nervously depressed”. Two techniques author Gilman uses is tone and diction to illustrate how the narrator, among most women in that time period is treated as below men in class, with little say in their own mental or physical issues.

In the early 20th century no one had any great understanding of a psychological illness and the outcome was the suffering of many ill patients. "Soldiers Home" takes place right after the war in 1919 and shows how the war can effect a man 's perception on life immensely. "The Yellow wallpaper" takes place during the late nineteenth century in a large summer home. This story shows the stereotype of a woman and how they can almost come to insanity. Although Harold Krebs and the narrator from "The Yellow Wallpaper" have different gender roles, both have a form of stress disorder that separates the real world from their fantasy.

While Mrs. Mallard is just starting a new life, so to say, for herself, her life she has known comes to an end. She is just able to become “free, free, free!” (57) when she loses her life. Kate Chopin uses contrast with the news Richard’s gave, the way Mrs. Mallard felt in the room and the doctor’s news to show how women perceived marriage in the 19th century in her story The Story of an Hour.

Up until the 1900’s woman had few rights, thus they relied heavily on men. Women could not vote, they could not own their own property, and very few worked. Women’s jobs were solely to care for children and take care of the home. Women during this time, typically accepted their roles in society and the economy ( “Progressive Era to New Era, 1900-1909”). Women in the 1800’ and early 1900’s were treated the same as slaves, second class citizens who had no voice or decision over their lives.

In her essay “The Cult of True Womanhood: 1820-1860”, Barbara Welter discusses the expected roles and characteristics that women were supposed to exhibit in accordance with the extreme patriarchy of the nineteenth-century America. The unnamed narrator in “The Yellow Wallpaper” is seen to conform and ultimately suffer from this patriarchal construct that Welter labels the Cult of True Womanhood. The narrator falls victim to this life of captivity by exhibiting several of the fundamental characteristics that Welter claims define what a woman was told she ought to be. She has been brainwashed by the patriarchal society of her time to worship the man, her husband, and perform her duties and daily rituals as a means to please him. Welter outlines several characteristics that constitute the perfect or true woman; however, the most crucial and detrimental so-called “virtues” exhibited by Gilman`s the narrator are her submissiveness and domesticity. Although the artistic narrator clearly has her own desires to be free and write as she pleases, her desire to satisfy the patriarchal construct of the household by attending

Kate Chopin’s short story “The Story of an Hour” is set in the late 1800s – a time when women were considered inferior to men. Women had traditional roles as wives and mothers. In this 19th century patriarchal society, Chopin shows us Louise Mallard, the main character, who does not comply with the female gender norms of the Victorian period. When Louise learns about the death of her husband, her reaction and the reaction of her sister and the doctor tell us a great deal about gender stereotyping during this time.

Throughout short fiction, Charlotte Gilman is most famously noted for her ability to create strong gothic themes in her writing. This is especially true in her 1890s story “The Yellow Wallpaper.” Overall, an important theme in Charlotte Gilman short story “The Yellow Wallpaper” is that when combined, isolation and oppression often lead to negative consequences such as insanity and mental instability. Gilman achieves this through her thorough use of symbolism and settings that helps to highlight and establish the overall theme.

In “The Yellow Wallpaper”, Charlotte Perkins Gilman captures the lives of women in a society based on societal expectations during the late nineteenth century. She focuses on the issue of gender inequality where women were often discriminated against and expected to fulfill the role of a perfect wife and mother. The narrator is based on on Gilman’s personal experience of suffering from her treatment for postpartum depression due to the social restrictions on women which represents a reflection on women's social status in society. The narrator, who remains anonymous, is depicted as a depressed and isolated prisoner who is oppressed under her husband’s control and struggles to break free. Gilman presents the toxic effect of gender inequality particularly through the relationship between a husband and wife.

Equality is the well-known problem faced by women. It is the issue of how women have been treated differently from men who act as if they have a higher social position. Besides the equality issue, there is another problem faced by many women: mental abuse at home. The husbands are not literally abuse their wife, but how they act have made their wives live in agony. Subsequently, when the women as the oppressed party who have been treated unequally cannot demand such abuse to be punished since it is not written in man’s law, they will seek their own justice. These ideas of equality and justice are depicted well through Susan Glaspell’s Trifles that was made in 1916. Through the murder case of Mr. Wright, the play reveals how oppression can trigger women’s struggle. This paper then, tries to explain how women as the dominated group resist inequality and finally seek their own definition of justice.