“From now on, it is our task to suspect each and every one amongst us.” In Agatha Christie’s, And Then There Were None, ten unsuspecting individuals are invited to Soldier Island by the anonymous U.N. Owens. Not long after arriving, the characters have learned two things, everyone is guilty of murder, and someone there has already died. Throughout the story, one of the island visitors Vera Claythorne reveals herself to be not just a virtuous girl, but a hysterical, genuine murderer. At first glance, Vera Claythorne is an impressionable young woman. Her epitaph portrays, “Her heart was as big as the ocean.” Vera’s life on and off of Soldier island is very different. Off of the island, she was an ex-games mistress and caretaker to her lover Hugo’s …show more content…
Claythorne isn’t the lighthearted girl she perceives to be. Sure she is generous and loyal, but not with the right motives. Over time, Vera admits to purposely drowning Hugo’s nephew Cyril, so that Hugo will get an inheritance over him. She wants Hugo to have this inheritance so that he will have the money to marry and provide for her. Here she is displaying her undeniable loyalty to Hugo, but at the expense of another’s life. Vera speaks that, “She’d pretend to swim out after him. But she’d arrive too late… no one would ever expect it.” She even goes as far as to say, “That’s what the murder was, as easy as that!” At the end of the story, Vera hysterically hangs herself on a noose. It can be presupposed that she does this out of guilt for murdering Cyril, but the truth is that she feels guilty for losing Hugo instead. That is what can prove Claythorne's true epitaph, “Guilt leads to the grave.” A noose symbolizes how Vera’s delirious decisions ultimately did not benefit her at all, furthermore causing her death. The bottom line is, although her traits are not desirable, they are what truly exists within
During the entire time up till her death, Vera was almost in a trance-like state. Almost blinded by what she wanted,
Lizzie found her father 11 am dead in the setting room and told Bridget. Before the police had arrived, three people were already at the crime scene besides Lizzie and Bridget. Mrs. Adelaide Churchill, a next door neighbor had arrived, Mrs. Bowen, Dr. Bowen, and Alice Russell arrived before the police arrive at the crime scene. Only to police arrive first at the scene, the rest of the department were on department’s annual picnic. When the policies arrived, they made a quick superficial search of Emma’s room, Lizzie older sister “ A bundled blanket lay on the floor of Emma’s room closet.
In Agatha Christie’s And Then There Were None there are at least two of the twenty rules from “Twenty Rules for Writing Detective Stories” by Van Dine used. These two rules being “The culprit must turn out to be a person who has played a more or less prominent part in the story — that is, a person with whom the reader is familiar and in whom he takes an interest” (Van Dine) and “No willful tricks or deceptions may be placed on the reader other than those played legitimately by the criminal on the detective himself” (Van Dine) In And Then There Were None by Agatha Christie One of the many rules from “Twenty Rules for Writing Detective Stories” by Van Dine shown is “The culprit must turn out to be a person who has played a more or less prominent part in the story. . .” (Van Dine).
It can’t be forgotten that she is fighting in a war still, and the horrors of war still are present. “I had learned much; I now knew how thoroughly I despised war. The great adventure and glory of it were the corrupted visions of men. I had been mislead somehow and wandered willingly into the dreams of strangers. I could have deserted.
Jimmy Cross longs to reunite with Martha during the war , and consequently, his mind remains infatuated by her and the fantasies he wishes he could experience with her. When Ted Lavender died, O'Brien says, “He [Jimmy Cross] felt shame. He hated himself. ”(16). This is because Jimmy Cross feels guilty for always thinking about Martha and letting a death of one of his soldier slip through his hands.
Lieutenant Cross shows a prime example of a soldier mentally strained by the sense of responsibility. He feels responsible for his troop because he is the leader. In consequence to having Martha clouding his mind during the time of Lavender’s death, he suffers from guilt and feeling responsible for his death. In order to fix what appears to be a distraction in Cross’s mind, he burns all of his letters and photographs of Martha and proclaimed he hated her with love. “He realized it was only a gesture.
However, during family therapy, her therapist Dr. B makes Vera and her dad do a role-playing exercise revealing that they still are not over her mom: “We are realizing, simultaneously, that we have never dealt with Mom leaving” (King 217). Vera’s therapist helps her and her dad to recognize that they have never confronted the issue of her mother leaving them and encourages them to talk more about it. During discussions, Vera understands that she is not to blame and reminds her father that her mom left “[b]ecause she never got over her own baggage, not because of you or me” (King 232). This realization leads her to begin moving on, and so she clears her mother out of the house: “That night, we rearrange the living room and Dad throws Mom’s clothing into a few black garbage bags for Goodwill” (King 243). By letting go of her mother’s belongings she lets go of the hope that her mother would return and the idea that her mom left because of her.
He is responsible for the death of Lavender. Through his guilt, Lieutenant Cross arrives at the realization that Martha will never love him in the way he wants her to, and his love for her turns into hatred. Cross, to ease his guilt, burns Martha’s letters and photographs. As the fire reduces Martha’s photographs and
Vera snuck out with a revolver, and unfortunately killed Philip. After her horrendous act, Vera was filled with guilt and ended up hanging herself. Although Vera killed Philip, she was not the killer of the other guests, instead it was Justin Wargrave. Justin is, “a man of law”,so he wanted the ten guests on Soldier Island to pay for their crimes they committed, I learned something about life in this book.
He had a way of justice he wanted for her, but not from murder. The more murders Wargrave committed on the island, the closer it drove Vera to insanity. These events were a part of Wargrave's plan all along. He wanted to bring the most guilty, Vera, to commit suicide. He knows it's working by how she is acting.
After they realize that the assailant is one of them, and not someone hiding on the island, (on page 165) the first character introduced, Justice Lawrence Wargrave, said that “I reiterate my positive belief that of the seven persons assembled in this room one is a dangerous and probably insane criminal… From now on, it is our task to suspect each and every one amongst us.” While they do this, they believe that the murderer is one of the others (which is true), but their guesses are usually incorrect. For example, on page 169-170, Philip Lombard and Vera Claythorne discuss who they think the killer is and both of them are wrong. Philip suspects Judge Lawrence Wargrave and Vera suspects Doctor Armstrong, who Lombard soon begins to distrust as well. The use of irony adds to the suspense because it shows that the characters cannot escape their fate by reasoning out who the killer is, as they are always
Cross felt that if only he had been paying attention to his men instead of thinking of Martha, Lavender would not be dead. The weight of guilt had begun taking away Cross’s innocence. In his guilt, he burned the letters from Martha. “In those burned letters Martha had never mentioned the war… She wasn’t involved.
Throughout the text, Cross “could not stop thinking about [Martha]” (p. 116), unable to concentrate on the war or the men he is charged with leading. Consequently, Cross’ distraction and inadequate leadership result in Lavender’s death. Cross finds himself accountable because “he loved [Martha] more than anything, more than his men, and now Ted Lavender was dead because he loved her so much and could not stop thinking about her” (p.
The theme in Agatha Christie’s And Then There Were None is that the execution of crooked justice is not synonymous with the crime the perpetrator committed. This theme is introduced explicitly in the Manuscript, however it encompasses the whole book, so we will examine this theme as if it were introduced at the beginning. We will examine 3 characters; their severity of crime increasing as we go along. The first character we will look at for this theme is Emily Brent.
All characters are accused and redeemed of guilt but the murderer is still elusive. Much to the shock of the readers of detective fiction of that time, it turns out that the murderer is the Watson figure, and the narrator, the one person on whose first-person account the reader 's’ entire access to all events depends -- Dr. Sheppard. In a novel that reiterates the significance of confession to unearth the truth, Christie throws the veracity of all confessions contained therein in danger by depicting how easily the readers can be taken in by