Some people may find it interesting to learn how women were treated back in the day, around the 1600’s, and how William Shakespeare interprets them in his plays. Once you have researched all the plays one can possibly determine how Shakespeare portrays the differences between the women’s roles in his plays. Some plays introduce very strong female roles, like King Lear, and others have an absence of women as just being in the background scenes, like King Richard II. In all, the plays seem to be all about power, control, war, love, even magical. I chose to do this paper and show the contrast and similarities of the women in King Lear, Cordelia, and Othello, Desdemona, along with the women who surrounded them.
That starts his change of morality. Another thing that Lady Macbeth pressures Macbeth into doing is taking the crown. He wants to be King, but is not certain if he wants to do what is necessary to get it. When Lady Macbeth is pressuring Macbeth into taking the crown, she says “Wouldst thou have that Which thou esteem’st the ornament of life, And live a coward in thine own esteem, Letting ‘I dare not’ wait upon ‘I would,’ Like the poor cat i’ th’ adage?”-Lady Macbeth (1.7.41-15). She is calling Macbeth a coward if he does not kill King Duncan.
The charms wound up.” (Act1.2 )The witches pour prophecies into Macbeth giving him an insight of what is to come in his future, as king of Scotland. Lady Macbeth receives the news from Macbeth causing her mind to flood with corruption on how to get rid of King Duncan; however, Macbeth is not cruel enough to kill the king of Scotland. Or is he? Is Lady Macbeth up to do this
She became an image known for her ambitious nature. Her thirst for power and disregard for life was shocking to the audience, and her husband as well. The moment she learns of the prophecies, she decides to stand behind Macbeth and see him to the throne. She is immediately set on her quest for more power. As it reads “Glamis thou art, and Cawdor; and shalt be/ What thou art promised” (1.5.13-14).This moment is very important because it is the turning point where she decides that she might have to kill to fulfill her quest for royalty.
By employing different characters to emphasize Macbeth’s mental vulnerability, Shakespeare begins with an interaction of three witches and their prophecies, which begin to stir up the inner thoughts of the noble war hero, Macbeth. Despite his first instinct of finding it blasphemous to become the next king, after the
As one begins to read this passage, the first aspect that jumps out is the representation of the two main women in the play, Adriana and Luciana. With the first line of the scene, we are able to gain an understanding of both who Adriana is as a person, as well as some of the more personal issues she may be experiencing within her marriage to Antipholus of Ephesus (2.1.1-3). The tone of her voice is not necessarily that of anger, but rather one that is both worried and hurt by the perceived adulterous acts committed by her husband. Shakespeare’s language here was intentional as he desired to portray women in a more realistic manner. In other plays of the period, women were given limited roles and were depicted as very two-dimensional.
Another intriguing yet blatant aspect of loss of identity in Shakespeare's play is drawn from Macbeth's drastic change in personality which drives from his thirst for power that starts to control him; ultimately changing who he ends up to be. At the beginning of the play, Macbeth is a highly respected individual - saluted for his service to the King. However when he meets the witches and is spoken to about the prophecy, this begins to change. Macbeth is immediately inclined to believe what the witches have to say through their persuasive and manipulative speech. One of the witches exclaims 'All hail, Macbeth - that shalt be King hereafter!'.
However, Macbeth lacks the viciousness to be able to gain the power to become Thane of Cawdor, which is what the three witches predict. Lady Macbeth commands him to succeed in murdering King Duncan for the title and power to rule. Also, in desiring to quicken up the witches predictions, she takes to her own responsibility to control Macbeth so that the process would occur sooner. In Shakespeare’s The Tragedy of Macbeth, tragedy is demonstrated
HOW DOES LADY MACBETH CHANGE THROUGHOUT THE PLAY When we are first introduced to Lady Macbeth, she is being informed of the predictions made by the witches, promising great authority for her husband through a letter. Her response to the letter from Macbeth clearly depicts her lust for power. When she said “Cawdor...shalt be what thou art promised” she almost asserts the witches predictions. And that communicates her determination to go to extreme lengths to get what she wants. In Act 1 Scene 5 we come across Lady Macbeth’s most famous soliloquy which exposes the depth to which evil runs through her veins.
Comparing lady macbeth and macbeth as they were murders and dangerous because society views them as normal people, Macbeth wanted to be king and Lady Macbeth wanted the whole power and they killed the king to gain their power. Lady Macbeth is a woman who is not frighten to take the authority over her actions. She was one and only, her actions made guys fall in love with her. This quote describes how her versions of reality were, “Lady macbeth Your face, my Thane, is as a book where men May read strange matters. To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue; look like th ' innocent flower, But be the serpent under 't” (1.5.73-78).