The Business of Musical Theatre
Sir Cameron Anthony Mackintosh is one of the largest names in Broadway history. As a prominent Broadway producer, Mackintosh has produced more musicals than anyone else in the world. His creation of the megamusical and concepts for mass reproduction of a musical helped remodel the theatre industry during desperate times. Through the use of multiple cities in the production of his shows, Mackintosh is able to generate revenue not only through his theatre but also through the local tourist community. His effort to redefine the rules of Broadway transformed musicals into a globally marketable brand that could be easily recognized. Mackintosh’s contributions to musical theatre through show branding, theatrical corporatization,
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They compare his strategy of marketing and reproduction of Mackintosh productions as an assembly line technique, referring to his process as a Fordist approach to theatre. The New York Times described “Mackintosh technique” in an article about him from 1990. In this article, the writer asserts the Mackintosh method is to open a show in London, which will cost significantly less than it would on Broadway. After opening in London, releasing the London cast album in America and heavily promoting the newly released album. By doing this Mackintosh ensures the growth of anticipation for a production of the show in America. When an “exact replica” of the original show is opened on Broadway, Americans who have fallen in love with the cast album will flock to see the show they have listened to. In turn, this boosts the local economy by promoting tourism back into Broadway. However, to further ensure audience building anticipation for the musical, Mackintosh employs the use of “spectacle -- whether it be singing cats, a waif on the barricades, a falling chandelier or, lately, a helicopter landing on stage -- in attracting a thrill-seeking …show more content…
He ensures that every audience member will get the same theatrical experience in his theaters and goes to great length to ensure that the audience receives and outstanding performance. Mackintosh productions are known for their thrilling storylines, extravagant costume designs, and elaborate sets, along with memorable musical ballads. His repertoire includes Broadway blockbusters like “Cats,” “Les Miserables,” “Miss Saigon,” “Beauty and the Beast,” and “Avenue Q.” In order to keep up so many large productions, Mackintosh has personally invested in eight historical theatre in the West End of London. There he is able to create a theatre tailored exactly to his productions vision. Mackintosh’s list of theaters includes The Prince of Wales, Gielgud, Queen’s, Wyndham’s, Noel Coward, Novello and Prince Edward. Currently, Mackintosh is renovating his theatre, Victoria Palace, in an effort to bring Broadway smash hit Hamilton to London. This production of Hamilton is set to open in autumn of 2017. He is also in the early stages of purchasing The Ambassadors Theatre that he plans on renovating and renaming The Sondheim
David Lindsay-Abaire’s show Fuddy Meers is a play set in realism, yet deals with extraordinary and almost surreal events that happen in the span of one day for an amnesiac wife. In order to maintain the balance of realistic and surrealistic events, even the simplest everyday sounds can ground the audience and assist them in comprehending what it going on throughout key point of the play. The usage of sound design throughout the play helps reinforce its realism, cohesively helps audience goers understand the offstage actions throughout the shows, and also perceive Claire’s auditory hallucinations are solely heard by her.
Harrison’s production is an empathetic insight into the sustained impact of the “Stolen Generation” on its victims. Harrison’s stage directions allow performers to powerfully use sets and props to represent the experience of each character. This was demonstrated while viewing different scenes of “Stolen” workshopped in class. The actors started off each holding a suitcase conveying the absence of home, stability and security.
The enaction of the Federal Theatre Project (FTP) provided many theatre professionals with new, much-needed jobs during the Great Depression, but its impact didn’t stop there.
Tg beneath the surface” (Weakland). Jerome Robbins fully integrated all of the elements of musical theater including music, lyrics, book, and dance to produce something entirely unique. Jerome Robbins was changing the face of musical theater entirely. West Side Story also broke the rules in a thematic way. West Side Story was the first show to portray that musicals could be based on painful stories.
Many people dream of performing on stage, being a part of brilliant performances and productions. I, on the other hand, dream of working behind the scenes, and of being a part of the team that makes these performances and productions possible. Music and the arts are my passion, and I plan to work in the management, promotion and advocacy of arts organizations both nationally and internationally. Pursuing an M.A./M.B.A. dual degree in Arts Administration at the University of Cincinnati is the next step for me to achieve my life goals.
The curtain slowly rises, the lights come up, and the audience is silent. It's showtime on Broadway. Broadway can do so many different things to a person. It can make one laugh, cry, want to yell, and then suddenly everyone is content. Similarly, the United States of America changes time and time again.
Upstage is back, downstage is front, right is left, left is right, out is up, break a leg but don't really, wings have nothing to do with birds, the catwalk doesn’t involve cats, and when the stage manager says move it means move. The theatre vocabulary is very confusing for the outside world, but for me it is my second language. More specifically, I have developed a passion for the technical elements of theatre over the years. The joy of being the “people in black” that can make amazing sets and produce incredible plays which goes unnoticed.. Although this discourse is much small yet complex it has helped me find out who I am but also in my academic skills through learning how to work in teams, solve problems independently but also how to be
Savannah Live was a musical preformance held in one of the oldest continuing theater halls in the nation. The theater, appropiately named the Historic Savannah Theater, origionally opened in 1818, yet do to years of wear and tear and several fires, the modern theater was retrofitted to look like its 1940s, art-deco self. Although the stage was in the traditional Proscienim style, the play was anything but traditional. The stage hall itself seemed like something right out of the hay day of Broadway, with lights surrounding the procienian arch, red velvet chairs and carpet, the hall was like a time caplse bringing me back into the 20th centry. Mimicing the transformations of the hall throughout the years, the musical took the audience on a journey through musical, and theatrical history.
Lin-Manuel Miranda has taken many unlikely things, like hip-hop, American history, theater and music, and put them all into one event. This way, people who like only one of those things can all enjoy his performances and now very different people can now relate with each other better. So if one person hates hip-hop, but loves theater, they will still be able to enjoy it, and they will have a reason to go to the performance. Lin-Manuel Miranda has brought many audiences and people closer together by combining many things together. Lin-Manuel Miranda has really revolutionized American culture, theater, music and entertainment.
The fall of the federal theatre project was due to the motive of the project, which was misinterpreted. The government did not believe in spending tax money to pay performers and promote art. The closure of federal theatre made about “8,000 people lose their jobs” (Paula Becker
The productions of this play were successful through stage design, lighting crewing, and acting. Those three aspects made the quality of the play stand out to me, as an audience member. The production of the set design of the play was a good effort. The set design for the play staging aims for the sweet spot between feeding adult nostalgia and satisfying a new generation of children.
On March 28th, I had the pleasure of attending the Broadway show called “The Play That Goes Wrong,” located at the Lycuem Theatre on 149 West 45th Street. On this particular Tuesday evening, I just had a vibe that something wrong was going to happen in this play – shockingly. I did believe this play will truly be memorable judging by the fun quirk of the show’s name. After watching the performance for about two hours, I can conclude that this play went beyond my expectation as its set disasters and characters amusingly caught the attention of me and the rest of the audience.
A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged” (Brook, Peter). Peter Brook is a European theatre director who studied at Oxford and is recognized for directing Shakespearean productions. He believes that in order for a theatre production to be successful one has to step out of the orthodox and repetitiveness. Consequently, there are four types of theatre, Holy theatre, Rough theatre, Immediate theatre and Deadly theatre.
La La Land and the use of Mise en Scene La La Land directed by Damon Chazelle known for directing Whiplash (2014) was nominated for several Academy Awards. La La Land (2016) is a film directed and written by Damian Chazelle the acting stars, Emma Stone as “Mia” and Ryan Gosling as “Sebastian”. The film is about two different people Mia (Emma Stone) and Sebastian (Ryan Gosling) who share similar dreams to succeed. Mia, an aspiring actress and Sebastian an aspiring jazz musician. Both seemingly meet up and start dating.
From Colonial Williamsburg Theatre to Broadway, theatre is ever-changing. The differences in each era of theatre are vast; the costumes, staging, acting techniques, and audiences all vary drastically from each other. The major eras and genres of American theatre include the colonial era, the Post-Revolution era, the Civil War era, Broadway, and Post-Modern—all with unique and varying aspects to them. Although the first permanent English settlement occurred at Jamestown, Virginia in 1607, according to Richard Hornby’s article The Crisis in the American History, the entire 17th century passed with no mention of theatrical productions or performances in the Colonies (Hornby).