Situational Irony The Cask Of Amontillado Analysis

The Cask of Amontillado by Edgar Allan Poe is about a vengeful, manipulative person named Montresor who is plotting to take the life of his friend Fortunato. This story is good for different reasons, one being the plot construction that hooks the reader from the beginning. Another is the three different types of irony he uses: verbal irony, dramatic irony, and situational irony.

In The Cask of Amontillado, the narrator, Montresor, lures Fortunato into his wine vaults in order to murder him. The reason behind it is never clearly stated in the text. Montresor merely says, “A thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge.” (Poe 1108) Montresor never reveals the exact nature of the insult, nor the multitude of injuries that he had supposedly borne. The audience cannot even be certain that the insult ever occurred. Perhaps the slight is only in Montresor 's mind. Fortunato seems blind to Montresor 's true intentions, meaning he is either completely oblivious and insensitive to those around him, or, what Montresor has deemed a horrible crime punishable by

Irony can bring a lot to the big table of the essence of a story. In “The Cask of Amontillado”, the work of classic American author Edgar Allan Poe, irony is being used to further express the dark essence of the story being told. It is a story of a man named Montressor, who holds a murderous grudge against a renowned connoisseur of fine wine that he calls his friend. The story explains the progress of Montresor's plan to kill or punish Fortunato. The reason for the hatred, however, is not known at all.

In the poem "Casey at the Bat" the author uses humor explain Casey's experiences while he is at the bat. He also uses irony. The author of "Casey At The Bat" uses both humor and irony to explain Casey's experiences when he is at the bat. The author uses all sorts of techniques when he wrote this poem. For example he use hyperbole, idioms, irony, humor and many more.

Edgar Allen Poe’s, “Cask of Amontillado”, tells a tale of a man who seeks revenge for a crime never actually spoken of. The narrator, Montresor, pursues our victim, Fortunado, by convincing him to stray away from the local festivities and providing him with the temptation of the ever sought-after, Amontillado. Of course, this highly popular wine is hidden away beneath the depths of Montresor’s property, within the dampened tunnels leading to Fortunado’s eventual crypt. The reader is unaware of the reasoning behind the death of Fortunado, leaving them to believe that Montresor is an unstable person. The “Cask of Amontillado”, depicts a murder by a vengeful man, of which the narrator never reveals his motive, giving the structure of this murder story an alternative point of view.

The story “The Cask of Amontillado”, by Edgar Allan Poe and the poem “A Poison Tree”, by William Blake both focus on the idea of rage against a foe and the urge to get revenge on that foe. Both of these pieces of writing use literary elements such as imagery and irony to help convey the theme of each piece of literature. Both of these texts use imagery to help the reader have a better sense of how the setting and the actions of the characters. They both use irony to help make the reader more aware of what is going on than the actual characters in the story or poem. They both focus on a different element such as the story “The Cask of the Amontillado” uses more irony to help to make a more mysterious feel. The poem “A Poison Tree” uses more imagery to help relate rage and anger to nature.

There are three different types of irony: situational, verbal, and dramatic. These types of irony are presented in The Cask of Amontillado written by Edgar Allen Poe and Young Goodman Brown by Nathaniel Hawthorne. The stories share similar ironies, but they also differentiate with each other. The Cask of Amontillado and Young Goodman Brown both consist of irony that is spread throughout the story.

“The information you get from social media is not a substitute for academic discipline at all. “In literature there are multiple types of irony like situational, dramatic and verbal. But in the story The Cask of Amontillado they use all 3 types of irony to foreshadow death and in the Ransom of Red Chief they use irony to create humor with all 3 types of irony. Though there are some similarities, O. Henry and Edgar Allan Poe use 3 types of irony in Ransom of Red Chief and The Cask of Amontillado just differently.

In the short story, The Cask of Amontillado, by Edgar Allan Poe, we see a man who is dead set on revenge. Has anyone ever done something to you, and you thought to yourself, “you just wait, your time will come?” If we were being honest, the answer to that question would be yes. The opening line to the story suggests that the narrator has had dealings with Fortunato before, but had never been insulted. “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge” (as cited by Kirszner & Mandell, 2012, pg. 190). In other words, I have put up with a lot from this person but now that he has insulted me, I will make him regret it. The symbolisms within this story are numerous and uncanny, and can be seen throughout, the entire piece, by analyzing the elements of fiction contained within.

“The Cask of Amontillado,” is a short story by Edgar Allan Poe. As told by the narrator, Montresor, the story is of the murderous revenge Montresor takes on his friend Fortunato deep within the “catacombs of the Montresors” (167). Throughout the composition, the author expresses the theme of betrayal among friends using verbal, situational, and dramatic irony.

In Edgar Allen Poe’s, “Cask of Amontillado”, Poe skillfully uses verbal irony in order to demonstrate the villainous intentions of Montresor. The first example of verbal irony is when Fortunato, the victim, toasts “to the buried that repose” and Montresor, the murderer, “And I to your long life”(page 119). By now the reader is beginning to understand. Montresor's murderous intentions by Poe’s verbally ironic statements about life and death. Another, example of verbal irony is the play of the word “masons”. Fortunato states, “Then you are not of the brotherhood.” “How?” “You are not of the Masons.” “Yes,yes; I said, “yes! Yes.” “You?Impossible! A Mason?” “A mason” I replied” “A sign”, he said.” (page 120) Poe uses this example of verbal irony

The narrator Montresor is not reliable. He tells the story from his point of view. Montresor is plotting to seek revenge on Fortunato for causing him “thousdand injuries and insult” Montresor is so angry with Fortunato he is planning on murdering him. As the reader we don’t know what Fortunato did to cause Montresor so be so angry to agree with him that Fortunato deserves to be murdered. Throughout the story Montresor is being deceitful by luring Fortunato to his death. Montresor betrays himself as a caring person who is just trying to offer Fortunato his favorite wine. Montressor also pretends he cares for Fortunado by trying to eliminate his cough with wine when actuality he was just trying to get him drunk to he could take advantage of him.

Authors use situational irony to surprise the reader and create emotion. For example in “The Ransom of Red Chief” by O.Henry situational irony is used to create a humorous emotion for the reader. Also, “The Necklace” a short story by Guy de Maupassant creates a feeling of pity for Mathilde when she loses everything.

The Amontillado is a symbol of sin, specifically glutton. The Amontillado tempts Fortunato throughout the story, just like sin tempts people everyday.

Bill Nye once said, “Humor is everywhere in that there's irony in just about anything a human does.” Bill Nye touches on the fact that irony is just something we can’t escape in our day to day life. Irony is also a large part of literature and movies. In the story “The Cask of the Amontillado” the main character Montresor is murdering a man deep underground, while a joyful parade is going on above. This is situational irony, one of three types of irony in literature and life.