Italy went through many social reforms and many of them pushed the people to break from the past completely and move forward with new ideas. Mazzini, Marinetti, and Boccioni have all pushed for this ideology in their own ways and criticized the past as almost harmful to society. Mazzini wanted to unify Italy and leave the poor and oppressed Italy behind, Marinetti wanted Italy to start innovating by cutting off tradition, and Boccioni changed the way art was made by leaving traditional art. Some have involved violence as a means to get what they want and others have opposed the idea of violence.
The Young Italy manifesto calls for reform, especially political and social reform. Mazzini wanted the younger generation of Italy to break from the past and move forward by uniting Italy. He also urged not to use violence unless there is a good cause behind it. Mazzini wrote, “Great revolutions are the work of principles rather than of bayonets,” which means the people should not use violence without a good cause, this kind of violence will not push the country forward (Mazzini 33). Later in Italian
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Artists started to break away from the norm and experimented with new techniques. One major theme in futurist art was capturing sensation. They focused on portraying sensation and movement instead of the traditional still life portraits. The painting, “Riot on the Galleria” by Umberto Boccioni, portrays a crowd with moving people and chaos. The borders and shapes are not clear which indicate movement. The multiple directions of the crowd capture the sense of panic and urgency. Traditional art featured still life, clear borders, and the people were realistic unlike the people found in futurist art. Futurist artists often claimed that traditional art was almost boring with no life and very anatomical. The style of these artists differed quite a bit from the traditional ways of art and is seen as a form of dissent from old
When considering Italy after its formation as nation-state in the late 19th century, it has never been required to change by other countries. However, throughout the entire history Italian territory has faced many invasion and battles which have influenced it. But unfortunately, this country has also been involved in cruel events for the purpose of conquering new lands. Some of the most recent terrible actions done by this country were the conquest of African colonies during the Fascism. Indeed, the purpose of these mission in Africa were to destroy other countries such as Libya and Eritrea in order to provide benefits to Italians.
Through these struggles Italians would thrive through the strength they found within their families. Southern Italy was very different from the North, The North was prosperous and full of culture. “Southern Italy was ruled by Spanish monarchy and was drowning in poverty”. The south sought unity with the north and believed they would find relief from the oppression of Spain. Unfortunately, the unity of
It is very difficult to define clearly what were the exact aims of the Mussolini’s fascist government, and it is difficult to speak about all these aims in one
Mussolini attempted to rule Italy with a combination of love and fear, but was not successful. When he tried to show love to his people but the groups who were inspired by him showed fear to the nation. Mussolini was hated by the people but was able to gain their support after the fall of Italy. Italy also did not have a lot of natural resources for trade that meant the nation was poor. He went back on all his promises and allied himself with Adolf Hitler.
This all proves that the Italian culture is defined by their strong values. The unity of their values is what makes them so strong. It all starts with that first commitment and not one could exist fully without the others. If it means having a dozen people over for Sunday lunch, inviting a stranger over for a meal every chance possible, or taking a two hour lunch break to spend time with friends and family, I think that Italians have the right idea. I believe that Americans use to have some of these same values and maybe some still do, but they are not always prioritized correctly.
It is easy today for someone to see the effects famous artworks have had: the toy clocks that look like they are melting and dripping off the table, the parodies of artworks on coffee mugs, and the artistic styles that still appear across the world. Many of these products and influences originated from the 1930s. This time was characterized by the Great Depression, upcoming World War II, the entering of communism on the world stage. Economic strife and political orientation found their way into the world of art, helping to develop new movements of Surrealism, Social Realism, and Regionalism along with artists, such as Salvador Dali, that will continue to captivate large audiences for times to come. For much of the decade, Surrealism and Social
The 1960s was one of the most controversial decades in American history. The 1960s was a decade of new democratic ideals. People from all races fought against discrimination and segregation. John F. Kennedy and MLK Jr. were assassinated and the culture in the 1960s reflected the social changes that were happening at the time. Although the African-American Civil Rights Movement started in the mid-1950s, it escalated in the 1960s.
Futurism is an art form that was discovered in 1909 by the Italian futurist Filippo Marinetti. It challenges and villainizes the traditional ways of life and targets artists to be open and bright towards the future and more modern technology. During the time, new inventions such as machines were challenging the way of life for most people. Futurism was very prominent in Italy during this time, however, the Futurism movement struck other parts of the world but this was not seen until a few years later.
32). As to be expected after any war, especially a war of this magnitude, there were a great number of dead and Italy was left with feelings of frustration and betrayal. Those who did return home from the war had a difficult time assimilating to their post-war lives and many blamed their problems on the government for poor negotiations at the culmination of the war and the country’s economic problems. It was because of these problems and the Italian people’s lack of trust in their government, that Benito Mussolini and the Fascists rose to power so
Benito Mussolini made many changes in Italy’s government, and
While Marinetti does refer to artistic expression by this, he also seems to perceive actual acts of war and violence as forms of art. This may be regarded as disturbing by a modern-day public. It does, however, clearly show an important aspect of the modernist culture: the desire to break away from the past, which was dominated by the emotionally charged art of Romanticism and the overly righteous moral standards of the Victorian age. To Marinetti, this feminine culture had to be put to an end. From a moral point of view, this may seem wrong, but like other modernists, Marinetti strives for the far
The French Revolution began to abolish privileged, high class society as people rose up against the authority and monarchy in France. As a result of this political upheaval almost all of Europe was shaken by social changes, revolutions, and wars (“French Revolution”). Artists and artwork began to reflect this new sense of change and nationalism with a movement called Neoclassicism. Neoclassicism is characterized by strong drawing, rationality, and better moral ideology. Artists began to no longer show their brush strokes and paint more about nationalism and patriotism in society.
The first reason was the absent of religion in Italy by the church which provided a disunity and disloyalty to the cities. The author cited that religion is the way of bringing benefits, but when it lacked, it became the opposite, so they were forced to the Church and Priests of being without religion. The second reason he stated is that the Church was the cause of ruining Italy by keeping the areas divided. He also claimed that unity and happiness would come back to the areas if they were under a prince or a republic’s control, such as
Futurist artists were initially influenced by Impressionist’s uses of color as well as the isolated patches of color and segmented brushstrokes of the Neo-Impressionists. Futurists also heavily relied on Cubism and its basic principle of distorting figures and showing multiple viewpoints. They then abstracted this idea and applied it a new manner that conveyed emotion. Although Futurist pieces differed greatly from one another, most shared the visual element of depicting speed viewed in close range. This was often achieved through blending objects and figures with the background, so that neither could be discerned from one another and resulted in motion and action portrayed through distorted forms and perspectives.
Back then, people didn 't want to care about any deeper meaning behind arts, they rather regarded the beauty of arts as the highest value, which is said to be a reaction to (the) industrialisation. Follower of the Aesthetic Movement had a completely different mindset than others. Instead of seeing life how it is, with good experiences as well as bad incidences, aestheticists rather believed that life only consisted of pleasures and that one should enjoy it without worrying about possible consequences.