ALCHEMY AND JUNGIAN PSYCHOLOGY
H.G. Wells – The New Accelerator vs E.A.Poe – Some Words with a Mummy
There has never been anything as lasting in the world as the human search for knowledge and the desire to preserve it and enhance it as time goes by. New experiments lie at the basis of new discoveries, and discoveries lead to experiments, thus creating a never-ending cycle of transformation of both physical matter and human consciousness.
Edgar Allen Poe, recognizable for his dark, macabre and mysterious settings and often disturbing stories, the father of the detective novel and also one of the masters of Science Fiction, “can [also] be credited with the first real short story about a mummy” (Joshi 384). In his short story Some Words with a Mummy, he
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Instead of prolonging life in order to preserve knowledge, he aimed to focus on a certain speck of a moment in which a person could live an infinitely larger amount of time. Indeed, he managed to create this mixture, which he placed in a green phial, color which is representative for the alchemical stage of transformation between “death [and] a new growth” (Raff 12), and in Gibbern’s case, between the usual life and the unusual experience, between the ordinary and the spectacular. The substance was to be taken with water, element which, in alchemy, “is either a healing factor, or poisonous and destructive” (Franz 101). Gibberne’s meddling with time was not only extremely dangerous because of the possibility to catch fire, but the discovery in itself would represent a great threat should it fall in the wrong hands. Such knowledge is rarely contained and most often abused – the Mephistopheles of Wells might have released into the world a poison far more damaging than anyone
And while attending college and having this idea of creating the monster, Victor had this idea of creating life from death from his learnings from his teacher Mr. Waldman. “ ‘A man would make but a very sorry chemist if he attended to that department of human knowledge alone. If your wish is to become really a man of science and not merely a petty experimentalist, I should advise you to apply to every branch of natural philosophy, including mathematics.’ Mr. Waldman.” (Shelley 34).
Reading Journal 1. 3.05 Poe describes the sensations of being buried alive. What imagery does Poe use to help you hear, see, smell, and feel? The unendurable oppression of the lungs- The suffocating fumes from the damp earth-
In the stories “The Tell Tale Heart,” “The Pit and the Pendulum,” and “The Masque of Red Death,” the author, Edgar Allen Poe, uses figurative language, irony and symbolism to teach us that fean can distort the mind, and cause paranoia and obsession,
As Othello is plagued by jealousy and Prometheus by compassion, Victor Frankenstien is crippled by his own hamartia: hubris. Frankenstein’s hamartia lead the young scientist to “ become greater than his nature will allow”(Shelley 52). He dives into his studies, and quickly becomes enamoured with chemistry, a newly evolved form of alchemy. Alchemy is an primordial science which strives to obtain the elixir of life and the sorcerer’s stone. In the intermediary stages of its transition into what is now recognized as chemistry, questions of artificial or prolonged life became popular with the educated public.
We’ve all read stories before but not like Edgar Allen Poe’s, his stories will question everything you think and maybe even horrify you, but one things for certain you will never be unimpressed with is work “There is no exquisite beauty… without some strangeness in the proportion.” From this quote you can interpret many things. Edgar Allen Poe is a very dark and gloomy man who is tying to survive in this world but you can see that darkness seems to always consume his life. Something else that stuck out is Edgar Allen Poe an alcoholic himself that seems to find it’s way into this story. For instance in many of his story like Tell Tale Heart the content is very dark and defiantly borderline insane in this paper I will be showing you what Edgar Allen Poe as I see fit.
Edgar Allan Poe’s frightening gothic style poetry and short novels about fear, love, death and horror are prominent to Gothic Literature and explore madness through a nerve-recking angle. The incredible, malformed author, poet, editor and novelist is recognized for his famous classical pieces such as “The Raven”, “Berenice” and “The Tell-Tale Heart”, pieces of work that mystically yet magnificently awakens readers with a gloomy spirit. Awakening the subject of madness through written work was viewed as insane during Poe’s times. Yet Poe published some of the worlds most magnificently frightening pieces of literature throughout history. In the following essay I will examine and cautiously analyze
Without, further ado let’s analyze Edgar Allan Poe’s writing The Tell-Tale Heart. The first horror genre element I noticed in his writing was an internal source of horror.
So Edgar Allen Poe uses our feelings and emotion, and he uses an element of
Edgar Allan Poe was an American author; he mainly focused in genres such as short stories and poems. Poe didn’t have much of an academic background in literature but, he excelled in it. Some people believe that his success was mostly due to the fact that his life was very sad, filled by a series on misfortunate events, such as being an orphan, suffering from poverty and being constantly surrounded by death. In his works, Poe portrays narratives that are characterized by their mystery and macabre. The topic of death was ever present in his work, constantly describe with dark moods and somewhat terrifying settings.
ENG-3U0 November 20 2015 Frankenstein: The Pursuit of Knowledge Throughout the course of their individual journeys, Victor Frankenstein’s extreme passion for gaining knowledge about creating life, Robert Walton’s curiosity to discover land beyond the North Pole and the monster’s eagerness to obtain knowledge about humans was the principal cause of each of their suffering. As such, In Mary Shelley’s Frankenstein, the pursuit of knowledge is a dangerous path which leads to suffering. Victor Frankenstein develops a keen interest in discovering knowledge about living beings which ultimately results in his personal suffering as well as others suffering. To begin with, Victor embarks on an assignment through combining body parts and following various
(Poe 4) After killing the man; chopping up his body; and hiding it beneath the floorboards, the narrator the narrator hears a noise that, at first, he cannot place. The heartbeat of a dead man and his general fear of the old man illustrate his Schizophrenia and his disconnection from reality. These diagnoses are examples of the narrator’s characteristics that prove his
Just as mentioned before in Mary Shelley’s days, scientists believed that someday they would be able to reanimate corpses, so although Frankenstein’s ‘mad scientist’ studies, examinations and experiments seem to be intense, Shelley, even if just loosely, based them on some of the scientific debates and discoveries. Her main influencer being Charles Darwin’s grandfather Erasmus Darwin and Luigi Galvani. Back then, it was not uncommon to share scientific ideas in poem form, which is why Darwin published a poem called “The Temple of Nature”.
Whether it’s guilt overriding their senses, killing someone because of a fear, the fear of being buried alive, the fear of disease, fear of the dead, fear of dying. In “Cask of Amontillado” (1846), Poe plays on the fear of being entombed. He projects these fears onto the reader. He uses dark language to project a horrific setting, such as putting an emphasis on the catacomb—how dark and decrepit it is: “We descended, passed on, and descending again, arrive in the deep crypt, in which the foulness of the air caused our flambeaux rather to glow than flame” (21). The walls “had been lined with human remains” just like the Catacombs in Paris.
Poe’s focus on the thoughts and emotions surrounding the protagonist, while providing few physical details of the events, gives the reader a psychological thrill as they are drawn into the mind of a
“The wine sparkled in his eyes and the bells jingled. My own fancy grew warm with the Medoc. We had passed through walls of piled bones, with casks and puncheons intermingling, into the inmost recesses of the catacombs.” (Poe, paragraph 50). Through Poe’s writings, he regularly shows strong descriptions which help convey