In Antigone, there was two brothers who shared being the King and one of the brothers, Polynices, wanted to start a war with the kingdom because he wanted to be the main ruler. Polynices and his brother Eteocles fight and they both end up killing each other. Their Uncle Creon, who takes position as King when they are both killed, decides that only Eteocles will have a proper burial and Polynices will be left to rot. Antigone, Polynices and Eteocles sister, thinks that Creon’s decision is unfair and takes upon herself to give Polynices a proper burial. When their other sister Ismene finds out, she is stuck between helping her sister bury their brother and following Creon’s demands.
Her over active imagination, anxiety, and aggression get her into trouble. When Nea tries to rescue Sourdi from her husband, it is the last straw and she knows that she has lost her dear older sister for good. “She had made her choice, and she hadn’t chosen me.” (84) Sourdi has matured and moved on while Nea is stuck in the memories of her
The sibling relationship between Antigone and her sister plays as a central theme in the work of Antigone by Sophocles. One of the central theme portrayed by Antigone and her younger sister is loyalty. Analyzing the text as a whole displays that Antigone’s younger sister does not know where her loyalty shouble be. In The text of Antigone it can be inferred that Antigone believed very strongly that her sister was a traitor for not wanting to help bury their brother. Antigone and her sister were very different than one another.
She wants everyone to do what she says no ands, ifs, or buts about it. As the story progress towards the end she begins to develop sympathy for the misfit in a plea to save her life. At first she is a little obnoxious to the family and none of the family gets along well, but with death lingering around the corner it makes her develop a new perspective of life. She cries out the name of her son but receives no response. She thinks being a lady and saying "You wouldn 't shoot a lady, would you?"
The Sympathy-Gaining Sister From an outsider’s point of view, this story might seem like just an average family altercation. However, when Why I Live at the P.O. is told from Sister’s point of view, the reader sympathizes with Sister and respects her decisions. Sister’s sole point in telling this story is to justify her actions and gain the reader’s sympathy. Telling the story from her point of view allows Sister to influence her audience by calling out the reader and belittling Stella-Rondo.
Her tragedy is that she realises knowledge too late for her to have the agency to change anything. While Helga loses her agency, The Bloody Chamber shows the narrator to escape repression through the help of her mother. Knowledge is portrayed to be an end goal by both female protagonists and both give in when they come to difficult realisations. One interpretation is that the women are punished for seeking knowledge. Another is that they are faced with the result of not pushing themselves further once they arrive at the truths that sit uncomfortably with them.
Often, in public opinion Eleanor was branded as a bad mother, which was an unfair observation from outsiders which weren't privy to her authority being emasculated on a daily basis by her mother-in-law. Not to mention, her husband's culpability in the willful exclusion of his parental role in their children's lives. Additionally, the lack of a maternal instincts, which can be attributed to the dysfunctonal relationship with her mother was another hampering fact which precluded Eleanor to be the mother she wished she had been. Consquently, collectively these behaviors facilitated the relinquishing of her maternal influence to Sara and ultimately robbed her from her rightful place of being their
Oedipus Rex Essay In the play Oedipus Rex, he married his mother and killed his father without knowledge. He was fated to do the things, but he used fate as an excuse for his deeds. He was formally guilty for the act of marriage with his mother and materially guilty for murder of his father. It was the knowledge of his fate that made him do the things he did. He lived in fear of the things he would do.
Firstly, Antigone tries to find the help of her sister, Ismene, but when she understands the fear and passive attitude Ismene has, Antigone ignores it as even a choice, another example of perhaps Antigone's tragic flaw, her own arrogance. As the story
The idea of blocking everyone out helped Connie build her self-confidence. To emphasize Connie’s narcissism, Oates stated that “Connie’s mother kept picking at her until Connie wished her mother was dead and she herself was dead and it was all over” (324). Because Connie felt so negatively of her mother and family, she creates an idea of wanting to be on her own. She doesn’t know exactly what it is like to be without anyone to use as a crutch, but Conni feels as if her mother doesn’t want her to be pretty. Connie wanted to shut her family out because she felt as if they didn’t love her as much as her genuine sister June.