#51 Sorrow He doesn’t talk too much as he used to before; he doesn’t care anymore about his hair, falling onto the face, − it protects him, more or less, when he no longer can pull a lenient smile onto his lips. Though, he was kinda alright at the court, without even knowing that he would be acquitted; he even made a thanksgiving speech at the following party in the small pub, where they decided to celebrate the happy outcome. There were some guys form the police department as well; he still owes them money for the game of mus. Leon comes closer and squeezes Luis’ shoulders, forcing them to square, and then, barely touching, he puts a wavy lock behind Luis’ ear. “How… maldita sea… There’s so much blood on my hands, but here I am, sitting like nothing’s ever happened. They had their families, their habits, their faith…” Leon’s thumbs stroke his neck, they go up and …show more content…
The knuckles are grazed, but already healing: thanks to the intense trainings, the self-defense. The little finger’s phalanx on the left hand is missing: carelessness is always followed by punishment. The light-colored strokes are spreading over the shoulder and the forearm, and a couple of the crooked ones are hiding behind the ear: the glass had gashed out, he wasn’t too quick to take cover, but he remembered the most important thing − to shield the eyes. The knotty scar on the thigh next to the artery: every minute was counting, he had to mend himself right on the battlefield. The burn down the shin he got the same day, disinfecting the wound, left by the rusted splinter, with fire; if it went a little bit deeper, he wouldn’t be able to stand up again. The furrow on the cheek: Leon had shouted, but hadn’t been heard under the thundering bursts, so he had to shoot, risking. Leon’s such a good shot, the proof is here as well, among the other scars; the radial star on the
A single drop of deep crimson blood fell onto the pristine, alabaster sink in the home of Thomas Milburn. In his peripheral vision, he could see another one slithering down his cheek into the basin. His hands were shaking again, he had noticed the tremors only yesterday, and yet they were already worsening. He looked down at the silver razor in his hand, the white splotches of cream were now tinted with a red hue. “Damnit,” he said, under his breath.
Montresor begins his story by expressing his excitement over the future events that would culminate in Fortunato’s death. When he sees Fortunato one day during carnival season, he is so overcome with excitement that he says, “I was so pleased to see him, that I thought I never should have done wringing his hand” (1). Montresor reveals his true conscience by showcasing his enthusiasm for Fortunato’s future demise; in doing so, he shows that he is incapable of compassion and has no guilt. Because of his inability to feel guilty over what is to come, Montresor’s confession of the crime has no remorse. It lacks the grief associated with remorse and is more of a brag.
The Graveyard Book Theme The theme of the text, The Graveyard Book by Neil Gaiman is that fate and free will are apart of life and we need to embrace them. Neil Gaiman weaves this throughout his novel by showing how Bod is destined to fight the Jacks. He somehow gets lead to the graveyard where he meets people like Mr. and Mrs. Owens that take care of him. Thousands of years ago someone predicted Bod would defeat the Jacks.
In the “Cask of Amontillado” Montressor is a very angry and vengeful man. He says that he was insulted by Fortunato, but fails to give a reason as to why or how. He begins to enact his revenge by luring Fortunato in with the rare wine and when his “friend” Fortunato is drunk, he t proceeds to bring him deeper and deeper underground, while telling him to turn around repeatedly. Once he reached a place where no one can hear them, Fortunato walked into what he thought was another corridor, but it would turn out to be his grave! For as soon as Fortunato hit the wall, Montressor chains him against it.
Where is this special wine you speak of?” “It’s a bit of ways from here, just follow me. And I promise it is well worth the wait.” “Here we are Fortunato, in these underground catacombs are the special wine. Just follow me.”
Winter Dreams By F. Scott Fitzgerald is a short-story telling of a 14 year-old caddy named Dexter Green. In this narrative Dexter meet Judy Jones while working at his golf course. As the story continues on, Dexter becomes severely infatuated by Judy. The desire to be hers overcomes him so greatly, he works his way to wealth to be in the same social class as her, hoping to catch her attention and marry her someday. However Judy may be beautifully the outside as she ages, but her insides say differently.
Pennhurst Asylum By: sarah hill The air stands still as you walk around the decaying buildings. The feeling of something watching you is heavily present in your thoughts. An oder, a damp, musty, moldy odor, fills your nose as you try to peek inside and see what 's in these decrepit buildings.
She explains the scene with every bone cracking detail. For example a pilot, Garret, had been captured with an infection in his leg, and the Japanese promised him treatment in exchange for secrets, to which Garret refused. “His (Garret) ankle festered, maggots hatched in it…” (200) “ Two days after Christmas, Garrett was tied down, given a spinal anesthetic, and forced to watch as the Japanese corpsman sawed at his leg, then snapped it off. Though the infection was limited to the ankle, the corpsman cut the entire leg off, because, he told Garrett, this would make it impossible for him to fly a plane again.”
There are multiple stages of grief and healing. The stages have no order, so one person may not be at the same stage as another when dealing with the same situation. The same thing applies to the stages of healing. In the novel “Ordinary People” by Judith Guest, the Jarrett family, Conrad, Calvin, and Beth are all in different stages of grief due to the loss of Buck and other reasons varying from character to character. The two main characters Conrad and Calvin move from stages of grief to stages of healing by recognizing why their grieving.
One of the very first times they were at the Front line, Behm, a solider was the first to be injured, “He got hit in the eye during an attack, and we left him dying for dead… and was mad with pain, he failed to keep under cover, and was so shot down before anyone could go and fetch him in”( Remarque 12) . No one risked their own life to go back and help out the injured soldier. The way Behm died was harsh and painful as the author described him being shot. The violence being depicted will sink into the soldier’s
There was a long jagged scar that ran across his face; what teeth he had were yellow and rotten; his eyes popped, and he drooled most of
The books A Lesson Before Dying by Ernest J. Gaines and Kindred by Octavia E. Butler are set in different time periods but you can see the theme of society and setting playing a huge role on a person’s identity. The book Kindred is set over many years in the eighteen hundreds and in nineteen seventy six. The book A Lesson Before Dying is set in the nineteen forties. In both of these books you can see how the character’s setting affects how they act. Two main motifs that show through during these time periods in that of slavery and racism.
Formula fiction is defined as literature in which the storylines and plots have been reused again and again until they are predictable. One such piece of literature is A Secret Sorrow by Karen Van Der Zee. A Secret Sorrow as well as more serious fiction such as A Sorrowful Woman are fantastic stories that provide entertainment and pleasure. A Sorrowful Woman, however, is the better of the two stories because of the male protagonist, the female protagonist’s internal conflict and the child. Both A Sorrowful Woman and A Secret Sorrow have male protagonists whom are there for the female protagonist in their time of need.
Tick. Tock. Tick. Tock. Hearing the clock tick while staring at the dull grey walls of the hospital – everything seemed to be still.
A Trip to Turkey will Thrill You Turkey the nation is situated in western Asia and Europe having its cultural associations to antique Roman, Greek, Persian, and Byzantine and with the empires of Ottoman. Cosmopolitan Istanbul, to be seen on the Bosporus Strait, is the abode of iconic Hagia Sophia. This is being one of the top travel goals of the earth, is welcoming the travelers every year.