What constitutes a person’s humanity? This is the question Karen Russell explores in her short story “St. Lucy’s Home for Girls Raised by Wolves.” Russell defines it as one’s individuality and their moral choices, as evidenced by the central idea of the story. This is reflected in the fact that the entire story is an allegory for the struggles of the Native American children in the 19th century. The main characters in the story are three wolf-girls, Claudette, Jeanette, and Mirabella. They are heavily influenced by the nuns teaching them how to be “more human.” This allows Russell to demonstrate humans’ influence on those they consider to be “non-human.” When humanity is defined in this way, it is demonstrated by the nuns teaching the girls …show more content…
Both groups of children were taught more “traditional” morals and ways to act. Physically, this was exemplified by cutting their hair, different manners of dress, and gaining new names. Psychologically, certain changes were that they were taught new languages, being told that their old language was wrong or inferior, they both forced to assimilate with a new culture after being ostracized.The two groups also both lost their home cultures, being forced to use a different language and practise Christianity. Most importantly, both groups of children were taken from their parents and homes to become more cultured or civilized, by American standards. This resulted in the parent-child bond being broken. This is symbolized in the story by Claudette not being able to find her way to the cave where she was raised after becoming more “human.” The more “civilized” people in both of these situations often teach the children these new beliefs about what is right and wrong, giving them a more “human” set of morals, and this is one of the points Russell makes in her central
In stage two of Karen Russell’s story “St. Lucy’s Home for Girls Raised by Wolves”, the epigraph informs us that the girls will be working very hard and will experience stress which will cause emotional distress and periods of unhappiness. As well as that they must “..must work hard to adjust to the new culture”. The pack of girls felt as if they weren’t in their place or where they belonged. They didn’t find their purpose yet. The girls during this stage will experience feelings of being “isolated..,depressed, or generally uncomfortable” as they begin to adjust to their new environment.
Adjusting to a different culture is not easy. This is what takes place in the short story, “St. Lucy’s Home for Girls Raised by Wolves” by Karen Russell. The story is about a pack of wolf girls who are forced to live in a new cultural society. These wolf girls will have to disregard their past cultures and adapt to the ways of regular humans, like their parents wanted them too. How the wolf girls react to their new surroundings by finding everything new, exciting, and interesting is what makes the epigraph in stage 1.
Everyone is raised differently from the minute they are born. These differences range from small to extreme actions. There are little things like learning how to read or bigger things like being raised to believe in a higher power. Some children are disciplined by word or with a physical action. Everything varies from the very start.
There are many literary devices used across stories. Color imagery is one of these literary devices that is used when colors give objects a symbolic meaning. In the short story “St. Lucy’s Home for Girls Raised by Wolves” by Karen Russell, girls who have been raised as wolves are thrust into the unknown as they are forced to adapt to human society. Their childhood was spent living with wolves, however they are taken in by nuns of St. Lucy’s who attempt to assimilate them into the human world through different phases. Throughout the story, color imagery is used to emphasize the key theme of unity, establish the conflicted tone, and metaphorically develop Claudette’s character.
In “St. Lucy’s Home for Girls Raised by Wolves”, Claudette, Mirabella, and Jeanette is taken to a foreign place to adapt to human nature. They are taken through the process of 5 stages of becoming human. Claudette, the speaker of the story, is stuck between two faces, the human and the wolf face. While Claudette is in between these two worlds, she has fully conformed from wolf to human. She has completed the transformation from wolf to human because her own mother doesn 't recognize her, trying to make herself seem more like human, and not even caring about her own fellow wolf mates anymore.
Karen Russel’s narrator, Claudette in the short story “St. Lucy’s home for girls raised by wolves” has a guilty hope that she fails to adapt to her new human culture and exhibits her instinctive wolve traits showing that Claudette has not successfully adapted to the human culture. Claudette wishes to adapt to the human culture but has a difficult time accepting it. The St. Lucy’s home for girls raised by wolves is for girls to learn the human culture. The faster the girls go through the stages, the faster they have adapted and accepted their new culture and can be released. While Claudette acts as if the human culture is growing on her
People who endure dislocation feel out of place and have many mixed emotions. Karen Russell’s “St. Lucy’s Home for Girls Raised by Wolves,” tells the story of a group of girls who suffer from lycanthropy including Jeanette, Claudette, and Mirabella. The “pack” of girls go through many stages to rehabilitate to their human identity. The girls experience culture shock and have to work as they progress through the stage.
A commonly known truth is that one should empathize with those they love. It is almost as if Rex and Rosemary do not love their children, or at least don’t know how to properly show their love and affection, as indicated in Jeannette’s stories. Having a sense of self-worth is essential to a child’s development, meaning that they should feel they matter to those they love, including their parents. Rex and Rosemary are both detrimental figures in all four of their children’s life due to the fact that they make them feel worthless. Both Brian and Jeannette are sexually abused by two family members, Erma and Stanley, and when Rosemary and Rex are made aware of the problem, they approach it as the kids’ fault.
As a parent, you wouldn’t send your child off with strangers, if you were lead to believe that those strangers could give your child a better life? In St. Lucy’s Home for Girls Raised by Wolves, by Karen Russell, children are taken from their home in the woods to a school which will teach them how to be civilized. The girls are raised by werewolf parents, but since the werewolf gene skips a generation, these children are not really werewolves. A group of nuns come to take them to a school to teach them to be human. In St. Lucy’s Home for Girls, Mirabella was a failure, slow, and destructive and was unable to adapt to her new life.
In the story, “St. Lucy’s Home for Girls Raised by Wolves”, the author, Karen Russell, uses feral diction to establish that although people strive for perfectionism in their lives, people cannot become someone or something that they are not, thus causing a loss of identity. Russell uses feral diction in “St. Lucy’s Home for Girls Raised by Wolves” to prove that people cannot change who the are. For example, Kyle tried to talk to Claudette, but just succeeded in annoying her instead. Claudette immediately reacted and, according to the story, “I narrowed my eyes at Kyle and flattened my ears, something I hadn’t done for months” (249).
They think they can bend the rules and do what they think is necessary. Jeannette is exposed to these understandings, making her the person she grew up to be. Jeanette demonstrates how she struggles with her family throughout numerous portions of the novel: “The Desert,” “Welch,” New York.” These struggles developed and defined who she came to be.
During stage two, Russell’s development of Claudette directly corresponds with the epigraph. Claudette found that she was always “irritated, bewildered, depressed… uncomfortable and between stages”(page 229). This lines up perfectly with the Handbook, which describes feelings of discomfort and dislocation among the pack. Claudette had even “begun to snarl at [her] own reflection as if it were a stranger,” showing that she is very uncomfortable with the changes that have happened to her, both physically and mentally. In Stage 2, when the girls had begun to drift apart, Claudette found where she fit in, explaining that she “was one of the good girls.
In the short story, “St. Lucy’s Home for Girls Raised by Wolves,” written by Karen Russell, a pack of wolf girls leave their home in the woods for St. Lucy’s in order to be able to live in human society. Within the story, Russell has included epigraphs before each stage from The Jesuit Handbook for Lycanthropic Culture Shock. This handbook was for the nuns at St. Lucy’s to help guide their students. Karen Russell included the epigraphs, short quotations at the beginning of a chapter intended to suggest a theme, from the handbook to help the reader understand what the characters might be feeling or how they will act in a certain stage. In Stage One, the epigraph closely relates to the characters’ development, yet doesn’t consider that the girls could be fearful in their new home due to interactions with the nuns.
This question has been asked for hundreds of years, are humans born inherently good or bad? Some might argue that as people mature, society’s influences ultimately determine whether or not that person will end up being good or bad. These people suggest that humans are naturally born of good intent. Many studies show that this may be true. In another case it can be argued that some people are born with a natural instinct to do bad things.
In Stage One, Claudette exceeds the standards the handbook sets. The handbook says that the girls will experience new things, full of curiosity and wonder of what is to come (225). Claudette exceeds this description, along with most other members of the pack. Throughout Stage One, each member of the pack has great curiosity of their surroundings, leaving a destruct wake in their path. The girls “tore through the austere rooms, overturning dresser drawers, pawing through the neat piles of the Stage 3 girls’ starched underwear, [and smashed] light bulbs with [their] bare fists” (225).