Analysis of the Painting Foremost, the humanity represented by Starry Night over the Rhone is much brighter, as evidenced not only by the brightness of the windows, but the depths at which they are reflected on the river. Furthermore, the darkness of the sky is brighter than in The Starry Night, which, in the latter painting, is a symbol for depression. In the distance, the lighter blue is seen by some critics as the first signs of morning. It is important to note that here the optimism comes from the sky, not from the town. The Painting It is differentiated from other Vincent’s Starry Night paintings because it contains human beings it captures the gas lighting in Arles at night and an illuminated sky. The gas lighting reflections are clearly …show more content…
Rhone – that which rolls – is an important river running through Arles. Its importance and the beauty at night maybe allured the artist to illustrate it with oil on his canvas. Van Gogh has never tried to depict scene in their natural conditions. He always twisted the scenes and added imaginary colors and portions to the scene to get the exact impact he willed for. Adding artificial color to the image was a new idea in his time and Van Gogh used it very well in most of his works. Here, as he described in one of his letters to his brother, the depiction consists just a friction of realism while everything else is impressionism or post-impressionism which he acquire in all of his later works. The colors of the sky, water and land in foreground almost looks the same when instead the real landscape had the colors of aquamarine, royal blue and mauve respectively. It is a mark of his artistic understanding about the scene to make it more soothing to eyes. The position of the stars in the sky is formative as the stars in the middle are the members of the constellation called Ursa Major or the Great Bear as artist mentioned it in his letter. Though, in reality, by looking at the real place the Ursa Major constellation is not situated at the place artist has depicted. Maybe we can call it Artificial
Analyzing Barbara J. Anello’s Long Son Pagoda American photographer, Barbara J. Anello, has traveled to Southeast Asia documenting the historical aspects of traditional art and culture. Anello’s collection, “Photographs of Southeast Asia and Morocco”, focuses on the domestic architecture of rural areas and cultures. Anello’s photograph Long Son Pagoda was taken in Na Trang, Vietnam on March 3, 2008.
The sun beams from the sky are lighting up a small area of the painting and the rest is dark and gloomy. The gloominess of the painting represents dark and depressing times while the brightness of the sky creeps through thick dark clouds. This represents heaven because heaven is so large and bright and amazing that even though life is hard and seems like the world is ending, there is always something greater out there. Personally, I love this painting. I really like how Dore paints that trees and valley dark because it really highlights the beams from the sun.
The Architectural Fantasy by Hubert Robert is an oil painting created in 1802. For an architectural painting, is displays much emotion through the use of color, line, and light. The painting does not utilize a multitude of colors but still is able to provide an exciting scene. Although it does not appear to be that large in the gallery, the work would actually be prominent if it were a standalone piece. The artist’s use of perspective, light, and color give the overall composition a balanced look.
The art work that is analyzed below is the “Noah Sacrificing Deluge” by Benjamin West. This particular painting was painted in the 1800s and the artist used an Oil Paint on a canvas. This art was 1 out of 36 in a series for the Windsor Castle in England. Mr. West lived to be 82 years old and was the first Americans to become a success on the foreign market. He would become a historical painter for King George III and president of the Royal Academy of Arts.
Through this comparison, it is illustrated that children value nature and the truths that arise from it more so than an adult. This image displays the insight that in order to view the beauty of life in its entirety is to gain an optimistic perspective, much like an imaginative child would possess. Moreover, Emerson executes personification in order to convey his insight regarding nature. In the piece, Emerson grants the human-like quality of smiling to stars when he states, “If the stars should appear one night in a thousand years, how would men believe and adore; and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile.”
On January 7 1830, Albert Bierstadt was born in Solingen Germany. From an early age he had an interest in art. In his youth he began making sketches with crayons, and in 1851 he started painting in oils. Bierstadt painted “the old mill” in 1855. The painting still exists, however it is a private collection.
The portrait was painted on wood panel and in gothic like form. Nonetheless, this masterpiece is representation of time, the complexity of the painting and the
However, the top fraction of the painting is more light because it represent the sun and the other half of this painting has a darkness which can be the shadows of the lights or to illustrate the big rocks. An intuition of my part, is that I think this painting is depiction of harmony in nature. Indeed, the "Cora Kneeling at the Feet of Tamenund" is a painting that reflects the scenery beauty of the Hudson
The brilliant hues of greens, purples, reds, and yellows that are strategically brushstroke on the piece give of a sense of impressionism. The characteristics of this piece capture the modern them of leisure activity. Caillebotte’s young cousin Zoe and brother Martial are depicted in this piece through the two characters. Both characters are dressed relaxed and have middle to upper class attire. The painting contains element of modern style through the scenery and garden.
The Ontology of the Photographic Image André Bazin André Bazin through “The Ontology of the Photographic Image” examines how the mechanically produced photographic image is superior to the manual plastic arts for preserving humans and reality through representation. Bazin explores the existence of the photographic image through his essay. Plastic arts were used in the Egyptian civilization to preserve human beings.
The use of such unnatural colors and the presence of revolutionary minimalist strokes represent the key features of the “art of the beasts” and provoked agitation within the critics. The colours of the painting are the main characters
La Grenouillère has people that appear to be talking and laughing and swimming which all implies movement, and because there are people scattered throughout the middle ground, the audience directs their eyesight from one end of the painting to the other. There is also proportion in the painting because the people are all the same size and aren’t bigger than the trees or very small. The objects all together in the painting elicit a relaxed, happy mood. Towards the foreground, the colors used are much darker and seem like they’re under a shade while the background seems like the sun is shining on it, which is a direct contrast of light and
Early in the novel, the reader gets the impression that the painting is pervaded by the longing for the youth that one has lost as well as the frightening deficiency of human life. In chapter eight this painting is described as: “the most magical of mirrors.” (Wilde 98). The portrait works
Sasha’s Description Paragraphs: Sleeping Venus (1510): In the painting entitled “Sleeping Venus”, by Giorgione, there is a nude woman reclining in the countryside with her right hand behind her head, and her left hand on her groin. She covers the whole width of the painting. She has amber-colored hair that is parted in the middle and braided around the sides. The woman is resting atop a red and gold gown, which her cream-colored skin contrasts with.
In the 18th century, another one of the greatest artist of all time, Vincent Van Gogh illustrated a very personal painting. The Starry Night is now one of the most widely known paintings in the world, but the story and meaning is not. Both artist used dark and grim themes when it came to their creations, and that is what draws the public to them. In today 's society we are able to relate to the deeper and more mentally touching symbols of these pieces of art. Andrew Wyeth’s painting, Christina’s World shows a young woman in a empty field looking up at a grim farmhouse on a rustic summer day.