Wayne Holder
Professor Klepacki
10/23/15
Paper 2: Modern Composer
My personal philosophy on the relationship between music and individual sounds is that they are interrelated. Sound encompasses such a vast range of things that it encompasses music too. Music is created by sounds carrying emotion. Similar to my belief Steve Reich has said “…you get a car crash, you record it on tape…But a car crash is a chilling, emotionally loaded event”(Reich). To me when Reich says this it implies that all sounds whether it is a car crash or as mentioned by Reich in this interview a modulated version of any sound, carries emotion. Reich’s philosophy of music include minimalism or simplicity and the importance of sound.
Steve Reich is an important modern composer
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Repetition is used so frequently in popular music today as a way to add depth to a song, and or give it drive. Although Reich is not the sole provider of this stylistic feature, it is still reflected in the music of today. He also has implemented electronic elements into his music for aesthetic effects “…they think they’re sort of electronic frogs or something. It’s bass clarinets played very rasping with a microphone shoved way down into the bell…” (Reich, American Mavericks). The combination of electronic instruments and electronics with classical instruments may not have begun with Reich, but he did use it thoroughly with his music. After Reich’s beginnings with electronic components they have been used consistently in music today. For instance, this previous years Drum Coors International troop The Blue Devils implemented the use of layering very similar to that off Reich in their marching show …show more content…
Although his music does not always fit the “classical” sound like pieces created by famous composers like Bach or Beethoven, that does not mean his music is not classical. His philosophy on music has been developed over many years due to his studies at numerous post-secondary institutions both national and international. His use of a diverse knowledge base is evident in his works such as: Sextet, It’s Gonna Rain, and Music for 18 Musicians, and more.
Works Cited
Reich, Steve. "American Mavericks: An Interview with Steve Reich." Interview by Gabrielle Zuckerman. American Mavericks: An Interview with Steve Reich. American Public Media, July 2002. Web. 18 Oct. 2015. .
"Steve Reich - It's Gonna Rain." YouTube. YouTube, 5 Apr. 2014. Web. 18 Oct. 2015.
He paved the way for a new generation of composers and musicians to discover and appreciate classical music, which significantly contributed to the survival of classical music in the 20th and 21st centuries. Berlin was known for his skill in fusing classical and popular music, producing a distinctive sound that captivated listeners of all ages. Berlin's influence on classical music started in the early 1900s, when popular and classical music were still seen as distinct genres. By incorporating classical elements into his popular compositions, such as "Alexander's Ragtime Band," which became a mainstay in American music culture, Berlin challenged this distinction. Berlin's strategy assisted in removing the walls separating classical music from popular music, creating new opportunities for innovation and experimentation.
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In this essay, I will be discussing Glenn Gould’s performance of the ‘Goldberg Variations’ recorded in 1955 and the relationship between the work, the performer, and the performance. I decided to choose this recording rather than the 1981 recording because it was performed when Glenn Gould was young and in his prime and I think it reflects his style of performance more clearly and gives a preview of sorts to the performances in the years following this recording. I prefer this recording because it is more lively and inviting. Many people argue that the 1981 version is more emotional than the 1951 but I think both are very emotional recordings, just different kinds of emotion. When Bach released the ‘Goldberg Variations’, a set of 30 variations
After reading Psycho and the orchestration of anxiety I was glad to have learned more about the musical impact of the film. Allowing myself to think critically about the article has given me a new perspective on film production. Perhaps one I wouldn 't possess if it hadn 't been for Deutsche’s magnificent
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As much as Modern composers tried to expand the boundaries of atonal music, not all Americans were able to accept unconventional works. The effect of 18th and 19th century music created an impression that there should be a harmonic relationship between sounds, a factor that differentiates 4’33” from the other works (Patterson
Introduction Roger’s and Hammerstein’s The Sound of Music is arguably one of the most well known films that many can admit to watching at least once in their lifetime. People all around the world have found this musical inspiring, as it documents growth and hope amidst the horrors of World War II. This incredibly well written film is based on the story of the Von Trapp family who escaped Austria when the Nazis invaded it during the war. Part of what made this movie so interesting on so many different accounts was the music that accompanied the vivid and exciting scenes. Without music, many could agree that our world would be a sad, quiet, dull and depressing place.
In the words of Kyle Gann, “Who wants to be limited to one idea, one texture, one sound-concept, in every work? Not very many composers. And so the young listened critically, absorbing minimalist strategies but meanwhile planning new ones of their own.” (Kyle Gann, 1998). Post Minimalists sought to create a consistent musical language in which to compose.
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He said listening to his compositions, he would always think the end sounded like something Chopin or some other composer wrote. It was the scientist in him that made him want to stick to structure, although he can be quite creative as a musical arranger. Music always He appreciates most forms of music except hard rock and jazz.
Introduction The concept of recording has changed drastically, evolving and developing throughout the years. This allows musicians to record any amount of music they wish. Albin Zak chose to discuss this subject in his article "Sound as Form" and dissects the concept of music recordings and what they are comprised of. Zak is of the opinion that musical recordings begin as "isolated elements" which combine together to become "the piece as a whole".