Still Stands The House Analysis

In her society, it is the woman that is left to be alone in her own thoughts, shown through her husband’s freedom to leave the house and not come back until he wants to versus her confinement to the house. This is reflected through the various “hedges and walls and gates that lock”, making her stay isolated in the house. Ultimately, the character is overtaken by the imagination and through the

Even his wife Ruth is not living the life that she wants to live in. She is separated from her husband because of a worthless item that hides and covers the beauty of life from him. Rather than living in a fancy house, she’s living in a house that looks like "a prison than palace." Her depression is evolving over time even though she’s also a member of this wealthy family. She tries to prevent this from happening by trying to keep her son close to her all the time as what her father used to do with her, as said, “Her steady beam of love was unsettling, and she had never dropped those expressions of affection that had been so lovable in her childhood.”

She grows old with the self-condemnation of staying with Nathan for as long as she did, for if she mustered up the courage to leave the Congo earlier, Ruth May would not have died. Ruth May’s plea for Orleanna to forgive herself, just as Ruth May has forgiven her, presents the possibility of repentance for anyone, no matter how great of consequence their mistakes are. Though she never passed the age of 6, Ruth May seems to have learned better than most the importance of finding strength from and learning from wrong-doings. Urging her mother to “Move on. Walk forward into the light”, Ruth may passes along her own moral reassessment to anyone whom will listen, telling the error in letting so-called sins weigh down ones self forever

Hale and Mrs. Peters relate more to the woman as they too feel the isolation. “I’ve not seen much of her of late years. I’ve not been in this house—more than a year” (Glaspell 763). Mrs. Hale says, as she’s talking to the Sheriff. “Trifles” makes the isolation of women into something that the man caused her.

Although, when Ms. Hancock dies, she breaks free of the hold of her mother and is “born” a new person. In the end, Charlotte realizes that adults can not see the beauty in people like Ms.Hancock, yet children can. Through juxtaposition, symbolism, and irony, Wilson describes Charlotte’s self-realization of life. Charlotte’s mother’s and Ms.Hancock’s descriptions are a juxtaposition in order to convey her true feelings of her mother and Ms. Hancock.

Abandonment and Identity in Housekeeping The setting of Housekeeping begins in Fingerbone, Idaho, where the narrator, Ruthie, and her younger sister, Lucille, resides. Although Ruthie and Lucille are sisters, they went through many heartbreaking events that made them view the world differently. Thus, because of their indifferences, they isolated from each other. Throughout the novel, Ruthie and Lucille never had a concrete parental figure to look up too, thus leading them to have a sense of abandonment.

“And they all lived together in a little crooked house,” Sophia, the granddaughter of the Aristide Leonides, said quietly. This statement is very enigmatic and mysterious. The word ‘crooked’ displays the dark mood of the novel and foreshadows the ominous incident that will happen in that ‘crooked’ house. The book Crooked House by Agatha Christie illustrates the murder of Aristide Leonides, the head of the Leonides family. He was found to be dead due to the overdose of the eserine, which is a drug used in Alzheimer disease. In the crooked house, everyone can be a murderer; everyone has their own motives to commit a murder. During the investigation, every one of the family members seemed to be protective for each other; however, they all slightly wished the murderer to be the right person.

Throughout the book, Moody narrates the difference between and her mother’s way of thinking which signifies their generation gap. Anne mood’s mother, Toosweet Davis (Mama) led a challenging life of inequality and suppression. Just like many African Americans of her generation, Mrs. Davis fears to protest for justice and equality. Similarly, Toosweet lacked the confidence to stand up against her husband family. After witnessing this, Moody showed the lack of respect for her mother’s actions of belittling herself.

Wright is an example of a battered wife that experienced many levels of abuse” (Schanfield 1655). Schanfield outlines “physical and sexual abuse, but also emotional, economic, verbal and isolation as methods of control and domination” (Schanfield 1655). Mr. Wright completely dominated Mrs. Wright and uses isolation to make Minnie Foster inferior in their relationship and in society. In “A Jury of Her Peers” the women were caucusing over who Minnie Foster used to be and Mrs. Hale said she “remembers her as a lively girl with pretty clothes, wearing a ‘white dress with blue ribbons’” (qtd.

The story opens with Mrs. Wright imprisoned for strangling her husband. A group, the mostly composed of men, travel to the Wright house in the hopes that they find incriminating evidence against Mrs. Wright. Instead, the two women of the group discover evidence of Mr. Wright’s abuse of his wife. Through the women’s unique perspective, the reader glimpses the reality of the situation and realizes that, though it seemed unreasonable at the time, Mrs. Wright had carefully calculated her actions. When asked about the Wrights, one of the women, Mrs. Hale, replies “I don’t think a place would be a cheerful for John Wright’s being in it” (“A Jury of Her Peers” 7).

The usage of both literal and indirect ways allowed the reader to dive into Ruth’s thoughts, actions and attitude. By showing her as a troubled girl who had insecurities and self-doubts about bullies such as Macca, the human readers may empathise with her. Later, Ruth becomes a quiet hero despite the consequences; this inspires the audience. The author allows her audience to see her thoughts and

The New Women turns out to be helpless and incapable all by herself. Only trough the help of benevolent men representing benevolent patriarchal systems Ellie is able to follow her dreams and fulfill her desires. Capra’s film presents the New Woman of the 1920s as a simply wrong concept which naively thinks of women as completely independent when in reality women are more than just dependent on men. Ellie’s crying out that she cannot be without Peter is more than just a phrase said when being in love. Ellie could have actually not been on this trip for so long if it was not for Peter.

Ruth and Isabel are both slaves who are attending the funeral of their previous owner Miss Finch. Both of them are excited when they realize they will be free once their owner dies, as stated in her will. However Miss Finch’s brother Robert doesn 't approve of this. He instead sells them to Anne and Elihu Lockton who are Loyalists currently during the Revolutionary War. Anne makes the girls call her Madam and is very cruel to them.

She exists in a time when women are classified as objects of beauty and property, and her heart trouble suggests that she is fragile. Louise’s initial reaction to the news of her husband’s death suggests that she is deeply saddened and grief stricken when she escapes to her bedroom. However, the reader is caught off-guard with Louise’s secret reaction to the news of her husband’s death because she contradicts the gender norm of the 19th century woman. Her contradiction to the stereotype / gender norm is displayed when she slowly reveals her inward

The two women further differ in their view of the men in their life. The actions of these two women bring their similarities and differences out for the audience to see. Nora and Kristine are very independent for women in the 1800’s. Kristine is a widow of three years, and has yet to remarry. She touches on this in Act I, while speaking to Nora about being a widow.