Every individual will experience grief within their lifetime and this is revealed by James McAuley and W.H.Auden in their poems “Pieta” and “Stop all the clocks”. These two poems remain similar in the means that two men are experiencing grief. However they both are experiencing it differently with their feelings and the person who died. “Pieta” expresses a grieving father who is accepting of his grief whereas “Stop all the clocks” reflects upon a man who is full of anguish, grieving for the loss of his lover.
Exploring the heartache of a grieving father on the anniversary of his child death “Pieta” recounts how a child came metaphorically “early into the light” and “lived a day and night, then died.” Similarly “Stop all the clocks” also focusses
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Although similar they contrast in their different ways of expressing loss. ‘Mirror” expresses the grief of a woman who has lost her youth whereas “We Are Going” exposes the tragic loss and annihilation of an Indigenous community.
The reality of aging cannot be escaped and “Mirror” tells the story of a woman dejected by the loss of her youth. Similarly “We Are Going” also focusses on loss, but instead of focussing upon the experience of an individual, it is the loss of a community which concerns Noonucaal. Plath’s narrator is challenged by the aging process and the narrator in mirror reflects upon whatever it sees and metaphorically “swallows it immediately” traumatising the mental state of the woman. Noonuccal’s narrator has accepted that an indigenous community is being lost and the alliterative “semi-naked band subdued and silent” is a reflection of their
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Plath showcases imagery of
“Now I am a lake. A woman bends over me,
Searching my reaches for what she really is” to express the truth and harsh reality of loss in the reflection of the water in the lake, leaving behind a distorted feeling as she cries to have her physical youth appearance returned. In contrast with Plath, Noonuccal expresses with the repetition of “we” throughout the middle stanzas to demonstrate that the poet is a part of a disappearing race.
“We are the old ceremonies, the laws of the
Norman Doidge’s essay “The Suit,” was an extremely emotional piece and reminded me of the sorrows associated to death. Doidge had used pathos in his piece through the memories of the father, I found this to be very useful in drawing emotion from the readers. In the piece the uncle constantly brought dos tories about the dead father and the suit, and eventually he reveals that the father of the boy had died in the suit. He also continues to say that even through his brother’s brain was dead, his heart lived for days. This portion of the text really struck me, since my uncle had passed away a few years ago in an incident that caused him severe brain damage, his brain had perished but his heart had beaten for days.
“Nineteen”, by Elizabeth Alexander uses language and tone to form a multi-sensory poem about remembering her youth and desire to connect to her past Vietnam vet lover. These aspects of language and tone are embedded in the outer form of the poem, as the author forms an imaginative recreation of her young adult life, which directly impacts the reader to allow for an enjoyable simple read. The elements of language and tone formation ensure the translation of Alexander’s emotions or feelings of her youth for the audience to relate and understand. In the first place, the language within “Nineteen” is casual and not really poetic.
So I will write about broken hearts And fractured families with all their warts, Nurturing mothers, infant fathers gone – And love gone dull that once brightly
Due to this, Kogawa gives life to her story and obtains the sympathy of her audience. The structure of these descriptions is loaded with long sentences that describe the experiences of being in a large group. Her language is sensitive, incisive, and melancholy. Kogawa chooses details that talk in images as well as emotions, comparing the wronged subjects to “fragments of fragments” and the “silences that speak from stone”. Despite the fact Kogawa explains they are “the despised rendered voiceless”, we realize that stories such as hers give these survivors and deceased a voice.
Laurie Halse Anderson’s realistic fiction book Speak depicts the life of Melinda Sordino, a 9th grader who called the police at a party after being raped and is now a social outcast. The pain from the memories of being raped keep her silent as she struggles through a powerful depression and the problems that go with being in high school. Anderson uses mirrors as a motif throughout the story to portray the stages of depression Melinda goes through. At the start of the story Melinda leads a very depressed hidden life; Anderson uses the mirror to represent this.
By constructing lists of people, foods, books, and musicians that bring him happiness, Junior finds a unique way to grieve for his losses. He reflects, “I keep writing and rewriting, drawing and redrawing, and rethinking and revising and reediting. It became my grieving ceremony” (Alexie 178). Junior’s ceremony forms hope out of a bitter misery surrounding him. In this adaptation, Junior confronts sorrow with the positivity of his disposition and strength of his character.
Using distinctively visual, sensory language and dramatic devices in texts allows the reader and audience to view as well as participate and relate to different emotions. In the fictional play “Shoe Horn Sonata” written by John Misto, 1995, Misto sets the scene by using dramatic devices to address the extremely confronting circumstances that the protagonists, Sheila and Bridie experience. Similarly, in the poem “Beach Burial” by Kenneth Slessor, 1944, Slessor too uses extremely strong visual language on the subject of war to overcome the gruesome realities of the subject matter. Misto’s play “Shoe Horn Sonata” shares the impacting journey two young women are forced to face, spending 1287 days in captivity in a Sumatran war camp, during world war two.
Although they lead different lifestyles, Anne Bradstreet and Phillis Wheatley both deal differently with death in Before the Birth of One of Her Children and To a Gentleman… the latter in a way that is more optimistic than the former. Many similarities are present throughout the writings of the two poets when it comes to the way they speak of death and how to cope with it. Both poets acknowledge their christian beliefs in saying that God holds all power when it comes to death and we, humans, are powerless in that domain. When talking about the fragile subject of death, Bradstreet says, “No ties so strong, no friends so dear and sweet,/ But with death’s parting blow is sure to meet./ The sentence past is most irrevocable,/
Half of a Yellow Sun shows the trauma of memory on two different levels: on both the level of the author, and on the level of the narrative (De Mey 34). Adichie, the author, did not experience the war herself, but rather inherited the traumatic memory of her parents and grandparents, allowing her to write this novel as her interpretation of their past (De Mey 34). This essay will focus on the second level, through the narrative, and specifically on how the characters of Olanna and Ugwu’s reactions to their experiences of war. In the narrated story, these are the characters who encounter the bulk of the traumatic experiences within the novel. This essay will initially contextualise a quote from the novel, relating to the theme of the embodiment of memory and will then deal with the theory of narrative therapy.
From the context of this poem it can be inferred that there is an influence of Yeats and the theory she is besetting is similar to the obscure philosophy of history which Yeats proposed. “She says in her critical book Ever Changing Shape that: “While he eschewed all accepted orthodoxy,” she explains, “ Yeats created by means of his verse, a philosophy which, for him, explained the meaning of human existence” (Jennings, ECS 116). The subjects of Jennings’s delicate criticism could also extend to include the “closed symbolic systems” which Eagleton says Yeats, Eliot, Pound , Lawrence, and Joyce were developing to provide “exhaustive models for the control and explanation of historical reality. “Song for a Birth or Death” in an orderly way fills
“Baby Lies So Fast Asleep” is a short poem in which a mother explains to her surviving child the death of her baby. In keeping with Rossetti’s themes, the mother in the poem uses sleep as a gentler euphemism in place of death. The poem starts off on a melancholy tone, with the death of being an inescapable truth. However, the views of death and the afterlife come soon after with the question in lines
The author of the poem “Incident in Rose Garden” is Donald Justice(1965-2004); he was an American poet and teacher of writing. Incident in Rose Garden is the main distributed work he has publish and he additionally has several poetry collections. In this essay “Incident in Rose Garden” will be discussed and analyze. Have you wondered, on the off chance one day, the Death came to visit you, what will happen? In “Incident in Rose Garden” primarily is portraying that the Death appears, in actuality, to end individuals ' life away.
There is no comparison to the amount of pain a parent endures when they outlive their child. A tale of woe is what resides after such incident. An endless cycle of grief is exemplified in the short story “Night” by Bret Lott. The way the father in the story pays meticulous attention to detail makes the audience believe that he does not want to forget the existence of his child. He is merely in denial.
The attitudes to grief over the loss of a loved one are presented in two thoroughly different ways in the two poems of ‘Funeral Blues’ and ‘Remember’. Some differences include the tone towards death as ‘Funeral Blues’ was written with a more mocking, sarcastic tone towards death and grieving the loss of a loved one, (even though it was later interpreted as a genuine expression of grief after the movie “Four Weddings and a Funeral” in 1994), whereas ‘Remember’ has a more sincere and heartfelt tone towards death. In addition, ‘Funeral Blues’ is entirely negative towards death not only forbidding themselves from moving on but also forbidding the world from moving on after the tragic passing of the loved one, whilst ‘Remember’ gives the griever
(Bored) Atwood illustrates a remarkable determination and strong will to face death which is a recurring theme in many poems like ‘Another Elegy’, Marrying the Hangman’, ‘Time’, ‘Bedside’, ‘Flowers’ and ‘Morning in the burned house’. In ‘Morning in the burned house’, she says that nothing remains here as everything has been damaged by fire and smoke. As she says: “No one else is around where have they gone to, brother and sister, mother and father?” (Morning in the burned house) In ‘Flowers’, the speaker feels pity and sad for her dying father.