Strictly Ballroom Film Analysis
Baz Luhrman is an innovative director with a flamboyant directing style which makes it clear to the audience that he it is not about naturalism, he is creating a piece of art with which he can form a connection to the audience. In order to get this connection Luhrman has re-imagined classical stories by giving acknowledgment to origin but by using his own cinematic philosophy and post-modern filming techniques and has managed to produce the same atmosphere that the original authors intended for that day’s audience. Through analysis of “Strictly Ballroom” (1992), “Romeo and Juliet” (1996) and “The Great Gatsby” (2013 ), one can see Luhrmann’s evolution as a director.
Luhrmann makes his films his own from the start, as opening scenes of all three of these films implement post-modern techniques instantly informing the audience that they are about to enter into Luhrmann’s hyper-real, visually intoxicating world. Strictly ballroom uses a documentary type format to introduce its interpretation of the vibrant world of ballroom dancing where everything appears overdone on the surface but is actually conservative below. As with all his films, Luhrman is making commentary on the society in which the film takes place.
Drama runs rampant from the beginning, with Scotts mother Shirley wondering if she failed, as
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836 Words | 4 PagesFor example Romeo and Juliet starts with a news flash on a television screen describing city brawls that have taken place and later in the film there are more fights that occurs. Strictly ballroom starts off with Scott dancing his own steps which is the result of the story and The Great Gatsby starts off with youngish narrator, apprentice bond trader Nick Carraway, in rehab, brought about by the story Luhrmann illustrates throughout the film. All of Baz Luhrmanns films are set in the closed, confined, isolated little worlds. Strictly ballroom is set in the isolated, specialized world of ballroom dancing, and nearly the entire film is shot in either the ballroom or the dance studio. The only time it goes off this is to visit Frans house where the shot is totally devoid of colour.
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