To explore the historical case of the Japanese global Sixties and the existence of absence of transnational linkage, the paper takes relational approach, particularly referring to the cultural analysis on network bridging and divide. Analysis on structure of ties has been an influential paradigm in network analysis since its inauguration. A significant contribution in this context was made by Ronald Burt on his eminent concept of structural holes to capture the absence of the ties between different clusters of the network. While his emphasis is on the inequality of social capital among individuals in network setting and the role of broker and entrepreneur who bridges those holes that are disconnected, the structural hole concept provided useful …show more content…
Cultural relational approach, on the other hand, has suggested that the direction can also be the opposite - individual’s culture and taste create network structure. As Omar Lizardo has examined, people with similar cultural taste (e.g. music genres) are likely to be linked and thus creates network cluster bases on cultural homophily. Such new perspective on the relationship with the structure and culture in networks has also altered the understanding of the structural hole. Through a concept of cultural hole, Pachucki and Breiger suggested the importance of culture for bridging and creating holes between network closure. The cultural hole defined as “contingencies of meaning, practice, and discourse that enable social structure” suggest that on the one hand, similar cultural taste can bridge people embedded in different structural network setting. For instance, Eiko Ikegami has shown in her work on aesthetic network in Edo Japan, it was cultural practices (e.g. tea ceremony, haikai poetry networks, …show more content…
In conventional network analysis, the structure of linkage and transaction take place within the links are the primary research subject. Thus, each nodes’ individual backgrounds tend to be out of its scope. But the cultural and qualitative approach in relational sociology can contribute toward the understanding of the bridging and creating of holes within the network from deeper analysis on the characteristics of individual actors. Exploring the cultural aspect of the nodes is certainly a crucial direction. But it is also important to explore the biographical background and memory for creating certain cultural taste, identities and practices that has affinity with actors in distance without pre-existing ties. The paper on the one hand explores the cultural significance of network bridging and dividing. However, the movement and activists’ culture and taste itself do not emerge simultaneously. Rather, I understand that it is connected to their biographical background and social structure where the actors are embedded, following Bourdeuian perspective. Thus, in sum, the paper explores the cultural and biographical account for bridging and creating holes in the networks of transnational
In Leo R. Chavez’s ethnography, The Latino Threat: Constructing Immigrants, Citizens, and the Nation, the claimed problem of Latino immigration, specifically Mexicans, is tackled using interviews, statistics, and other works of literature. Chavez’s ethnography not only discusses Latino immigration but Latino invasion, integration, organ transplants and even Latina fertilization. One of Chavez’s big topics is on how the media influences the public to believe that Latinos are planning an invasion or take-over in order to gain the land that was originally Mexico’s. The topic of Latina reproduction and fertilization comes up multiple times through Chavez’s ethnography. Another main topic that plays a part in Chavez’s argument is the Latino role in public marches and the citizenship aspect of their actions.
When an academic work establishes the use of the cultural analysis approach, we obtain as a result that the concept of "cultural interactions" entails the idea of negotiation, tensions and competing forces that pursue the establishment of a common pattern of exchanges in a specific society. At the same time, this common pattern of exchanges that is in constant tension, which is dynamic, shapes the identity of individuals, and from that identity they react, make decisions and construct their vision of the world. But how many tensions can an individual tolerate? What impact do these tensions have on the construction of 'social normality '? This essay will explore these issues through the film Carmín Tropical by Rigoberto Perezcano, a film made
Juan Gomez Quinones, historian and scholar defines culture as a “central concept” that all people share. That concept varies from the group’s behaviorism, habits and beliefs. Quinones believe that factors such as “culture, history, and nationality” are all interconnected which gives people a common ground. Quinone’s calculated language on his concept of culture invokes a sense of similarity and trivial connection between humans. Instead of describing how diverse culture separates people, Quinone’s embraces the ability of diversity to bind people to one large community.
The inner moral compulsion to obey is what drives most social organizations. Sykes (2007) described several structural defects that occurred in the New Jersey State prison. Sykes (2007) argues that power in prison is not based on authority therefore prison officials have to find other means to get prisoners to abide by the rules and regulations. The ability to use force to maintain order on a large scale in the prison is an illusion. According to Sykes (2007), Certain privileges such mailing and visiting, personal possessions, time-off for good behavior etc. are given to the inmate all at once upon his or her arrival to the prison.
Within each book, it questions the message of “culture and gender” (Louelí, “An Interpretive Assessment of Chicano Literature and Criticism”). Clearly, positive figures influenced how the Chicano community acted then and now. Rudolfo Anaya and other Chicano writers
Introduction There are many different types of cultures in society around the world, all with their own individual accepted ways of behaviour, some cultures might be familiar and others might seem strange to us. Cultures have their own set of norms to control acceptable behaviour. If we as fellow human beings all took the initiative to understand each other’s cultures, it might not seem that strange to us anymore and it is possible that we could help others in a way that is acceptable to the society in which we live in. The aim of this essay is to discuss, using a view based on the sociological imagination, whether a unique personal family issue can be related to an issue in society.
Identity speaks of who we are as individuals but it also comes from two different groups: social and cultural. These groups are connected to power, values and ideology. Social identities are related to how we interact with people and how we present ourselves. Meanwhile cultural identities relate to society in whole such as religion, values, etc. In this paper I will talk about the dominant and subordinate identities.
Mary Louise Pratt’s essay “ Arts of the Contact Zone” opens up a new concept for social spaces where cultures meet in a context of extensive differences of power in social and intellectual classes. Pratt has a lot of thoughts regarding contact zones and communities that she supports by describing different scenarios. The contact zone is a place of many emotions. It can be a dangerous place where people misunderstand each other, but it can also be a place where people learn from each other and have a mutual understanding.
Basically, what the authors tries to show is a strong abandonment of the government to the chronic gang violence and a big division of two group of people. “Sociologist Buford Farris likewise described the social relation between Anglos and Mexican Americans in the mid-sixties as a model of two almost separate systems”2. The division of these two group of people made that a small group of businessmen “controlled all commences and development”3. In the second part, the author gives a description of how the Chicano Movement starts getting Mexican American students and politically aware youth workers and to form the Mexican American Youth Organization (MAYO). Later, the women movement is going to be added to this group since they were not strong enough or they were not considered equal as the Chicanos.
In Paolo Bacigalupi’s ‘The Gambler’, the main character, Ong, travels to the United States to work for a futuristic media company. This story emphasizes on three main ideas; media, information and technology. After reading the story, I connected the main themes to the world, to myself, and to this course. First, after reading, I connected the main ideas to both contrasting countries present in the story; these being Laos and America.
Piedad Molina Professor Ana Hernandez LIT 2480 October 7, 2015 Culture is the set of traditions, beliefs, and values, which are characteristic of a certain population. Each country or region has different parameters to determine their culture. The predominant values in the population, the language spoken, religious beliefs, and the way they dress; all these manners influence in the creation of a culture and what is autonomous of its region. Within a country we can find different cultures or ethnicities, social status, education and region make a population differ from another. The exchange of cultural ideas, beliefs, and values with the youngest members of the community make it possible for a culture to survive and to keep the legacy.
Fuentes stated that this shaded my childhood and shaped my sense of Mexicanness” (theguardian.com). Along with being a tal-ented novelist Fuentes was a powerful political voice for Latin America. He made it clear that they intended to demonstrate commonalties shared within the nations, instead of showcasing the differences. As the leader of the group Fuentes was really pushing the writers’ publications be-tween the US and Europe, he also brought the writers
This process of recuperation happens in two ways: by converting subcultural signs into mass-produced objects (the commodity form) and by labelling and re-defining deviant behavior by dominant groups (the ideological form). The commodity form benefits from the relationship between the spectacular subcultures and the industries, which is based on ambiguity and the difficulty to distinguish between commercial exploitation and originality, since consumption is an indispensable part of spectacular subcultures and they feed on production and publicity. However, this commercialization and mass production of cultural symbols takes their meaning away from the subculture and makes it available for everyone.
Everyday food Abstract The article discusses the role of food as an instrument of identity and a channel of contact through cultures. This is discussed drawing from three cases of Italian food culture hybridization spanning from the early 20th century to the first decade of the 2000s: the role of Italian food in Italian-American identity as depicted in Leonardo Coviello’s work; the meeting of Southern and Northern food cultures following the Italian internal migrations in the ‘50s and ‘60s; the food practices of international migrants in the context of the global flows of people and commodities in present day Italy. In this regard, food plays an essential role in the rebuilding of a familiar context in which migrants can feel temporarily
Introduction The two most important components of societies are the social structure and culture. Culture deeply influences an individual 's beliefs, values, goals as well as his identity. Cultural goals are developed in accordance with the existing social structure of the society. The social structure of a society must provide the 'means ' for an individual to achieve his cultural goals.