Charles Dickens Style Analysis
Dickens’s style is very rich and original.
The main stylistic features of his novels are: long list of objects and people. adjectives used in pairs or in group of three and four. several details, not strictly necessary. repetitions of the same word/s and/or sentence structure. the same concept/s is/are expressed more than once, but with different words. use of antithetical images in order to underline the characters’ features. exaggeration of the characters’ faults. suspense at the end of the episodes or introduction of a sensational event to keep the readers’ interest.
The setting of Dickens’s novels
Detailed description of “Seven Dials”, a notorious slum district its sense of disorientation and confinement is clearly expressed in Dickens’s
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Valerie Purton, in her recent Dickens and the Sentimental Tradition, sees him continuing aspects of this tradition, and argues that his "sentimental scenes and characters [are] as crucial to the overall power of the novels as his darker or comic figures and scenes", and that "Dombey and Son is Dickens 's greatest triumph in the sentimentalist tradition". The Encyclopædia Britannica online comments that, despite "patches of emotional excess", such as the reported death of Tiny Tim in A Christmas Carol (1843), "Dickens cannot really be termed a sentimental novelist". In Oliver Twist Dickens provides readers with an idealised portrait of a boy so inherently and unrealistically good that his values are never subverted by either brutal orphanages or coerced involvement in a gang of young pickpockets. While later novels also centre on idealised characters (Esther Summerson in Bleak House and Amy Dorrit in Little Dorrit), this idealism serves only to highlight Dickens 's goal of poignant social commentary. Dickens 's fiction, reflecting what he believed to be true of his own life, makes frequent use of coincidence, either for comic effect or to emphasise the idea of providence. For example, Oliver Twist turns out to be the lost nephew of the upper-class family that rescues him from the dangers of the pickpocket group. Such coincidences are a staple of 18th-century picaresque novels, such as Henry Fielding 's Tom Jones, which Dickens enjoyed reading as a
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