The piece of art I selected is a one called Suburban Landscape. An artist by the name of Alan Barden produced this in the year 1982. It comprises a collection of three paintings, the first two created with what I believe to be acrylic paint and the final one with oil. I found this work of art at the Baron and Ellin Gordon Art Gallery.
In the painting Suburban Landscape, I see 3 distinct places within a neighborhood. Lines are used throughout all three paintings. In paintings one and two you they are shown most evidently in the sidewalk, separating each individual part. In the third one diagonal lines are used creatively to show the shadow of the trees and curvature of the sidewalk. Size is used excellently. Everything in the foreground seems
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Right now, I am in college trying to get my degree (obviously) so I can improve the quality of my life. I am trying to understand who I am as person while also trying to mature. This is a very stressful time for me as I am a person who keeps to myself and struggle in showing my true identity. Although for the most part I like it here, you know living on my own, being able to do what I want when I want ; pretty much all the freedoms I get from being here at college. Without a doubt though, I miss being home. As soon as I got my first glimpse on this painting I knew it was the one I wanted to talk about. The piece Suburban Landscape in turn really moved me. I can actually picture myself being there. I see me at home with my family, my mom, my dad, and little sister sitting on the couch. I see my all my friends that I had and all the fun, stupid, crazy, and exciting moments we have had. I see my neighborhood, the streets I’ve walked on, all the buildings I’ve been too, people walking on the streets, and even all the animals around me. It causes me to reminisce and reflect on my past life. Looking into it shows me a flashback of my whole life up to this point. I really did not expect to build such a strong personal connection with “paper and paint”, but certainly am glad that I did
The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke
I walked through the hotel, pieces of art entering and leaving my line of sight like someone throwing an apple past my face. I passed mosaics of children underwater and Abraham Lincoln; I passed paintings of fish and collages with seas of blue paper. None of these pieces really caught my attention and I walked past them like someone walks past the people they’re avoiding. I was about to leave the venue and my friends were tugging on my hoodie. Then, something caught my eye.
Line is also used to depicts letters and form the shapes of what seems to be a duck and a plant. The lines are used to give the price a sense of chaos, all going at different angles with no apparent rhyme or reason. The artists also use the element of size in there pieces. Bierstadt purposely shows the size difference between the trees in the foreground with the size of the mountains in the background.
Post war suburbanization had greater effect on the diminishing importance of ethnicity than World War II. Suburbanization, which was characterized by the mass movement of people from the cities into suburbs, occurred after the world war, and had an effect on the diminishing importance of ethnicity. Different people from different ethnicities found themselves settling in the same residential areas, where acculturation occurred and such people developed unique lifestyles. The resulting beliefs and values were the resultant of the combination of a variety of ethnic and cultural beliefs and behaviors from the different communities. Consequently, the importance of ethnicity diminished as people adopted new cultures and beliefs.
If this is the premise, then the buildings in the left-hand side of the painting and the images of people within them represent those who get left behind when the rich flee their
My chosen artwork is titled: “Coronado’s Expedition Crossing the Llano Estacado,” a 35 ½” by 57 ½” painting by Tom Lovell. This Oil paint on canvas was taken from the Petroleum Museum in the Permian Basin, Midland, Texas. This painting is remarkable in that the artist makes use of several element and principles of art in this artwork to contextualize the painting. The artist uses diagonal line, vertical lines, and implied lines to draw our attention to Don Francisco Vasquez de Coronado and his men and also to create a sense of movement and energy. The fold and fabric as well as the contour lines exhibit in the images of the horse clearly create a sense of movement to viewers.
The warmth and richness of the colors makes the viewer feel at ease. The contrast of the warm reds/browns and crisp blue hues with the white marble focuses the viewers onto the statue. The angle of the photo helps the viewer to focus onto the apartment buildings in the background. The viewer does a double take and questions where this photo was taken when the foreground and background are viewed together. The mixture of east and west in a diverse neighborhood is really cool and can be used to make political comments fairly easily.
Artist : Vincent van Gosh. Year : 1889. Type : Oil on canvas. Dimensions :
The cemetery is one of my hometowns biggest landmarks; it stretches from one end of the borough to the next. In some ways it sets the tone for the neighborhood, it is a wave of tranquility amid a sea of chaos. For me, the cemetery just represents death. It is a sad reminder that things do not live forever. Cypress trees and my father.
The lines of composition all point to the center of the work drawing the eye along the pavement as if the viewer is strolling the cobblestone streets. The cafe still exists
Line: Line is how this artwork is formed, so an example of this is actual lines. Actual lines is physical real lines, such as a circle, triangle, or a rectangle. In the Sower 1888, actual lines in this case is the sun, the house in the far end of the field, and the halo above the sower’s head. The huge sun in the middle of the oil painting is an example of van Gogh’s obsession over the color “ yellow,” and how the sun is the star of this painting (wordpress.com). The house is the next example of actual lines and for this work of art, this foreshadows van Gogh’s next painting called “Summer Evening, Wheatfield with Setting sun, 1888” (painting-planet.com).
Rough Draft #3 “Y’all stay away from the road!” yelled my step-dad. That’s what my family and I heard from standing in the field off the highway in the middle of humid Florida. The transmission on our burgundy suburban had gone out. My step-dad thought he could fix it with his mechanic background, but he couldn’t.
Any work of art is viewed and created through a lens crafted by the viewer’s society. While this certainly applies to portraits, histories and other depictions of daily life, this still holds true for landscape. How the landscape is represented in a work of art is dependent on the cultural constructs of the artist, or the viewers, society. Different cultures view and create landscapes very differently. For example, European Romantic artwork is extremely different in its depictions of landscape from Japanese Ukiyo-e landscapes.
It is a large scale painting around 1.72 m x 2.78 m. Due to large scale it is very easy to visualize all the things which painter was trying to show. Moreover if it will be a small one then the things which he adds in the painting could never done it so beautifully. This painting uses lot of green, blue and light brown colors.
The use of dark colors mixed with lighter areas, allowed me to see the painting as a whole. The painting was relatable to me, and I am sure it is to many others as well. Showing real life situations, and how one copes with it all. I was intrigued by the painting and am happy to share my thoughts, and criticism on the work of art.