Another example in line 3 is, “… valley of Death.” Of course this isn't an actual valley, but it does represent how the battleground was grim and many men had died. Imagery was used throughout the poem and gave readers a mental image of what the war must´ve been like.
"All Quiet on the Western Front" is a war novel by Erich Maria Remarque that reveals the ways in which war is not glorious, and the ways in which destroys a soldier 's happiness, innocence, and youthfulness. In addition, it uses imagery and characterization to describe some of the hardships the soldiers face in the trenches and at the front. Likewise, "Suicide in the Trenches" is a poem by Siegfried Sassoon that glosses over these topics as well, in the form of a poem. While both Remarque 's "All Quiet on the Western Front" and Sassoon 's "Suicide in the Trenches" portray war as a destroyer of innocence and youthfulness, Remarque 's use of characterization to illustrate the theme is more effective than Sassoon 's use of imagery and word play, because it is more
The personification seen in the story catches the attention of the reader in a way that almost makes the reader feel as though they themselves are in D.C. staring into the wall. First, this poem truly reflects the hardships the soldiers returning home had to face. In the poem the first lines state that the veteran sees himself in the wall. He feels he is within the wall himself because the war mentally killed him. He feels he should have his name on the wall because that’s where he feels he belongs.
In the poem “The Death of the Ball Turret Gunner” the author, Randall Jarrell discusses the darkness and brutality of war, as well as the role of a soldier during wartime. Jarrell uses an extended metaphor, as well as informal diction towards the end of the poem, to convey his meaning that war is wasteful to some lives and during wartime soldiers are viewed as expendable or disposable. Jarrell contrasts between the darkness and light of the life of a soldier with a metaphor in the first two lines. Jarrell says, “From my mother’s sleep..”, which is viewed as the birth of the gunner, in a normal life, not during wartime, but Jarrell compares the mother to the bomber jet that the gunner sits in, saying he falls into “the State”, which could be
The aftermath of the horrifying and traumatic events of World War 1, brought a dramatic rise in of pacifist and anti-war literature, including the impactful novel All Quiet on the Western Front, composed by Erich Maria Remarque. Remarque’s personal experiences fighting in the futile battles of World War 1 drove him to portray a realistic perspective of war and serve a voice for the Lost Generation through his novel and make deliberate decisions to portray the betrayal of the older generation forcing innocent boys to engage in atrocities, the immense fear and sadness when losing a comrade, and the major physiological impacts soldiers endure, in order to influence audiences towards pacifism and away from romanticizing war. Born 1898 in Osterburg,
The poem features a soldier, presumably Owen, speaking to fellow soldiers and the public regarding those atrocities. Correspondingly, drawing on the themes of innocent death and the barbaric practices of warfare, Owen expresses his remorse towards his fallen comrades and an antagonistic attitude towards the war effort through a solemn tone and specific stylistic devices. The poem is structured as free verse, contributing towards the disorganized and chaotic impression Owen experienced while witnessing these deaths firsthand, enabling the audience to understand the emotional circumstances of demise in the trenches as well. Throughout the poem, Owen routinely personifies the destructive weapons of war, characterizing them as the true instruments of death rather than the soldiers who stand behind them. Owen describes how, “Bullets chirped…Machine-guns chuckled…Gas hissed…” (Owen 3,4,15).
Although these novels focus on a false reality of wars, Remarque’s novel All Quiet on the Western Front illustrates Bäumer’s horrifying experiences that he and his regiment, the Second Company, faces throughout the front lines of World War I, along with the physical and emotional
In “Dulce Et Decorum Est” there is a shift in pace where Owen exemplifies the immediate calling of “GAS! Gas! Quick, boys” conveying the tone of how the war is chaotic to support the overall meaning of how war is not what people believe it is (9). As the stanzas change, they each accentuate the idea of how the war takes a toll on the soldier, and in the last stanza focuses on how people believe the old lie of how dying for a country is glorious. “Epitaph on a Soldier” is written in iambic pentameter with a more rhythmic nature to impose a more positive impression on the reader.
The Glorification of Psychological Harm “Epitaph on a Soldier,” by Cyril Tourneur, an English soldier and diplomat during the 16th and 17th centuries, depicts the honorable death of a soldier during a time when war was glorious and fighting for one’s country was almost customary. Meanwhile, in “The Death of the Ball Turret Gunner,” the 20th century poet Randall Jarrell illustrates a more bleak image of gunner’s blunt and harsh death during World War II, when war became less magnificent and much more brutal. The reassuring and honoring tone in “Epitaph on a Soldier” expresses that the triumphant experiences of war cause a young soldier to become mature so that his life is complete, while the bitter and disturbed tone in “The Death of the Ball Turret Gunner” communicates that a soldier’s grim time in war and subsequent death is, in reality, devoid of all glory and only mentally scars a soldier. “Epitaph on a
Wilfred Owen was one of the main English poets of World War 1, whose work was gigantically affected by Siegfried Sassoon and the occasions that he witnesses whilst battling as a fighter. 'The Sentry ' and 'Dulce et Decorum Est ' are both stunning and reasonable war lyrics that were utilized to uncover the detestations of war from the officers on the hatreds of trenches and gas fighting, they tested and unmistakable difference a distinct difference to general society impression of war, passed on by disseminator writers, for example, Rupert Brooke. 'Dulce et respectability Est ' and the sentry both uncover the genuine environment and conditions that the troopers were existing and battling in. Specifically The Sentry contains numerous utilization of "Slush" and "Slime" connection to the sentiments of filthy, messy hardships. 'The Sentry ' by Wilfred Owen was composed in 1917 and is Owen 's record of seeing a man on sentry obligation harmed by a shell that has blasted close him.