Summary: Intersectionalities In Straight Outta Compton
Intersectionalities in Straight Outta Compton
Straight Outta Compton is the critically acclaimed and financially successful biopic following the pioneering rap group N.W.A. (Metacritic.com, 2015). Rising in the late 1980s and somewhat quickly disbanding in the early 1990s, N.W.A. has had a profound effect on the subgenre gangsta rap, and well as causing much controversy at a time during which drugs and gang violence heavily affected communities around the United States, including the city of Compton (Jennings & Esquivel, 2015). During N.W.A.’s career, the group prompted conversations on censorship, the First Amendment, and police brutality. N.W.A. would also prompt conversations on the use of derogatory terms like “fag” and “bitch,” violence in music, and overall misogyny and homophobia within the realm of hip hop. The movie itself only reflects the
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AND SEXUALITY N.W.A. have been known to spate explicit lyrics like: "But she keep cryin' 'I got a boyfriend' / Bitch, stop lyin' / Dumb-ass hooker ain't nothin' but a dyke" (N.W.A., 1988). In this lyric alone, N.W.A. reflects both misogyny and homophobia. Karen Sternheimer discusses the connection between the two in Connecting Social Problems and Popular Culture: Why Media Is Not the Answer: “Homophobia is also deeply connected with misogyny. As anything connected with femininity becomes devalued, men who appear to relinquish their superior position in the gender order are also subject to ridicule” (2009). The homophobia found in gangsta rap also finds correlation in other spaces, including black institutions and the mainstream middle class, though N.W.A. and other hip hop acts are often the main targets in mainstream culture ("Gangsta Rap and American Culture,” p. 416, 2004). Because N.W.A. were main targets, their criticisms from the LGBT community would seem like a main conflict in Straight Outta Compton. But like the criticism faced by women on their misogynist lyrics, the issue again goes
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Joan Morgan From Fly Girls To Bitches And Hoes Summary
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Hip Hop Planet Speech
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The Role Of Hip Hop In The Civil Rights Movement
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Hip Hop And Feminism Essay
759 Words | 4 PagesIt 's being portrayed that being a man equals violence, poorness, being from the hood, can not be a sucker or you 're going to be tested, have your game face all the time, showing no emotion, and when they pick up a microphone they are a totally different person than who they really are. It was once said, ¨We teach boys to be afraid of fear, of weakness, of vulnerability. We teach them to mask their true selves, because they have to be a hard man. ¨Men want to have so much power, but they don 't have any power at all. The hip hop artist just has physical power over their body and how they display themselves, so they dress certain ways to get respect to feel powerful which also is hypermasculinity.
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946 Words | 4 PagesWhat seems to us now as excessive violence and misogyny in hip hop stems from a culture that has been consumed in a continuous battle against social and economic oppression since its early days. In the beginnings of hip hop, there was an explosion of defiance against the subjugation these artists had to experience on a daily basis. For many artists, rapping about guns and gang life was a reflection of daily life in the ghettos and inner-city housing projects. Not only did rap provide an outlet to voice the struggles of black youth, it also gave them a sense of pride. Before major hip hop groups such as NWA arrived on the scene, people would refuse to admit they were even from Compton.
Hip Hop Culture Analysis
1882 Words | 8 PagesHip-hop culture has been the topic of various academic, social, and political discourses. Rap music, in particular, has made its way to mainstream media which is evident in the numerous films and movies that centers on what was once a part of an underground culture. Scholars explain that the popularity of hip-hop in both music and films are partly due to its potential to disseminate information, address an issue, and promote social change. Tinson and McBride (2013), for example, note that hip-hop is a “…form of critical education at the intersection of, and inseparable from political engagement” (1). Scholars further note that hip-hop’s current state “…requires frequent accounting of its engagement with the social, political, and cultural climate
Police Crutality In The Film: Straight Outta Compton
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Focus On Rap Today And Social Movements
1220 Words | 5 PagesRap artists have been using their voices to bring awareness to these ongoing issues to their audiences. It is important to be critical of the society that we live in as well as people’s ideas because it allows us to keep on learning and thinking of new ideas as we continue to grow. There is always room for more ideas, interpretations, and assumptions within topics and it is important that we as critical thinkers offer new opinions to academic works that can get old. Hip hop is an important part of this conversation because hip hop is widely talked about through expression and opinions. By hearing about different artists' ideas through their lyrics, we can gain a deeper understanding of cultures and ethnic groups that are different than our own and continue to expand our mindset on the history as well as more recent events in hip
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