Summary Of Abjection In Frankenstein
Title: The Abjection Revealed through the Perspective of Frankenstein’s Monster: Explicated through Jen-yi Hsu’s work “Gothic sublime, Negative Transcendence, and the Politics of Abjection: Woman Writer and Her Monster in Frankenstein.”
Query:
Within Jen-yi Hsu’s article “Gothic sublime, Negative Transcendence, and the Politics of Abjection: Woman Writer and Her Monster in Frankenstein,” he asserts that by applying Julia Kristeva’s definition of what she considers abjection, the monster from Mary Shelley’s Frankenstein aggregates all forms of the abject.
Furthermore, while all of the points that Hsu states are justifiable, they are common subjects that many have brought to attention when demonstrating Mary Shelley’s monster as a form of abjection, and therefore, many overlook other elements that equally represent the monster in this way. One such example (which is depicted in Hsu’s article) is when the topic of Victor’s feelings of both repugnance and obsession towards the labors he undertakes to create this monster clearly expresses the abject being used
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While this is indeed a true and major topic of Julia Kristeva’s definition of abjection, it neglects the fact that it is also by the monster’s own repugnance and horror at being a creature constructed from such detestable objects (the corpses) that signify it as being something that disrupts order (disruption of its self-identity) that also depicts the monster as representing the abject. This paper will explore how Frankenstein’s monster represents forms of abjection through the monster’s own perspectives and feelings about his existence, situation, and creator that many neglects to mention as seen through the work if Jen-yi
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Examples Of Cruelty In Frankenstein
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Why Does Mary Shelley Use Of Personification In Frankenstein
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Light And Dark In Frankenstein Analysis
1868 Words | 8 PagesLight and Dark in Frankenstein Throughout Frankenstein by Mary Shelley, the reader is torn between the forces of good and evil, as well as which characters represent which force. Perhaps the most masterful element of this novel is conveying how an individual can not be judged as wholly good or evil, and how having elements of both traits greatly forms the human experience. By using the motifs of light and dark to represent the positives and negatives of humanity, Mary Shelley is able to effectively convey character traits, depict transitions of good and evil within characters, and employ haunting symbolism and imagery into the novel and transform it into a literary masterpiece. The use of light and dark as imagery in the novel could not be
Annotated Bibliography On Frankenstein
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Duality Of Human Nature In Frankenstein
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Social Criticism In Mary Shelley's Frankenstein
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Outline For Frankenstein Research Paper
516 Words | 3 PagesFrankenstein’s Monster is not categorized as evil by his malicious behavior and is sympathized with due to his creator abandoning him and the role of nature versus nurture taken place II. Monster’s Nature and alienation A. Monster originally had an inquisitive nature yet gentle nature a. Information on the German family was “each interesting and wonderful to one so utterly inexperienced as [he] was” (105) B. With the rejection and alienation from society, the only interactions the monster experiences, he becomes full of hatred a. Rejected by De Lacey family by his looks and labeled a monster b. Tries to save a child but is shot by child’s father C. Reader may feel sympathy towards the Monster’s actions because the readers know that his true nature was not evil and he was misjudged III.
The Creature In Mary Shelley's Frankenstein
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Similarities Between Victor And The Monster In Frankenstein
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Frankenstein Dehumanization Analysis
1068 Words | 5 PagesSticks and strangling will break bones, but words will leave irreparable emotional scars. In Mary Wollstonecraft Shelley’s epistolary novel, Frankenstein, the estranged Victor Frankenstein deprives his re-animated ‘creature’ of a name. The cruel manner Victor treats his “Adam” (Shelley 119) by withholding a name pushes the Creature further away from the belonging he so desperately seeks (148). As atrocities occur at the ashen hands of the Creature, names like “monster”(118) and “wretched devil”(118) bombard him from those he would seek refuge with . Nameless, the Creature is dehumanized and consequences of a negative perception, internally and from society, persist.
Conflict In Mary Shelley's Frankenstein
966 Words | 4 PagesFrankenstein In Mary Shelley’s Frankenstein, a conflict as old as life itself emerges as the story progresses; parent versus posterity in a struggle for reconciliation. Victor Frankenstein and his creation become tied up in a constant battle as the creation seeks his origins, finding a horrifying truth; the creator had abandoned the creation. This central conflict derives from the creation of the creature, inability of Frankenstein to appreciate his creation, and the creation’s need for a parental figure. The conflict addresses themes of the book such as human desires for prestige, acceptance, and the intimacy of a relationship with one’s creator.
The Monster's Alienation In Frankenstein
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Character Development In Frankenstein
1921 Words | 8 PagesThe fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost
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