Hope Leslie is a novel written by Catherine Maria Sedgwick, which defies stereotypes commonly held within the genre of frontier romance novels, as well as during the seventeenth century, which is when the novels takes place. Sedgwick develops themes that were common to the genre in a unique way that distinguishes this novel from the rest. The racist notions often found within frontier novels was rewritten by Sedgwick, because Sedgwick portrayed Native Americans in a different light than other authors, especially male frontier novelists. Native Americans in this novel are not just mindless savages, instead she gives the Native Americans a voice and a story, they are seen as people defending their land from the white men who claimed it as their …show more content…
Hope and Magawisca go against the grain of what is typically expected of women during this time period. The entire novel shows a different perspective of frontier writing instead of simply following the typical genre clichés, she doe not develop a white male hero, and she instead has a white male play the antagonist in the second half of the book rather than having the stereotypical Native American villain. Sedgwick alters themes that are commonly portrayed in frontier romances, like racism towards Native Americans. Sedgwick approaches Native Americans differently in Hope Leslie, Native Americans are given a voice and they have their own hero within the story, in Magawisca. According to Cheri Ross, Sedgwick “disliked the racist nationalistic philosophy of whites towards Native Americans… [whereas] male authored novels on the other hand valorized the behavior of the white expansionists and exhibited intolerance and bigotry towards Native Americans”. These racist portrayals of Native Americans were seen in our reading of Edgar Huntly, here Edgar mercilessly killed several Native Americans, which were repeatedly referred to as …show more content…
In Sedgwick’s novel the two most heroic characters were females with one of them being Magawisca. Having a Native American portrayed as a hero was rare, and having a Native woman as one of the heroes further emphasized that this novel as written from a feminist perspective. Hope and Magawisca were two strong willed young women, they did not passively wait to be rescued they instead opted to act for themselves, which contrast with male-authored frontier novels in which “women’s voices were silenced” (Ross). Sedgwick assigns Hope and Magawisca characteristics, like heroism and bravery, that were traditionally only assigned to male characters, with the combined force of Hope and Magawisca, Sedgwick provides a “devastating critique of women as inherently passive and weak” (Ross). With Magawisca being a hero in the story she was not portrayed as the stereotypical “noble savage” she is “firmly established as intelligent, virtuous, and credible” any violence from her tribe is merely the result of her people being displaced and their land being conquered (Ross). Hope and Magawisca both lived in male dominated societies, but Sedgwick presents them
One thing Perdue could have done to have taken this book to the next level, is include more insight from specific Cherokee women. With their insights, it would have given more of a direct insight as to actual stories making the book more interesting. If she had included more examples of Cherokee women today and how they demonstrated strength this book could have been better. Also, Perdue’s analysis reveals the burden of her politics. It is evident that at times she uses communitarian and the female centric nature of Cherokee society to criticize modern American gender relations and society.
The scene I chose to close read is from Hope Leslie, which was written by Catherine Sedgwick and published in 1827. During this scene, Magawisca was retelling the story of the Pequod War from her perspective as a Native American to Everell, who was white. She described how the Europeans attacked the Pequods and how they killed several Natives. After Magawisca tells her version of the story, Sedgwick discussed how this affected Everell and his opinion about Native Americans. In this scene, Magawisca’s recollection of the Pequod War positively changed Everell’s perspective about Native Americans, established a deeper bond between Everell and Magawisca, and showed Sedgwick’s feelings of sympathy and admiration for the Natives.
In each of the issues presented in the book, from race, class, and religion, the women of these Arizona towns play an important role, thus it is safe to assume that it is Gordon’s intention to emphasize the women’s function. First, before being able to examine the women’s role in the titular abductions, it is important to note the women’s role in society. Gordon succinctly clarifies this role by writing, “Not only did men long for women, they longed for wives, and the presence of a few women only intensified that feeling.” Women were highly regarded in this society, as there were so few of them.
While reading “Ramona” one of the overarching themes in the novel is the mistreatment of Native Americans. The reason that Helen Hunt Jackson was able to write so much on this subject without having people criticize her for a biased view, is because the story of “Ramona” is based on the treatment of Native Americans. The prejudices that affected them in the 1800’s was horrific. The Native American were moved off their homelands, forced into a situation of being put into camps, and a lack of rights. This lack of rights is where Helen Hunt Jackson attempt to expose this mistreatment and abuse to the light.
The “Empire of the Summer Moon” by Gwynne is a story of a child named Cynthia Ann Parker, who at the age of nine was captured by the Comanche tribe, and later was recaptured by white settlers. Although, one would expect Cynthia Ann to be happy to be reunited with family, the opposite occurred. Cynthia Ann was recaptured at the age of thirty three with her daughter Prairie Flower and her new Comanche name-Nautdah. The sociological imagination can relate to the wider society for both the Comanche’s and the white settlers. Cynthia Ann experienced culture shock, a change in norms and values, as well as many other things.
Denise K. Lajmodiere “American Indian Females and Stereotypes: Warriors, Leaders, Healers, Feminists; Not Drudges, Princesses, Prostitutes.” National Association for Multicultural Education (2013): 104-109. Web. 7 Sept. 2015. This article, written by native female author Denise K. Lajmodiere highlights the racial stereotypes that surround Native American women and how they are historically inaccurate.
Criticism of Craig Womack's Interpretations of Joy Harjo's Poems The earliest form of Native American literature is an oral traditional form. In the nineteenth-century, native author started to write Native American Literature. These writers write Native Literature in English because of the English taught in missionary schools. They write autobiographies and novels and combined their narratives with the Native traditional oral story or myth of their culture. When Native American Literature is published, critics started to criticize Native Literature from different perspectives.
“The emotional, sexual, and psychological stereotyping of females begins when the doctor says ‘it’s a girl’.” - Shirley Chisholm, a late 1970’s educator, author and the first black woman elected to the United States Congress. Chisholm and other women for generations have been victims of male projected and specified stereotypes. Due to the impact of the male opinion on women in society, the female characters in both novels suffer from emotional, physical and psychological stereotypes. Steven Galloway, a critically acclaimed male author, is responsible for the literary work titled “The Cellist Of Sarajevo”.
The pursuit of dreams has played a big role in self-fulfillment and internal development and in many ways, an individual 's reactions to the perceived and real obstacles blocking the path to a dream define the very character of that person. This theme is evident in Zora Neale Hurston’s Their Eyes Were Watching God, which is about the search for identity. A woman of a mixed ethnicity resides in several communities, each playing an important role and serve as crucial influences on her life. During the story, she endures two failed relationships and one good relationship, dealing with disappointment, death, the wrath of nature and life’s unpredictability.
Native Americans in Canadian society are constantly fighting an uphill battle. After having their identity taken away in Residential Schools. The backlash of the Residential Schools haunts them today with Native American people struggling in today 's society. Native Americans make up five percent of the Canadian population, yet nearly a quarter of the murder victims. The haunting memories of Residential Schools haunt many Native Americans to this day.
The Life of Pretty Shield and Plenty Coups The lives of the Crow Indians were long a mysterious and little known area of information. When Pretty Shield was written in 1932 it gave greatly needed insight into the life of Native American women which had not been previously researched. However, Pretty Shield though it is a valuable source of information is not complete without its counterpart, a novel known as Plenty Coups Chief of the Crows which was written several years before.
Throughout history, there have been many literary studies that focused on the culture and traditions of Native Americans. Native writers have worked painstakingly on tribal histories, and their works have made us realize that we have not learned the full story of the Native American tribes. Deborah Miranda has written a collective tribal memoir, “Bad Indians”, drawing on ancestral memory that revealed aspects of an indigenous worldview and contributed to update our understanding of the mission system, settler colonialism and histories of American Indians about how they underwent cruel violence and exploitation. Her memoir successfully addressed past grievances of colonialism and also recognized and honored indigenous knowledge and identity.
In her essay, “Where I Came from is Like This,” the author Paula Gunn Allen effectively utilizes ethos, logos, and pathos to convince her audience, women studies and ethnic scholars, of her claim that the struggles of American Indian women have had with their identities. Gunn Allen uses all three modes of persuasion to describe the struggles of American Indian women. She uses ethos to strengthen her credibility, logos to logically explain the issue, and pathos to emotionally explain the struggles of American Indian women have had with their identities. With ethos she tells us where she is from and how she got her information, which makes her more trustworthy and believable.
The Woman Warrior is a “memoir of a girlhood among ghosts” in which Maxine Hong Kingston recounts her experiences as a second generation immigrant. She tells the story of her childhood by intertwining Chinese talk-story and personal experience, filling in the gaps in her memory with assumptions. The Woman Warrior dismantles the archetype of the typical mother-daughter relationship by suggesting that diaspora redefines archetypes by combining conflicting societal norms. A mother’s typical role in a mother-daughter relationship is one of guidance and leadership. Parents are responsible for teaching a child right from wrong and good from evil.
The Woman Warrior by Maxine Hong Kingston addresses prevalent topics faced in America today. How should women act? Should women be treated differently from men? In her memoir, Kingston faces many obstacles with her Chinese-American identity such as finding her voice as a young woman. In “White Tigers,” Kingston tells her own version of a popular Chinese ballad, “Fa Mu Lan,” while incorporating her own reality back into the section.