Visual Analysis Of Lake Superior Landscape By George Morrison

Among all the objects in Lee Teeter`s oil on canvas painting entitled Reflections (Fig. 1), the focal point is one long, dark wall, with names written or engraved across the whole canvas along with the engravings on the marble creating motivation for individuals viewing the

The Breakaway was painted by Thomas William Roberts, an Australian artist known for his national narratives. This is demonstrated through, The Breakaway, as it tells the story of a drover trying to prevent a mob of sheep from running away from the pack. During the 1890’s there was a drought which is depicted in the painting, with dust being kicked up and dry, arid landscape. In 1891 a shearers strike began leading to the formation of the Australian Labor Party which suggests the lack of assistance that the drover is in need of.

There are four prominent art and design elements that were utilized in this painting: lines, shapes, light and value, and color. The first element is directional lines. Directional lines are used to guide the viewers eye to the main piece of the painting. In this case, the lines starting from the top right of the painting are directional. They lead your eyes to the large boat, onward to the bottom, where there are animals boarding it. The lines are also very sharp. They outline the shapes in the painting, giving the shapes a clear border. The next element is shape. The shapes are at very sharp angles. The animals tail is not curvy, but a sequence of hard lines, making the illusion of a curve. The eyes of the men are sharp lines. This painting, by definition, uses geometric shapes. Geometric shapes are lines connecting the points in a closed chain. There are no variance of shapes. All the figures can be split into differing

The art work that is analyzed below is the “Noah Sacrificing Deluge” by Benjamin West. This particular painting was painted in the 1800s and the artist used an Oil Paint on a canvas. This art was 1 out of 36 in a series for the Windsor Castle in England. Mr. West lived to be 82 years old and was the first Americans to become a success on the foreign market. He would become a historical painter for King George III and president of the Royal Academy of Arts. He completed 18 painting before the king’s mental state of mind and suspicion questioned West’s political loyalties which ended the project.

Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light. This makes us instantly look at them. The wide space between the man and woman has no major distractions within in, the artist could have filled that space with some interesting art, but chose not to because it would have drawn the viewers’ attention away from the woman and man. The authors choice of color is quite plain, but the bright colors that follow the sides of the viewing box help guide the viewers eyes to the man in the background, assisting the implied created by the railings. The author used value in the artwork to show what is important. The woman’s body is heavily shaded and doesn’t catch the viewer’s eye. Her head and hand suddenly come into the bright light helping to show that her gaze is clearly on the show; the man in the background is also barely shaded helping to show that his gaze towards her is just as strong as her gaze is towards the

This conceptual artist has taken basic elements of art such as lines and color and has created this amazing two dimensional artwork, Vertigo. In this artwork the artist uses regular lines, a rhythm of diagonal lines, and a slight tint of an orange in the background of the actual lines. The different directions, overlapping, and crossing of the lines, help imply the chaos and disorder the artist is trying to reveal through this painting.

The painting has asymmetrical because the weight on each side is uneven. Mary is much bigger than baby Jesus. The dominate design in the painting would be Mary’s face. Mary’s face is key focus; it draws your attention to see what is next. But, Mary’s hands also take domination because in early painting Mary is barely holding on to Jesus, he is just floating above her lap, but in this painting you can tell the grip Mary has on Jesus. Although Mary’s hand and body itself take up an odd amount of room they help objects such as baby Jesus stand in the painting as well. This painting has a certain movement it creates the gesture of a baby pulling his mother closer to him has he lays his cheek on his mother. The shape used is that of a circular motion. Dieric Bouts create a sense of harmony and wholeness using the same color, skin tone between Mary and Jesus create harmony. You can tell the contrast between the two people Mary symbolizes royalty being the mother of Jesus which, is why she wears blue. Blue symbolizes royalty. Jesus symbolizes purity, which is why he has white on. White is the color of purity. Against Mary and Jesus’ pale skin the makes the color of their clothes pops. Art work has many different moods. The mood of this painting is nurturing and humble. The painting is more life like the any other portrait of Mary and Jesus because Jesus does not have a halo on his head and his

Carl Bloch, In a Roman Osteria, 1866, Oil on Canvas, 177.5 (w) x 148.5 (h)cm (without frame), Rome.

The main focus of the painting is the architectural aspect. The scene is dominated by the main building and the large arched bridge that juts out in front of it. It is proportionally placed within the canvas. The width of the central façade makes up the central portion of the painting with the doorway being centered within the entire composition. The perspective of the painting, although not on axis, has the illusion of being balanced due to the centralized doorway and the aspect of the bridge being almost

The horizon lines all bring you to the focal point of the fox in the middle of the painting, your eyes then travel around the scene, taking in the rocky ledges and the frozen lake in the background. The ground brush is seemingly coated in snow. Landscapes containing snow were not common during the time period that Courbet lived, and it became something that he was sought after to do because of this particular work.

Pollack uses artistic techniques that are unique. He used a dripping method that other artists had not used before that time frame. This painting is made on a canvas with oil and enamel. It has a dark undertone. The essential colors are black and gray. There are some specks of light blue and yellow surrounding the center. The visual look of the painting is distinctive because it does not display a landscape or focus on a particular thing- rather, it is just based on solid colors with non symmetrical, wavy

Of course, the Hudson River region during the eighteenth century was not all about Ferries, Canals, Railroads, and commerce. Even more, the unique beauty of the Hudson River Scenery and its mountainous is considered to be a manifestation of god. The transcendental nature of the Hudson River attracted many landscaping artists who were captive of its beauty. For instance, the Hudson River Art School did not had a physical location but it was a group of artists driven by their passion, to walk on foot along the Hudson River to appreciate nature and to be inspired by its beauty. Thomas Cole was the principal founder of the Hudson River Art School. When he first came to American as a youth in 1825, he visit Catskill and soon was impressed by the Hudson River scenery that he decided to settled there. Thus, areas like the Catskill Creek, the Kaaterskill Clove, and the Great Wall of Manitou where the most attractive places for

The sun beams from the sky are lighting up a small area of the painting and the rest is dark and gloomy. The gloominess of the painting represents dark and depressing times while the brightness of the sky creeps through thick dark clouds. This represents heaven because heaven is so large and bright and amazing that even though life is hard and seems like the world is ending, there is always something greater out there. Personally, I love this painting. I really like how Dore paints that trees and valley dark because it really highlights the beams from the sun. My favorite part is the sky. I love how the sky is very dark and depressing but in the middle it is light from the sunlight peeping in the clouds. We have talked in class a few times in the beginning of the semester about dark and light and what it can do to a painting. After seeing this panting I learned/ understood exactly what we were talking

In Albert Ronstadt‘s Rocky Mountains, Lander‘s Peak, he uses primary colors, blue for the sky and yellow for the grass and animals. He mixes the blue and yellow to create the secondary color green to paint the trees, grass, and in some of the Hilltops. He uses cool colors for the sky. I see tint in middle and on top of the mountains.To make the dark areas he shades them. The waterfall makes the painting feel calm and peaceful because he uses a monochromatic colors scheme. looking at this painting I see a lot of Value in the tone and brightness in the sky, waterfall, and those big boulders. He uses neutral colors in the tepees and animals. The warm color I noticed in the painting is yellow in the animal and and in some the grass.You can see

In this artwork, Van Gogh uses strong vertical lines to give the sense of unease. These lines are present in the floor boards, the chair and in the wall. The lines give an unnerving feel to the room as vertical lines suggest that the room was not a place of tranquility, or calmness, but a rather gives a sense of despair. Furthermore, In the room there is also horizontal lines to suggest peace, and calmness. This also found on some parts of the chair. Theses conflicting uses of lines give the audience a sense of chaos and confusion in the world around the man. Van Gogh, predominantly known for his color usage also