John Cages 4 33 Analysis

“I don’t need words – it’s all in the phrasing” – Louis Armstrong. In this quote, we can see that Louis speaks through his music, he has no need for words because the “phrasing” (Musical term regarding composition) speaks for him. He expresses his emotions through his music and can radically blow minds with the simple blow of a trumpet. Louis Armstrong spoke through his music and his ideas could only be developed by his music. By this quote, it is apparent for us to see that he developed and redefined music through his actions. He single handedly redefined jazz by developing new styles and genres unseen to anyone in that time period.

In Aldous Huxley’s novel, Brave New World, music is used throughout as a way to control the people in the Brave New World society. It also keeps the orgy porgies interesting and upbeat and is used in feelies or their version of movies. The music has a great effect on the society of Brave New World. Music has a strange connection to and hold over the people in the World State. Once you start to look for rhythm or anything music related in the book, it is everywhere. Music and rhythm is even in the Savage Reservation.

Most, if not all, sound in the film could be categorized as diegetic meaning that it originates in the world of the film. I found this to be one of the most spectacular aspects of the film. The sounds of children playing, city sirens, and the reoccurring music coming from the composer’s apartment and other unseen sources all add a sense of environment and realness to the theatrical stage-like set. Also as Fawell described, much of the sound in the film is asynchronous and comes from off screen action, often either contrasting or complimenting what is being shown in frame. For instance, the sound coming from the composer’s apartment is used as “Lisa’s theme” and often plays during intimate or romantic sequences in the film, highlighting Lisa’s desires and romantic intuitions. One example of contrasting sound is when jazzy upbeat music is playing as Ms. Lonelyheart contemplates taking her own life, but the film reminds us that the music is diegetic by allowing the upbeat music to uplift Ms. Lonelyheart causing her to change her mind. It was interesting how Hitchcock “opened and closed”the sound of the courtyard, as referred to by Chion, during more intimate or focused scenes which I completely missed while watching the film because they are so naturally incorporated in the film that it’s hard to notice. The whole film

The 1950s saw the full development of a design movement that is apparently the most critical visual design style of the twentieth century as far as its sweeping effect, its life span, and its scope of pragmatic applications is concerned. The style started in Switzerland and Germany and is often alluded to as Swiss Style, yet it is formally known as the International Typographic Style. Its strength in numerous territories of graphic design covers a twenty-year period from the early 1950s to the late 60s, yet it remains impactful up till the recent times. As Richard Hollis puts forward in his book “Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965”, the Swiss Style has vital elements that are widespread throughout

One of the most popular genres of music known to mankind today is the music of jazz. During the mid 1910’s, many of the nation 's population were living in the urban areas causing for ethnic diversity and a era for people to learn to express themselves. The 1920s brought many advancements to today 's society especially in music. Jazz was making its debut in the 1920s, which is why it is known as the ‘Jazz Age’. From the 1920 's through the late 1950 's jazz was shaped from the absolute entirety of African American. In the mid-1930s, as the Great Depression willfully declined to lift, Jazz turned into America 's famous music, its effect was so solid, and it would be called progressive.

The author’s tune in this essay is somewhat curious. Though it’s the suitable tune for writing; because, the author is a well known writer and composer, so everything he says is out of experience and his personal feelings towards the three planes of

“How We Listen” begins by providing us with a detailed description of Aaron Copland’s background and accomplishments, then moves on to briefly describe his views and ideas that are expressed in the rest of the passage.

This essay analyses Steve Reich’s Music for 18 Musicians, and how this minimalistic piece of Steve Reich’s later days proves to be a work of an alternative paradigm to many of his other earlier works. Music for 18 Musicians is an alternative paradigm to Steve Reich’s earlier works in various aspects. These aspects include harmony, rhythm, and instrumentation, which will the elements described and explained in this

Mark Twain, one of the most memorable American writers of the 19th century, coined the term “The Gilded Age” to describe the period from 1870 to 1900. This term was derived from the deceiving facade this era wore—the glamorous, glistening surface. This mask was only a thin layer, coating the various shades of corruption pervading beneath.11 The tranquil beauty of fine arts provided an outlet for people to escape from the suffocating grandiose nature of a tainted society ruined by the age of monopolies and corruption. During the momentous Gilded Age, a time period of rapid economic growth which generated vast wealth, new products and technologies were created that improved middle-class quality of life. However, industrial workers and farmers

“The extent to which Billy Strayhorn gained recognition during his years with us was never commensurate with his contribution” said Leonard Feather, the British-born jazz musician. Indeed, though contributing enormous brilliant jazz pieces to the Swing era, Billy Strayhorn was far more unnoticed compared to his collaborator, the jazz master Duke Ellington. Instead, living most of his professional life as the protege of Duke Ellington, Strayhorn passed away in 1967 at too young an age to fully illustrate his own music to the world. However, Strayhorn’s work encountered a resurgence with the dedication of fellow musicians like Toshiko Akiyoshi and Joe Henderson

Traditions | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Met 's Heilbrunn Timeline of Art History. Oct. 2004. Web. 19 May 2016.

For a long time in American history, there has been a desire for “Irish” music. What qualifies as “Irish” has been left to interpretation; a concept that will be further explored in this thesis. The first Irish Catholic immigrants in seventeenth century America were, in many cases, indentured servants and treated poorly. The music the Irish brought with them took on romantic associations among the white Anglo-Saxon Protestants (WASP) Americans, as well as among the Irish themselves. While my thesis focuses on the music that was popular in vaudeville and Tin Pan Alley roughly between 1880 and 1930, it is necessary to look further back at the history of the music and socio-political state that Irish immigrants and Irish-Americans had faced in first coming to America.

Some have coined music as a universal language. Perhaps, the complexity of the notes, the consistency of the beat, the array of instruments, or the flow of lyricism offers this universal appeal. Nevertheless, the unique composition of each song enables it to sustain its own magnetic aura, much like the musical implication in Lewis Nordans Music of the Swamp. Though, many argue Nordans piece suggests merely a collection of short stories rather than a novel, Nordan uses his singsong methodology- a novel-in-stories- to incorporate an anthology of his transformative memory- an autobiography of the way it was.

In a recent article by CNN, pop artist Bruno Mars was found accused of “cultural appropriation,” by critics of his new album, “24k Magic.” The Cambridge Dictionary defines “cultural appropriation” as “the act of taking or using things from a culture that is not your own, especially without showing that you understand or respect this culture." Writer and activist, Seren Sensei posits that Mars’ “takes pre-existing work and he just completely, word-for-word recreates it, extrapolates it," she added. "He does not create it, he does not improve upon it, he does not make it better.” The singer is known for combining different genres such as hip-hop, soul, R&B, and others rooted in traditionally African-American culture. While some saw his new album

“The Rite of Spring” was certainly the most controversial piece of orchestral music of its time. The piece, composed by the Russian Composer Igor Stravinsky, included a great deal of uncommon musical elements. But was it really that uncommon? The world-changing ballet, “The Rite of Spring” was so controversial when it debuted in 1913, because it completely contradicted the common rhythmic and harmonic languages of the music at the time. The choreography and costumes were a main part of the reason why the audience reacted with negativity and riots. But the fact that Stravinsky’s music used similar melodic, orchestrational, and harmonic techniques of pieces written before, brings up the question: Why did the audience react the way that they did? Stravinsky’s music reflected his early life experiences. Consequently, Stravinsky was not, in fact, the first composer who was “committed” with composing such controversy, so again: were riots necessary? The result of the audience’s reaction caused by the ballet has not happened before.