In the article “Orange is the New Black is the Only TV Show that Understands Rape” by Jada Yuan, she argues that TV show such as, Orange is the New Black can demonstrate how rape is an atrocious and violent act. Orange is the New Black is about the story of a woman in her thirties who is sentenced to fifteen months in prison after being convicted of a decade old crime of transporting money to her drug dealing girlfriend. Yuan has written many different types of articles for New York Magazine, but in this particular article Yuan talks about how TV shows or movies can illustration the agony and repulsive feeling women go through when they are getting raped. Also, by displaying these scenes it can show the audience how traumatic and psychologically …show more content…
In Martha Marcy May Marlene described her rape scene by saying, “The edges of the frame closing in on the face of a young woman stripped of volition, her head creaking along the floor as a powerful force behind her exercises his will.” In The Game of Thrones the scene was Sansa Stark’s husband Ramsay Bolton raping her on their wedding night. Bringing other sources that prove that other films also exhibit these types of scenes show that the author chose these specific films because it captures the awful experience women go …show more content…
The fact stated, that one of five women get raped in their life time. Although, this was the only statistical fact Yuan had in her article it give the audience an idea of the average of women that get raped. Also, the author talks about a young women she met at a local bar, who was a rape victim, gave her opinion on the rape scene of Pennsatucky. The young women said, “I think they captured the lifelessness,” and “that happens when you decide to stop fighting.” Stating actual rape victim’s point of view makes the readers comprehend how real rape victims feel when they see shows such as, Orange is the New Black. Though, the author had effective points in her article she failed to mention a particular idea that I believe is important. Throughout the article Yuan goes on about how women are targets for rape, how it sucks to be a female, and that women are the only victims of rape. When men can also be victims of this atrocious act. Men can likewise have the same type of trauma and psychological problems as women. The author could have mentioned some movie or TV show where it’s a man is the victim of rape. Or had maybe talked about an article where a man talk about his experience of being a rape
Novelist, Roxane Gay, in her essay “The careless Language of Sexual Violence”, voices her concerns about rape culture and how it is perpetuated in today’s society. She uses anaphora, imagery, and rhetorical questions in order to demonstrate how society “carelessly” (131) normalizes rape. In her essay, Gay uses rhetorical questions and anaphora to further stress her concerns and talk about how writers are gratuitous when talking about rape. She opens her essay using anaphora comparing “crimes” to “atrocities.
According to the research of Kimberly Lonsway and police sergeant Joanne Archambault, when an individual is raped in the United States, 96% of the time the rapist dodges the crime. The majority of these rapes do not go through the prosecution process and when they do, less than 0.2% of these perpetrators spend time in a prison cell (Krakauer 121). The main cause of this ongoing problem is the ineffective and unfair representation of rape victims by the justice system. Jon Krakauer argues this point in his novel, Missoula: Rape in a College Town and the Justice System, using narratives as his main focus of support. Through this use of narratives, Krakauer appeals to logos, encapturing the various actions and perspectives of those who played
The story of, Piper Kerman, relates to what we learn in this course about female offenders. The show “Orange is the New Black” is about a nice blond white lady whose life change dramatically when she was arrested for conspiracy drug charges and heroin trafficking that occurred several years prior. Not like many prisoners, Kerman comes from well-educated family. She is the last person anyone would expect to see in prison (Sullivan, 2015). She got to experience first had on how the criminal justice works and see how women in prison go through every day.
In the book, Missoula: Rape and the Justice System in College Town, by Jon Krakauer, the reader delves into how rape and sexual assault are treated in the town of Missoula, and the University of Montana. As the reader, we are informed on how the university, the police department, the district attorney’s office, and the community reacted to these rape and sexual assault allegations. We see how the criminal justice system has failed the victims, and are forced to live with what happened to them, while their assailants are free of any burden. The law is set in place to protect people from victimization, but when the men, in this book, are not legally held accountable, then any woman, or man, is more susceptible to victimization. It is interesting
During Melinda’s time at school, her grades drop significantly, she loses her friends, skips class, and in general stops caring about her education. In the article titled “PTSD” Christian Nordqvist states, “A woman is four times more likely to develop PTSD than men. Psychiatrists say this is probably because women run a higher risk of experiencing interpersonal violence” (21/23). Melinda fits into this statistic, she is a woman who was sexually assaulted (pg. 134-135.) She was four times more likely to.
In “Proof” (S7, E2), JJ has to deal with her sibling’s abusive partner, the episode centering around JJ’s vulnerability, which typically is not demonstrated for her character. Because the female portrayal requires an additional sense of strength compared to male counterparts, female characters tend to be displayed as “girl bosses”, not allowing for much vulnerability to form parts of the character. This phenomenon does not necessarily occur in victim characters of procedural shows, whereas female victims tend to be categorized as “weak”, “motherly” and “vulnerable”. This can tie in with the idea of Nicole Rafter’s “Shots in the Mirror”, where she explains how the progress women have made within the procedural culture is of significance, but it also focuses on the hyper-feminization or the hyper-masculinization of these characters (Rafter, 2006). Another lens that the show has focused on is exploring the possibility of sexual harassment in the workplace, especially against women.
In chapter nine of his book The Macho Paradox, Jackson Katz states the point that “It takes a Village to Rape a Women”, the point he is getting across, is that are culture is so caught up in its ways, that rape and violence against women is almost becoming a normal thing or something that is not as big as a problem as it should be. He gives a few examples of this in our American culture. One example is the sexual allegations that were brought up against NBA basketball player for the L.A. Lakers, Kobe Bryant. In this case, “the explosion of victim-blaming unleashed” (Katz, 2006, 154). Instead of blaming the person who was accused (a very popular and loved NBA All-Star), people started to point the finger at the nineteen-year-old who blamed Bryant for sexually assaulting her asking questions like: “Why did she go up to his room?
Piper Kerman is a Caucasian woman who is well educated, and of a comfortable socioeconomic class. Piper wrote the book Orange is the New Black to expose the injustices of the justice system through her personal account of her sentence in federal prison. Piper has written about all of her experiences starting from graduating college to her time spent in prison, to her release, and writes her account to exploit the criminal justice system and the struggles women face during their time of incarceration. After graduating from Smith College, Piper lived a comfortable, yet predictable life, in Northampton, but yearned for a sense of adventure.
[7] In his book, “Missoula,” John Krakauer analyses the issue of rape in the college town of Missoula. Krakauer begins his work by quoting the article False Allegations of Sexual Assault: Rape is unique. No other violent crime is so fraught with controversy, so enmeshed in dispute and in the politics of gender and sexuality… And within the domain of rape, the most highly charged area of debate concerns the issue of false allegations. For centuries, it has been asserted and assumed that women “cry rape,” that a large proportion of rape allegations are maliciously concocted for purposes of revenge or other motives.
This essay will critically examine on how the female figure is represented throughout a very “selective” media outlet (the film industry), and how society is depicted in the film medium. The chosen media text for analysis is The Hunger Games, a theatrical adaptation of the novel written by Suzanne Collins and directed by Gary Ross. The film is centred on Katniss Everdeen - a teenage girl who volunteers on behalf of her sister, to fight in the annual Hunger Games- and the male District 12 tribute, Peeta Mellark, with whom she shares quite an intense past. Both characters embark on a journey that will test their physical and emotional boundaries, while being hunted by the other 22 competitors who all fight for the same objective: survival.
In chapter eight of Orange is the New Black, Piper Kerman further explains what her life was like in prison. A woman named Morena arrives at the prison from the Federal Correctional Institution, who Piper refers to as “Crazy Eyes.” Morena attempts to befriend Piper, but Crazy Eyes reveals that she wants a relationship with her. Piper, being already married, kindly declines the offer. One of her friends named Carlotta explains that she is excited to get married so she can make other women jealous of her.
Each of these concepts are utilized at the advantage of men, and the disadvantage of women, and has shown to provide detrimental consequences and results for women in society. However, in this film, and other films by Tyler Perry, appear to take the added step to combat these aspects that are present in the media’s portrayal of women. While these are present in the movie, he often makes a point to combat it with an inverse portrayal of each
This plays into the rape myth that women often make false reports accusing innocent men of rape, when in reality very few reports are false. The officers also show more support for the accused rapist than the victim. Officers told Kerry that the defendant had cried and seemed distressed over the current events. They also showed concern for his reputation if she continued accusing him of rape. The officers offer the accused reassurance, while they offered the victims
Few care to find out a victim's story because society believes she's been around or maybe she wasn't so innocent after all or it was her boyfriend/husband or look at what she was wearing or she's just another wild college student. Before we know it there's such a thing as rape culture. We as a member of society are a part of it as adults caught up in a cycle that only seems to get worse. Sexual assault starts with a few rumors or unwanted look then there's the sexual harassment or being groped next you're being followed into an alley where it all goes dark. The CNN video is a clear example of why sexual harassment on the street isn't taken seriously because the men who are objectifying women see it as a simple compliment portrayed by Steve
Another American combat film that represents sexual violence is Women in the Night in 1948. It tells a story about an international group of nurse women imprisoned and forced to be prostitutions by Nazis. This film does not only represent an Asian female character as a victim of sexual violence, but it also justifies these Asian character women as a murderer. In the film, it shows that an American nurse Claire Adams is only female nurse who never get raped, and Conolly-Smith states that: Claire’s own near-rape at the hands of a drunken Japanese officer is prevented when she locks him into her bedroom, where he is killed by Li Ling in revenge for her own earlier violation, a plot twist that helps justify this act of murder. (Conolly-Smith 240).