Phoebe Internal and external In the novel “Walk Two Moons” by Sharon Creech, Phoebe faces internal and external conflict that change Phoebe and her life forever. First Phoebe tries to make up ways that someone forced her Mrs.Winterbottom to leave instead of realizing Mrs.Winterbottom left without telling her or any of her family.Next Phoebe finds her mom and the lunatic kissing on the bench at Mike's school.Finally Mrs.Winterbottom brings mike home and Phoebe finds out she has a half brother. After all the positive and some negative stuff that happen in her family, Phoebe struggles with thinking positively about all the things that has happened to her family. First when Phoebe’s mother leaves unexpectedly one morning, causing internal and external conflicts for Phoebe and her family. In fact, Phoebe makes unrealistic ways why her mother left, then not accepting her mother left because she was not happy with who she was.
Amanda has instilled into Laura’s mind that without a husband she can’t be successful or independent and is doomed to be a homebody. The reason Amanda is so insistent on Laura finding a man could be due to her past experiences. One of the many times caught reminiscing about her gentleman callers, Amanda states, “She married him on the rebound – never loved her – carried my picture on him the night he died! And there was that boy that every girl in the Delta had set her cap for! That beautiful, brilliant young Fitzhugh boy from Green County!"
Sam is hoping she doesn’t need an abortion because she couldn’t afford it, and then her parents would be angry. Halsey’s voice delivering these lines, was slow and deliberate. She sounded heartbroken as she told this first story. She didn’t want to have to watch her friend suffer. Halsey continues her poem with the her own story of sexual assault.
Susie is the main character, she is murdered at the age of 13 and the book is her watching her family and friends deal with her death well they try to find the murderer. well susies in heaven she doesn't actually like all that much she wishes she could be back on earth growing up with her family, well in heaven she wonders “Heavens where a girl like me didn't fit in. Where they horrific, these other heavens? worse than feeling so solitary among ones living, growing peers?”(119). She hasn't let go of earth yet which prevents her from being happy, she feels isolated and alone in heaven well she watches everyone she loves gets to grow up she wants to belong back to earth.
It moves the reader’s inner conscience as the novel revolves through wars, struggle between the family members and starvation. The story starts with Mariam Jo’s introduction as a five year old girl, who eagerly waits for her father, Jalil Khan, who visits her only on every Thursday. Her only companion was her mother Nana, who was molested in the hands of Jalil Khan and decided to lead a secluded life away from the prying eyes. Nana hates her distressful life and shows her agony by calling Mariam as harami, though the girl doesn’t understand the meaning of it. Even though she wasn’t the legitimate heir as her nine siblings, Jalil was a true hero in her eyes as she was always happy with him.
In Sebastian Lelio's Oscar-nominated A Fantastic Woman, a girlfriend is continually shunned, barred, and forbidden from grieving over the sudden death of her boyfriend. His surviving family do everything they can to push the woman away and insist, then demand, that she not come to the funeral and never speak to the family again. If this seems rash, we soon learn why. A Fantastic Woman tells the story of Marina Vidal (Daniela Vega), a lounge/jazz singer by night, and waitress by day, who has just moved in with Orlando (NAME). Despite a significant age disparity, the couple are very much in love and at a celebratory birthday dinner for Marina, Orlando has just arranged for a Brazilian birthday trip.
Blue Jasmine is a film from 2014 directed by Woody Allen. Jasmine Francis is the wife of Hal, who is a wealthy socialite in Manhattan. Hal is sent to prison for stealing money from investors leaving Jasmine with nothing. She moves in with her sister Ginger in San Francisco who dates several men that Jasmine does not approve of. Even though Jasmine is trying to start over, she reflects back on her past life that was abruptly ripped away from her.
By saying she doesn't care for herself and assuring everything will be fine, it is obvious that the girl has a fear of abandonment. She fears that if she disagrees with the man he will leave her and that is not what she wants because she wants everything to be fine. In response, she avoids giving a voice so she doesn't lose the only person in her
Big Little Lies is a television show that depicts the lives of several wealthy families and their conflicts between the mothers and their children, who are in kindergarten. Jane is a single mother who moves to the region with her child Ziggy. She soon runs into Madeline, who has a daughter of the same age and they quickly become friends. Madeline introduces Jane to Celeste and the three spark a close friendship, as they bond over their hatred for another mother, Renata. All of the mothers get tied into an on-going murder investigation, where the victim remains a mystery until the final episode of the first
Kate Chopin’s purpose for writing “The Story of an Hour” is to demonstrate the idea that with freedom comes delight and horror. She conveys this point by using characterization. At the beginning of the story, the audience reads that Mrs. Mallards husband has passed away. She is told by her sister that her husband has passed, but unlike most people, Mrs. Mallard does not “accept its significance” due to a “paralyzed inability.” Because of the inability, she is filled with misery and “physical exhaustion”, but not for long. She murmurs, free, free, free” as she realizes that due to the passing of her husband, she is now unrestricted to his will.
Good-by –because I love you.” (Chopin, p148) which caused Edna to commit suicide because she realized she was not happy without her kids and society wouldn’t accept her because she left her husband. Jaine returns back to her hometown after Tea Cake dies. Jaine at the end of the novel is looked at as a survivor and a hero. She left to find happiness, but he happiness that she found was not text book. Jaine found that love starts from within and has to be explored and sought out for.
(STEWE-2) Najmah is again unable to open up to Nusrat because of her trigger avoidance, “I try to smile at her, she is very kind, but I still do not want to be touched and I do not yet want to talk about my family” (Staples 206). Once again, her trigger avoidance acts as a tool for the author to explain that loss affects a person in a way that they will never be the same again. As Najmah does not wish to talk about her family, it shows that by avoiding any and all possible triggers she protects herself from pain. The suffering she experienced during and after the bombing explains her wish to never experience it ever again. But that in itself shows that their deaths control her actions and her feelings.
As the story progresses, the internal strife between how Janie acts and how Janie feels shows the lack of the true Janie. The voiceless, beautiful, store keeper pales in comparison to the smart, talented identity Janie’s thoughts demonstrate her to be. After twenty years of a growing tension, Janie’s thick rope snaps and she tells Jody how she feels Which ultimately kills him. Once again, Janie conforms to the mold of a mourning widow, dressed in black. Contrary to most people 's knowledge, she is overjoyed in the new found freedom she now possesses, but still cannot express.
While Cameron’s life was flourishing, Screamer left Messina in hopes of becoming an actress in Hollywood (65). Rather than showing the world her talent, she tried to sleep her way to the top, which hurt her in the long run (66). According to Nat, Cameron’s best friend since Kindergarten, Screamer looks like an aging high-dollar call girl, while Cameron is nothing but class (98). Neely neglected Cameron because Screamer was hot and trot, but fourteen years later all she had become was a thirty-two year old, looking fifty that was fat, ugly, and tired (97, 182-183). Outer beauty, obviously, cannot define a person for who they are.