Both stories have the same author’s style, setting and animals as characters, and a human and animal connection. But, the stories are different because of the poetic structure, tame or wild animals, and simple of sophisticated diction. First, the author’s style is similar in “Predators” and “A Blessing”. Both of the poems have sound devices. For example, in “A Blessing” the author repeats the word “they” several times at the beginning of each line, “they ripple tensely, they can hardly contain their happiness” and “they bow shyly as wet swans.
Not everyone is as lucky as you are. The ninth and tenth verse contain only monosyllabic words, almost as if the speaker attempts to carve in the message in the addressee’s brain. “Und sei still” (v. 9) separates the sentence “Drum dank Gott, daß Du noch lebst…“. This hyperbaton and the repetition of “noch” (v. 10) emphasise the conclusion further. Haringer managed to reuse the images of the first stanza very artistically.
Analysis of the Painting Foremost, the humanity represented by Starry Night over the Rhone is much brighter, as evidenced not only by the brightness of the windows, but the depths at which they are reflected on the river. Furthermore, the darkness of the sky is brighter than in The Starry Night, which, in the latter painting, is a symbol for depression. In the distance, the lighter blue is seen by some critics as the first signs of morning. It is important to note that here the optimism comes from the sky, not from the town.
However, when they look closer and focus on what the artist desired to convey, they might be able to sense the conflict happening under the surface, like the conflict happening with the rhymes. In “To Paint a Water Lily”, the poet uses imagery, personification, and rhyme to convey the attitude that nature may seem serene and peaceful to the eyes of a human, but to the eyes of an artist, it is a veritable war ground. There may be attacks from unseen and ancient enemies below, and from the ghastly-named dragonflies above, but the artist still paints the lily as standing tall and strong, even when facing her worst adversaries on the battlefield of
William Shakespeare included metaphors in his play Romeo And Juliet to explain the relationship between Romeo and Juliet while enhancing the reader's experience. When Romeo comes to the Capulet ball he immediately notices Juliet and her beauty. When Romeo first sees Juliet he already lets her know his love for her, “If I profane with my unworthiest hand this holy shrine, the gentle sin is this: My lips, two blushing pilgrims, ready stand to smooth that rough touch with my tender kiss” (1.5.104-107). Romeo compares himself to Pilgrims and the way Pilgrims worship a holy shrine, saying how much he worships Juliet. This lets the audience know how to should appreciate any lover but not go to the extent of worshipping them.
The use of pastel was very bold and thick and that shows his reflected emotion throughout the surrounding scenery, which creates a symbolic plane for the expression of internal feeling. The Scream landscape depicts sunset; the clouds are dark orange. On the other hand, in the ’’ Starry Night’’ the sky bursts into blue, green and light green colors. Therefore the two paintings have different colors aimed at bringing out different messages. Van Gogh’s ‘’Starry Night’’ has more definite figures as opposed to Munch’s the ‘’The Scream’’.
To continue, Colors also contributed to the ongoing patterns of mood and atmosphere in the book. In the novel itself red mean anger, Green means happy and Meursault points out different times of the day, the ocean, and places with colors which brings out the significance of the color. For example when he associated the color green with happiness. "The sky was green; I felt good. "(Camus 26).
The title itself refers to the scene it generates. The poem begins by introducing the main subjects (Cullen, 1-4). Describing the white boy as the golden splendor of the day and the black as the sable pride of night further emphasized the importance of their color in the scene. To some, a black and white boy walking together may not seem significant. By pooling our attention to their color in this way, we better understand the significance of their contrasting skin color.
He realizes that he is infatuated with himself when he sees his reflection in a pond and he cannot even take his eyes off of the reflection. The colors Dalí uses also portray the love and passion that Echo and the various nymphs felt for Narcissus, even when he denied them. Narcissus had countless beautiful nymphs
She assumes that through the depiction of Narcissus, Caravaggio must have acquired self-knowledge: “You made/ From gleaming paint that tempting thing- -/Man staring at his suffering” (208) At this point in the poem, there is a resolution of a complex movement of feeling. The metrically complete rhyming lines which end this stanza create a satisfying sense of finality, which is suddenly altered with the opening lines of the final stanza: “And at this joy”(208) The adroit rhetorical move is effective because it amends the impression created in the first two stanzas in order to alert us to the simultaneous presence of suffering and joy in the creation of the work of
All three artists uses the lines in weird directions such as crisscrossing and diagonal placements in both artworks. In the Blue (Crest), used different tints of blue and Vertigo, used different tints of orange giving two different views of the artwork. The blue used in In the Blue (Crest) helped with portraying the feel of water and the orange just seems as a color placed in the painting of Vertigo, even though with the lines it helps represents the chaos in the picture. They both were similar besides the dimensions, In the Blue (Crest) did give a different feel since it was three dimensional than the two dimensional