The point of this inquiry is not to consider whether the readers of “Mending Wall” prefer one of the two neighbors more than the other. The point is to inquire whether Robert Frost does—and what his preference says about him. The speaker in a poem often reveals more about himself than he does about the person of whom or to whom he is speaking. The reader of “Mending Wall” discovers more about the narrator than about the neighbor he is talking about, and by extension, the reader learns something about the author of the poem. When a writer picks up a pen, he necessarily opens an artery of his heart, whether he wishes to or not.
The path he chose was less traveled and more interesting to him. “Frost remarked on his habit that no matter which path he chose each time, he would always sigh and wonder about what might have been down the other path (Kirk 86).” Without the literary element of imagery, one would not be able to understand the paths Frost describes in depth and understand their meaning. Additionally, the nature expressed in “The Road Not Taken” is important because it surrounds Frost in his poem. The yellow leaves represent a developing time period in his life and the grassy roads illustrate two significant choices that have to be made. The nature of Frost’s writing reveals the understanding of Frost’s experience with making decisions.
Frost’s descriptions regarding rural New Hampshire was often portrayed in a lot of his poetry, in particular, ‘Mending Wall’. “Mending Wall’ Concerning the structure of Robert Frost’s poem, “Mending Wall”, the poem was formatted in such a way that is; to be read as a conversation between speaker and interpreter (reader). The poem has 45 lines but no stanzas with occasional internal rhyming as well as assonance. The poem is said to
In literal terms, the the poem describes an encounter of two neighbors fixing their fence and one questioning why a fence is needed. Symbolically, the poem is about nature compared to human tradition and beliefs on boundaries. Both neighbors out of tradition visit the wall every spring to fix it up, as stated in line 11, “But at spring mending-time we find them there”. In nature, however, there are no boundaries, it is a limitless world. Whether it be, continents, countries, states, towns are all man-made boundaries.
He feels very alone, but then comes to terms with the fact that there are others fighting the same war at home as well. The standing reminder of a monument is of a great deal of importance. Not only does it show that these men are not forgotten to the pages of time, but it stresses the importance of the cost of war. The author was trying to show that war wares a heavy burden long after the last shots are fired. The author, Yusef Komunyakaa, set out with intent of painting a picture of what the men coming home from this war were encountering; as well as how it was affecting them physically and psychologically.
The poem, “The Mending Wall” by Robert Frost is the most significant influence on American literary history. The poem uses literary tools such as irony, personification, metaphor, simile and a pun. “The Mending Wall” as a single piece of literature is a timeless and debateable piece of art that evolves to a relevant piece of whatever time period it is read. As long as the question of why does a person continually take any sort of particular action exist, “The Mending Wall” is a reference to why the question should be asked and attempt to understand the other side of every action. The ability to offer literature that is as simple to read and as simple to understand as it is complex in meaning and applicable to any culture is what makes “The Mending Wall” the most significant influence on American literary history.
The reason why he appeals to most people is that he tells life lesson’s in his poems. When you read a piece of his art you feel like you get all the benefits. One of Frost’s more popular poems is “Fire and Ice” and this poem is short but hits you with raw emotion. It explores the two forces and how they bring destruction to the world, while, “The Mending Wall," is slower paced and shows us that humans like separations
Although Frost reveals the certainty of doubt and regret, he conveys it is necessary to internally evolve an individual’s perspective. This is re-iterated at the end of the poem, the individualist nature of the persona is expressed as he takes the road, “less travelled”, metaphorically representing him denying societal values and suggesting a change in perspective. While Frost may connote regret as a challenge throughout the poem, readers understand it acts as a guide to making the right choices for developing
Frost’s poem presents no answers to clarify how he envisions the world to be, giving authorial responsibilities to the reader. Meanwhile, Wordsworth provides a more blatant stance as to how humans are to live their lives seamlessly with nature to perceive the real world. Therefore, a poem might appear to have a philosophical depth embedded in it, but it is up to the poet to offer a clear, easy and concise understanding if his visions to the
Do not be afraid or terrified because of them, for the Lord your God goes with you; he will never leave you nor forsake you” (New International Version, Deuteronomy 31:6). In the poem, “The Road Not Taken,” Robert Frost uses beautifully crafted metaphors, imagery, and tone to convey a theme that all people are presented with choices in life, some of which are life-altering, so one should heavily way the options in order to make the best choices possible. Frost uses metaphors to develop the theme that life 's journey sometimes presents difficult choices, and the future is many times determined by these choices. Throughout the poem, Frost uses these metaphors to illustrate life 's path and the fork in the road to represent an opportunity to make a choice. One of the most salient metaphors in the poem is the fork in the road.