In Salvation on Sand Mountain, Dennis Covington centers not on race but religion as a key to understanding the South’s identity, and he takes great pains to present a fair and sympathetic perspective of snake handlers and rural southerners alike. Covington was first intrigued to this culture by covering a trial by the Scottsboro, Alabama, trial of Reverend Glen Summerford who being charge with attempting to murder his wife with the same rattlesnakes used in the services of his church. After the court had found Glen Summerford guilty and sent him to serve ninety years in prison. Covington, hearing and viewing the court document from the trail, the argument of the defense team and the convicted was not that of murder, but a practice of religious …show more content…
During the court proceeding, Covington met fellow members of that particular church and got acquainted with many of them and was invited to attend. Covington intrigued as a person and as a writer and wanting to expand his knowledge of the South, also, “wonder if there was still a South at all” (Covington, 1995). During this time, Covington he has known a few snake handler, and one particular snake handler by the name Brother Bob Stanley gave him more insight to the world of the South. He went on to describe that the south, although, surrounded by metropolis urban resisted change and kept their identity and culture by: religions, moral value and practice. As Bob exclaim, “we’re as peculiar a people now as we ever were, and the fact that our culture is under assault has forced us to become even more peculiar than we were before. He further explained how snake handling came about telling to Covington “snake handling, for instance, didn’t originate back in the hills somewhere. It started when people came down from the hills to discover they were surrounded by a hostile and spiritually deal culture” (Covington, 1995). This further intrigued Covington to seek the culture and religion in the …show more content…
For example, Covington stated that “he wanted to experience more” (Covington, 1995) because the services at The Church of Jesus with Signs Following always seemed to leave Covington wondering about what was going to happen next. As time progress, Covington began to attend more sermon and even started to handle the serpent himself. Once he got the fear of handling poisonious snake out the window, he started to handle more and attended more sermon. Once that happen, his journey from identity has turned full circle and now become a spiritual journey. The snake handling had pulled him, not only did the snake, but rather the people or the community and the religious belief (Holy spirit). This swept him before he knew. He was part of the community and that, he even preached, dance, and aid them when needed. As time progress, he even took his family along for the ride for the journey. What took me surprise was that, Covington’s daughter, Ashley, also had an influence on Covington becoming more interested in the snake handling ritual. She was the one person that he thought would never like an act such as snake handling. Her reaction to the services startled him. “The raw hillbilly music had been imprinted on her genes, like something deep within her she was remembering” (Covington,
On 2nd August 1994, 13 year old American boy Eric Smith was charged with the murder of a 4 year old boy called Derrick Robbie in Savona. Derrick Robbie was walking alone to a summer camp just down the road from where he lived, when Smith saw him and lured him off the path and into a small patch of woods on the way to the camp (Leung, 2004). It was there where Smith went on to strangle Derrick Robbie and unearthed some rocks nearby which he used to beat him to death. After this Smith sodomised the 4 year old with a stick he’d found and left him there to be found (Staas, 2014). A couple of days after the body was found by the police Smith went to the police station to see if he could help with the crime, Smith denied seeing Derrick Robbie at
The Perspective of Freedom Have you ever thought about the concept of freedom? Freedom is a point of perspective and not a point of a state of being. This can be seen in the story comparison in Nathaniel Hawthorne’s Young Goodman Brown and Phillis Wheatley’s To the University of Cambridge, in New-England.
The non-white characters in the novels are marginalized despite the insight they display. Pip, the black boy of the Pequod, may be mad, but that is no reason to disregard his speeches as insignificant. At different time in the novel pip proves to be the voice of reason on the ship. For example, in chapter 99, the Doubloon, when looking at the golden coin, most of the characters only see their own desires in it. However, when Pip takes his turn, he sees the truth of the situation.
In “Salvation” by Langston Hughes, he recalls a time from his childhood when he was at church. All the children of the church were being “saved” until he was eventually the last one who wasn’t. Feeling tired and pressured, Langston stood, declaring he had been saved. He felt horrible for lying, but the pressure placed upon him by the entire church outweighed the feeling of guilt. Similarly, people of all types experience a feeling similar to Langston’s; something called peer pressure.
In the article entitled “Salvation,” by: Langston Hughes recounts an experience at the age of twelve in which he was pressured to into believing in something is was unsure of. Hughes starts by giving background information to the readers about his memory in which he was at his Auntie Reed’s church and for weeks there had been a big revival; thus, one of the take ways from this was sinners being brought to Christ. He adds that before the end of the revival there was a special meeting for the children and that his Aunt escorted him to the front row to sit with the other children on the mourner’s bench until they were saved. His Aunt starts to describe that “you could see and hear and feel Jesus in your soul” and with no doubt, Hughes believes
Women’s Blues music in the 1920s and early 1930s served as liberation for the sexual and cultural politics of female sexuality in black women’s dissertation. Hazel V. Carby explores the ideology of the white feminist theory in her deposition, "It Jus Be 's Dat Way Sometime: The Sexual Politics of Women 's Blues", and critiques its views by focusing on the representation of feminism, sexuality, and power in black women’s blues music. She analyzes the sexual and cultural politics of black women who constructed themselves as sexual subjects through songs in blues music and explains how the representation of black female sexuality in black women’s fiction and in women’s blues differ from one another. Carby claims that these black women
In 1971, Alvin Ailey choreographed Cry, a three part work solo dance set to gospel music that describes an emotional journey filled with struggle, hardships, defeat, survival and joy. It was intended as a birthday present to Alvin’s mother and a dedication to all black women everywhere. The first part of the dance is the struggle of trying to maintain pride irrespective of the opposition faced from outside. The second part reveals the sorrow within after the woman’s pride has been shattered into pieces and finally the third part is a spirited celebration of finding strength and joy in God. Even though cry was dedicated to only black women, i argue the notion that all women both black and white of the nineteenth century could relate
Covington's investigation continues and we see the story quickly evolving from Glenn's trial to the careful unfolding of Covington's spiritual experience. Throughout the book, we learn that there is something about the snakes that quickly draws Covington to the snake handlers and ultimately leads him to attend the religious services. At the beginning of his religious journey, Covington starts off at Glenn's church and eventually branches off attending services at other churches over the Appalachia region. His constant attendance and involvement gives proof that Covington is undeniably drawn to the spiritual intensity and fellowship exhibited by the snake handlers within the church. His fascination leads him to feel spiritually connected to the snakes and ultimately takes up snakes himself.
The Journey and Quilts offer an interesting contrast on spirituality where the last bit of the Journey states “determined to do / the only thing you could do--- / determined to save / the only life you could save” where as in Quilts “When I am frayed and stained and drizzled at the end / Please someone cut a square and put me in a quilt / That I might keep some child warm” On the one hand you have a powerful reminder that we all have free will and can only control ourselves yet to the other point maybe a part of us can also in some small way influence others. My feelings on spiritual identity closely tie into the work Quilts being the acceptance that I am and will be a failure but without regret hoping that in the end someone will be able
In the piece, “Upon This Rock,” by John Jeremiah Sullivan, the author takes us with him on his journey to a Christian Rock festival called Creation. At first, he seems skeptical because of his trouble with the Crossover Festival and he worries about what might happen while he is trying to do his research. Once he arrives at Creation, Sullivan notices that the Christians he encounters are mostly younger the age of eighteen and that roughly one hundred percent of them were white. He depicts them in a way that makes the reader think they are abnormal or different. Then, the author introduces us to 6 interesting young men and describes them like they’re his best friends, and making them seem far from crazy.
Few remember that not just the indicted are changed in the prison system-the authority figures become different, too. Thousands of people go to detention facilities and stay there from minutes to decades, but the authority figures stay there with every influx of new prisoners. The wardens, in particular, are a monumental part of the system. They regulate the prisoners causing them to adapt to situations, whether positive or negative. Samuel Norton, the warden in the adaptation of Stephen King’s Shawshank Redemption, is embodied by the atmosphere of the prison.
Confined. Bigger was confined by four white walls of oppression and no possibility of escape. Bigger, taught to fear the white man and avoid the white woman, knew nothing about humanity. However, when confronted by Mary, she treated him with unexpected kindness. Mary represents white society, the same society whose sole desire is to destroy Bigger.
We can define the word salvation as deliverance from sin and its consequences, believed by Christians to be brought about by faith in Christ. One can be saved by accepting Jesus Christ into your life, but this wasn’t the case for Langston Hughes when he wrote “Salvation”. Having portrayed himself as a young teenage boy when this piece was written and using the first person perspective, the pressure he felt wanting to actually see and feel Jesus is the main reason why he ruined it for himself, and he was not “saved”. The first two lines even say “I was saved from sin when I was going on thirteen. But not really saved.”
NHD Outline *primary* (paraphrase) Introduction We had on the plantation an overseer, by the name of Austin Gore, a man who was highly respected as an overseer proud, ambitious, cruel, artful, obdurate. Nearly every slave stood in the utmost dread and horror of that man. His eye flashed confusion amongst them. He never spoke but to command, nor commanded but to be obeyed.
As the movie goes on, it becomes more and more clear what Tennessee Williams is trying to convey to the audience. This being, Southern culture was deeply corrupted in many ways and the societal norms of the time period were like a drug that people