In Lisa Williamson’s article, “Challenging Sitcom Conventions,” Williamson describes HBO’s original comedies as generally being different from the network sitcoms from the technical, aesthetic, and contextual elements. She mentions one of the examples of HBO’s comedy series, “Curb Your Enthusiam,” to provide how the show approaches in using a docu-real style that benefits the show’s storyline, and this is also evident in the second and fourth episodes of the first season of “Curb Your Enthusiasm,” titled “Ted and Mary” and “The Bracelet” respectively. While still following the sitcom structure, the show subverts the expectations of standard sitcoms by implementing docu-real style, realistic production value, and the approach of going beyond …show more content…
When compared to standard sitcoms, this show is presented in a more serious-like tone but comical at the same time, due to the complicated situations Larry David, the main character, gets involved in. It does not rely on a convention of audience reactions that create a sense of collective audience, but on the response of the individual viewers that rightly corresponds to the timing of the humor. In other shows such as “The Comebacks” and “The Office,” the cinematography is used in such a way in which a realistic documentary crew is actually around the character, but “Curb Your Enthusiasm” utilizes it as more of a stylistic approach. The only time the show implemented the documentary crew aspect it during the 1999 HBO special “Larry David: Curb Your Enthusiasm,” before the series was ordered. Williamson mentions that even without the presence of a crew, which may challenge the audience of authenticity or a performance, “it plays with this ambiguity extensively by adopting a reality aesthetic, and by featuring the “real-life” character of David in the main role (118),” so this allows the audience to become aware of David’s style of humor and the …show more content…
In network programs, product promotion is sometimes apparent in shows, but sitcoms often input fake brand names that may not adhere to authenticity. Some product placement usage can be found in the second episode of “Curb Your Enthusiasm,” such as the Spanish shoe company, Camper, and one of the popular department stores in the United States, Barneys New York. Williamson notes that this lends authenticity to the viewers and the program, but does not play it as merely product placement. Due to the realistic approach of the show and docu-real format, this comes as a more natural way of presenting these products, and they also help further the plot’s complication. Just because there is a product placement does not mean that it is meant to be only presented in a positive light, but they are placed in situations that would later put Larry in a negative position. For example, Larry is trying to find a replacement of his original Camper shoes, until he finds them later on. However, the Barneys employee gets angry at him, since the employee has already placed replacement Campers for Larry. In the context of this story, the story does not highlight the Camper product itself, but is used as a catalyst for Larry’s trouble in finding the right balance of relationship between characters. According to
Case name and Citation Costanza v. Seinfeld 181 Misc. 2d 562, 693 N.Y.S.2d 897 (Sup. Ct. N.Y. County 1999) Parties Michael Costanza, Plaintiff, Jerry Seinfeld, Defendant, Larry David, Defendant, National Broadcasting Company, Defendant, Production companies, Defendant FACTS
“Modern Family,” an American television sitcom, is known for its ensemble cast and mockumentary-style storytelling that explores the lives of the Pritchett-Dunphy-Tucker family. Season 5, Episode 15, titled “The Feud,” centers on the various conflicts and misunderstandings that arise within the family. This rhetorical analysis will examine the narrative structure, character development, and use of humor in the episode to understand how it conveys the theme of the importance of communication in resolving conflicts. “The Feud” employs a narrative structure that interweaves multiple storylines to create a cohesive, engaging plot. Each storyline focuses on a specific conflict within the family, including Phil’s long-standing rivalry with his nemesis, Gil Thorpe; Jay’s attempt to coach Manny’s school fencing team; and Mitchell and Cameron’s disagreement over their wedding planning.
However, Peacocke fails to recognize that Family Guy airs tamed comedy for entertainment by demonstrating how many elements that are portrayed on the show exists in our society today without intentionally hurting its viewers.
The show constantly acknowledges its own status as a TV show, often breaking the fourth wall and directly addressing the audience. The characters frequently comment on the absurdity of their own situations, referencing the show's format and production. For example, the narrator, Ron Howard, who is also an executive producer of the show, frequently interjects with sly commentary and insider jokes, blurring the line between the fictional world of the show and the real world of its production. This self-awareness creates a level of meta-commentary, inviting viewers to be active participants in decoding the show's humor and
Today’s society is one of instants: Instant downloads, instant messaging, instant shipping, instant oatmeal, instant movies, instant gratification. For many, the idea of having the world on a whim is a thrilling human achievement. For others, such as Paul Roberts and Aldous Huxley, this instant gratification is their nightmare. In Robert’s case, he theorizes that humans are designed to work hard and to struggle. By taking away any sort of effort and hardship, humans are being numbed, dumbed down and destructive.
In the book, The Rise of Enlightened Sexism by Susan Douglas, gives insight and knowledge that digs deep into pop culture explaining how the media portrays the appearances of women that are in powerful positions in our culture. The appetencies tent undermines the actual progress of women. Douglas is interested in what these pop culture ideals shows about our culture. The way we react to women in our culture with powerful influence. What do these shows do to the female imagine in our culture?
In Ellen Ruppel's, “In Praise of Bordeom” she explains from her personal history that boredom can be more beneficial than having an itinerary for your child because it can suppress the room to grow in creativity and imagination. For example, when she was a child, she consistently attended a vacant parking lot and would entertain herself with activities such as reading books, bouncing balls around and playing in the grass. She mentions that we are losing trust in our kids and don’t give them a long enough leash to navigate into the world. Ellen points the finger at marketing, because these days we are taught that the more money we spend on a learned progress like karate, organized sports and lessons, the more successful they will grow up to be. She feels that parents are straining a child's creativity and that play is
The Onion:Rhetorical Analysis The Onion’s satirical article, “Revolutionary New Insoles Combine Five Forms Of Pseudoscience”, uses several rhetorical devices to campaign its innovative, revolutionary product: MagnaSoles shoe inserts. Using the fictional MagnaSoles as a model, the article humorously mocks the strategies used by companies to market products to attract customers. Using a sarcastic tone throughout, it gives the read a true taste of the tactics used in today’s advertising. The passage uses fabricated scientific jargon as an appeal to authority, it’s main rhetorical device.
Television situational comedies have the ability to represent different values or concerns of their audience, these values often change every decade or so to reflect and highlight the changes that the audience is experiencing within society, at the time of production. Between the years of 1950 and 2010, the representation of gender roles and family structure has been addressed and featured in various sitcoms, such as “Father Knows Best” and “Modern Family”, through the use of narrative conventions, symbolic, audio and technical codes. These representations have transformed over time to reflect the changes in social, political, and historical contexts. The 1950’s sitcom “Father Knows Best” traditionally represents the values of gender roles and family structure in a 1950’society, with the father, held high as the breadwinner of the family and the mother as the sole homemaker.
Peter Weller once stated, “Television is an isolating experience, sadly enough. But as good as it ever gets, it’s still isolating. You sit in your home and visit with no one.” Staring into the television screen, zoned out and mesmerized, our minds are living the life of the characters in the movie or TV show. In today’s society, people obsess over there shows instead of there family, friends, and children.
I. Introduction Parenthood, a drama television series, attends to the adversity of an extended and imperfect family. The Bravermans are a blended California family who face a series of both fortunate and unfortunate events but together find a way to get by (Katims, 2010). Television consumers have been introduced to many fictional families overtime and continue to fall in love with family related television shows. Historically, the media has transformed and continues to adapt to the changes in present day family types. “Writers often take seeds from real life experiences and plant then in their scripts,” consumers both consciously or subconsciously attend to cues on television and want to apply what they see to their lives.
We live in a world where everyone seeks ‘instant gratification’ and the message that is propagated is: You can have! This is why credit card debt is such an insidious thing in the modern world. Our culture has become so accustomed to using credit to purchase whatever we think we desire, that the idea of delayed gratification is almost laughable. It certainly seems outdated!
The critically acclaimed, popularly viewed NBC television comedy series, The Office, has become a phenomenon of media, due to its monumental outbreak in the television industry from 2005 to 2013. The Office portrays the lives of Michael Scott, regional manager of Dunder Mifflin Paper Company in Scranton, Pennsylvania, and his employees through a documentary film crew that follows the cast around 24/7, capturing their everyday lives at and outside of work, as well as the ridiculously humorous antics they become involved in. The show’s distinct evolution of characters, plots, and relationships serve as the cultural foreground of the series. Each specifically placed character and relationship has its own distinct meaning, meant to represent a certain ideology for the audience to unearth and adapt.
Also having the cinematography used on the show being a single-camera that captures the jerking of the camera This shows the difference Arrested Development has on norms, form and content with shows like the Honeymooners, I Love Lucy and The Andy Griffith