The absence of a detective in And Then There Were None has the simultaneous effect of conforming to and challenging the conventions of the classic murder mystery. This essay will begin by examining those conventions and the typical role the detective plays within the genre. The effect that results from the absence of a detective in this particular novel of Christie’s will be explored, with emphasis on the ways in which it adheres to and, at the same time, defies the standard conventions. It will be asserted that, as the protagonist, the detective’s role in this crime novel is primarily assumed by the villainous judge, Lawrence Wargrave, assisted by the author, and thus providing an element of conformity and a solution to the mystery. However,
In Agatha Christie’s And Then There Were None there are at least two of the twenty rules from “Twenty Rules for Writing Detective Stories” by Van Dine used. These two rules being “The culprit must turn out to be a person who has played a more or less prominent part in the story — that is, a person with whom the reader is familiar and in whom he takes an interest” (Van Dine) and “No willful tricks or deceptions may be placed on the reader other than those played legitimately by the criminal on the detective himself” (Van Dine) In And Then There Were None by Agatha Christie One of the many rules from “Twenty Rules for Writing Detective Stories” by Van Dine shown is “The culprit must turn out to be a person who has played a more or less prominent part in the story. . .” (Van Dine).
The book “And Then There Were None”, written by Agatha Christie, each of the guests have committed a crime; more specifically, a murder. Vera Claythorne, who let her lover’s weak nephew swim out to a rock, is mentioned to feel guilty all the time. She remembers the event whenever she is near water. In the end, she commits suicide, knowing that she should be punished for her crime. General Macarthur is also one of the characters who accepts the guilt, having sent an officer out to a reconnaissance.
Everyone knows that suspense is a fundamental part of a storyline. It makes the reader keep on reading by filling them with anxious anticipation of what will happen next. In And Then There Were None by Agatha Christie, the ten main characters go through a time of immense stress. After being invited to an island by a mysterious unknown millionaire, they realize that something is not quite right; their host hasn 't shown up. Each of them starts dying.
In And Then There Were None, Agatha Christie chronicles the deaths of the ten main characters. Slowly, one by one, each character is killed off by an unknown. At first, the deaths were suspected as suicides, but as the coincidences build up, the thought about murder provoked the remaining characters’ minds. 10… 9… 8… 7… 6… 5… 4… 3… 2… 1… everyone is killed. That isn’t the question though.
In the story And Then There Were None by Agatha Christie I believe that the killer does not act justly for many reasons. The first reason is because most of the guest on the island had payed for what they did. They did not just get off the hook they all had something taken from them after they committed the murder. The second reason is because justice had no right to just go around killing more people. Just because he was a judge doesn't mean he has the right to kill the guests on the island.
All characters are accused and redeemed of guilt but the murderer is still elusive. Much to the shock of the readers of detective fiction of that time, it turns out that the murderer is the Watson figure, and the narrator, the one person on whose first-person account the reader 's’ entire access to all events depends -- Dr. Sheppard. In a novel that reiterates the significance of confession to unearth the truth, Christie throws the veracity of all confessions contained therein in danger by depicting how easily the readers can be taken in by