Although being written centuries apart, the limited expectations of women presented in ‘Othello’ and ‘A Streetcar Named Desire’ differ little from each other. The female characters are confined by society’s expectations of male dominance, female purity and virginity, and the many passive roles of women. Despite the differing legalities surrounding the position of women between the centuries in which the plays were written, both plays explore the impact of how societal conventions confine women and the ways they must comply to be safe in a patriarchal society. The behaviours and treatments of Desdemona, Blanche and Stella illustrate the attitudes enforced on and the behaviours of women throughout both periods in time and it is these attitudes and behaviours that impact the plays to the greatest extent. When characters in either plays defy their norms, or demonstrate a lack of compliance they induce negative consequences, such as the murder of Desdemona and the institutionalisation of Blanche.
In the novel The Nightingale by Kristin Hannah, the cities of Carriveau and Paris are transformed from peaceful locations into bloody war zones after the Germans invaded France. Setting is used to emphasize the destructive impact the Nazis had in France during its occupation in World War II.
Feminist theatre came into being as a by product of the experimental theatre movement of the 1970s’ and 1980’. It was an alternate theatre which enabled women to explore their creative talents on stage independently. Feminist theatre served as a means of constructing an exclusive feminist discourse on stage that questioned the patriarchal norms of female subjugation. Its movement was towards the construction of a theatre space where women are no longer mere stage props. They started functioning as the creators of drama rather than being confined to the roles of wife, lover, mother or lunatic. It was a paradigm shift from women being the objects of male gaze to the creation of a self sufficient female gaze, from being objects to being the subject
How does Henrik Ibsen use the progressive characterisation of Nora to criticise the patriarchal society of the time?
In Virginia Woolf’s essays, entitled “The Professions for Women” and “Virginia Woolf”, she describes women’s domestic lives in the early 20th century. Woolf’s writing also sets the scene for a period when women’s place existed in the private sphere, while men’s place was the public. The aim of this paper is to explore the domestic lives of women through the lens of marriage, social class and domesticity by reviewing the writings of Virginia Woolf, Alice Wood’s essay, “Made for Measure”, Susan Glaspell’s play, “Trifles”, and Alice Dunbar-Nelson’s poem, “I Sit and Sew”. The common themes described in the writing of all four authors are the subordination and oppression of women in a society controlled
Everyone has done something in their life that they have deeply regretted and mostly refer back to their childhood. However, from a young age a person may not understand the issue until they grow into an adult. The author, Susan Perabo shows this to be especially true in her short story “The Payoff”. The use of the main characters Anne and Louise reveal how unwise a young mind can be in realizing the most simple of things. However, through the use of these characters an important message is suddenly conveyed over the story. In order to fully understand the story it must be evaluated to show what lesson is to be learned from the reading. The story has an epiphany implemented into the writing which gives a new realization in the importance of this part.
First Generations: Women of Colonial America, written by Carol Berkin, is a novel that took ten years to make. Carol Berkin received her B.A. from Barnard College and her M.A. and Ph.D. from Columbia University. She has worked as a consultant on PBS and History Channel documentaries. Berkin has written several books on the topic of women in America. Some of her publications include: Revolutionary Mothers: Women in the Struggle for America's Independence (2004) and Civil War Wives: The Life and Times of Angelina Grimke Weld, Varina Howell Davis, and Julia Dent Grant (2009). The prejudice that the author brings forward strongly is the notion of feminism.
Research papers require a lot of critical thinking, planning, and research. First, one needs an interesting topic. Then, one needs at least one critical reading strategy to analyze the literary works in the topic. Finally, one needs to do preliminary research and write a basic thesis statement. After that, one has the beginning of a good research paper.
William Shakespeare 's "Othello” can be analyzed from a feminist perspective.This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions
In Kate Chopin’s “The Story of an Hour” demonstrates the personal growth of the dynamic protagonist Louise Mallard, after hearing news of her husband’s death. The third-person narrator telling the story uses deep insight into Mrs. Mallard’s thoughts and emotions as she sorts through her feelings after her sister informs her of her husband’s death. During a Character analysis of Louise Mallard, a reader will understand that the delicate Mrs. Mallard transforms her grief into excitement over her newly discovered freedom that leads to her death. As Mrs. Mallard sorts through her grief she realizes the importance of this freedom and the strength that she will be able to do it alone.
Do you know that Shakespeare is not the only gifted writer in his family? This mysterious member exists in the English writer Virginia Woolf’s imagination. In her famous essay “Shakespeare’s Sister,” Woolf uses the hypothetical anecdote of Judith Shakespeare as her main evidence to argue against a dinner guest, who believes that women are incapable of writing great literature. During the time when Judith is created, women are considered to be naturally inferior to men and are expected to be passive and domestic. Regarding her potential audience, educated men, as “conservative,” Woolf attempts to persuade them that social discouragement is the real cause of the lack of great female writers without irritating them by proposing “radical” arguments. By using casual diction, simple sentences, and well-known allusions, Woolf is able to shift the audience’s attention from the gender of the
Three Sisters is a play authored by Russian playwright Anton Chekhov. Set in a small town used for garrisoning troops, the Prozorov family struggles to live their fullest lives in the backwater town. Accompanied by several military men, the three sisters, Olga, Masha, and Irina, and their brother Andrei attempt to navigate a somber and seemingly predestined life. Anton Chekhov uses the lives of the Prozorov and the people they interact with to insinuate beliefs about the Russian nobility and educated society. Throughout Three Sisters, Chekhov suggests that noble people live somber dissatisfying lives, are disconnected from the struggles of the average Russian, and suffer from various moral pitfalls.
The role of women in literature crosses many broad spectrums in works of the past and present. Women are often portrayed as weak and feeble individuals that submit to the situations around them, but in many cases women are shown to be strong, independent individuals. This is a common theme that has appeared many times in literature. Across all literature, there is a common element that causes the suffering and pain of women. This catalyst, the thing that initiates the suffering of women, is essentially always in the form of a man. These themes can be clearly seen in the short stories Chopin’s “The Story Of An hour”, Gilman’s “The Yellow Wallpaper”, and Hurston’s “Sweat”. These pieces of literature strongly portray how women are seen in instances
Feminist literary criticism’s primary argument is that female characters have always been presented from a male’s viewpoint. According to Connell, in most literary works, female characters often play minor roles which emphasize their domestic roles, subservience and physical beauty while males are always the protagonists who are strong, heroic and dominant (qtd. in Woloshyn et al.150). This means that the women are perceived as weak and are supposed to be under the control of men. Gill and Sellers say that feminist literary criticism’s approach involves identifying with female characters in order to challenge any male centred outlook. It aims at resisting traditional assumptions of gender (3). In doing so, feminist literary criticism examines how works of literature perpetuate or challenge patriarchal attitudes. In feminism lens, The Hunger Games trilogy by Suzanne Collins’ presents itself as a pro-feminist series It challenges gender stereotypes by presenting a female protagonist; Katniss Everdeen. The book has successfully challenged gender stereotypes by showing that men and women are equal. It is the societal constraints that do not provide a level playing field for both genders. Using Wollstonecraft’s book A Vindication of the Rights of Woman to analyze the Hunger Games this essay demonstrates how men and women are equal.
One of the most significant works of feminist literary criticism, Virginia Woolf’s “A Room of One`s Own”, explores both historical and contemporary literature written by women. Spending a day in the British Library, the narrator is disappointed that there are not enough books written by or even about women. Motivated by this lack of women’s literature and data about their lives, she decides to use her imagination and come up with her own characters and stories. After creating a tragic, but extraordinary gifted figure of Shakespeare’s sister and reflecting on the works of crucial 19th century women authors, the narrator moves on to the books by her contemporaries. So far, women were deprived of their own literary history, but now this heritage is starting to appear. She finds that women are currently writing nearly as many books as men, on all kinds of subjects, such as economics and philosophy, “which a generation ago no woman could have touched“. So, to explore current novels and to see what kind of changes occurred in