The fantasy does not always make the pain go away. In the Things They Carried by Tim O’Brien in the vignette, The Man I Killed, O'Brien describes a Viet Cong soldier whom he has killed, using meticulous physical detail, including descriptions of his wounds. Then O'Brien imagines the life story of this man and imagines that he was a scholar who felt an obligation to defend his village. In the story, The Man I Killed, Tim O'Brien uses diction, repetition, and imagery to to convey his feelings of guilt and desolation, about the man he killed and link it to his overall purpose of writing the book, to inform readers of war is destructive, the soldiers lives have the chance to carry on forever in story form. Tim O’Brien uses imagery to describe …show more content…
As he stares at the body he sees “His jaw was in his throat...”and his “eye was a star-shaped hole…” which gives the reader a gruesome image bringing them to see what he sees. Tim’s sensitivity is revealed when he shows how captivated he is as he stares at the dead Viet Cong body. Tim allows the readers to see that he has remorse about how he took action to stop the Viet Cong soldier. In order to mask the remorse and guilt Tim O’Brien feels describes the features the man already had possess. The Viet Cong soldier appeared to be a “slim, young, dainty man,” which distracts the reader from the destruction the bomb has caused . His focus on these physical characteristics, rather than on his own feelings, betrayed …show more content…
The life he imagines for this man reflects his own of a life without the war and enemy present. The soldier probably ”hoped...Americans would go away” so he wouldn't have to fight in the war he never wanted to be in the first place. While both men opposed the war they both went for the same reasons, the opinions of their family and friends. The soldiers did not want their family, friends, or country to think less of them for not going to serve in the war. In order to relieve the guilt he feels he negotiates his feelings by building a fantasy, by imagining a story of an entire life for his victim. Tim O’Brien repeats the man’s probable want to “someday to be a teacher of mathematics”. Tim O'Brien use of repetition further humanizes the man and creates this imagined life he could have lived which furthers his guilt. The author does this to show O’Brien’s need to keep the soldier relevant even after his death, and in a sense his life still continues. Furthermore, he uses the Viet Cong soldiers life to reflect his own. Just like himself the man was “afraid of disgracing himself, and therefore his family and village” for not being a soldier. The author uses the comparison between the two to show how Tim sees a reflection of his life in the Viet Cong soldier. Tim begins to not only believe that he killed his opponent, but he
In the 1990 book “The Things They Carried” By Tim O’Brien gives both the victims and survivors of the Vietnam war a voice. The soldiers, alive and dead, experienced horrific events too terrible to speak of. No one could express their emotions, causing many mental illnesses such as PTSD. How could they express how they felt if they couldn’t speak of the horrors that occurred? Tim O’Brien gave them a voice.
Tim O’Brien deals with hardship during the war and after the war. He has trouble coping with it, he uses writing as a way to heal himself. Tim O’Brien writes about the man he supposedly killed. “His jaw was in his throat, his upper lip and teeth were gone, his one eye was a star-shaped hole – “Think it over” Kiowa said. Then later he said, “Tim, it’s a war” – Then he said, “Maybe you better lie down a minute” ”
This is the man O’Brien killed, or felt he killed. O’Brien implies that he never actually killed this man, but he still felt he was responsible for this man’s death. Being a young, fearful soldier, Tim O’Brien was too afraid to look at the faces and bodies that surrounded him and take responsibility for their deaths, which resulted in a future O’Brien writing, “And now, twenty years later, I’m left with faceless responsibility and faceless grief” (172). Through his stories, O’Brien is able to use his emotions and remorse to recreate his young self as a man who looked at these lifeless bodies and felt responsible for their fates. O’Brien can also utilize his emotions to fabricate a story that included his true thoughts and feelings when encountering death in Vietnam.
He tells stories interacting with people who die to bring closure to their deaths. If done respectfully it is a powerful coping mechanism to cope with not just loss of people in war, but any loss. He also indicates that without expressing thoughts through stories thoughts build up pressure and circle in the mind causing distress or harm. Coping with death is difficult not only because of the loss of loved ones, but also because of the reminder that lives are temporary. Reflecting after the war, O'brien expresses that “stories are for joining the past to the future….stories are for eternity, when memory is erased, when there is nothing to remember except the story”(36).
We believe that true, patriotic heroes go to war without cowardice or complaint. Yet, as O’Brien demonstrates in his novel, war is incomprehensible and lacks the morality we expect it to have. The Vietnam War was fought for reasons unknown to the soldiers involved as seen in the lines “The very facts were shrouded in uncertainty: Was it a civil war? A war of national liberation or simple aggression?
Readers, especially those reading historical fiction, always crave to find believable stories and realistic characters. Tim O’Brien gives them this in “The Things They Carried.” Like war, people and their stories are often complex. This novel is a collection stories that include these complex characters and their in depth stories, both of which are essential when telling stories of the Vietnam War. Using techniques common to postmodern writers, literary techniques, and a collection of emotional truths, O’Brien helps readers understand a wide perspective from the war, which ultimately makes the fictional stories he tells more believable.
Those words killed Tim as he lay there in astonishment after what he did. Even though he killed a man he did not feel anything, he felt more bad than anything, that he had taken a life. Tim knew that if didn’t it would have been hid life one the line and that scared Tim more than anything. Sometimes Tim forgives himself and other time he does not, because then he thinks about his little girl, and how she would have grown up without a father. “Anybody who is touched by a war will never be the same” even though men and women do not feel safe in the war, there is not much they can do about it.
In conclusion, deontology and kantian ethics plays a major role in how individuals think while they go into a combat. Nobody thinks about the consequences of any of the actions they are taking and moral concepts go out the window. In the film, we can see this when Taylor becomes a coldblooded killer and kills individuals who have not done anything to him or the members of the platoon, as well the war will be over if the platoon run out of men which only happens once the men in the platoon get injured twice during the combat they return home, even if they are found in a body bag. This film showed how in the Vietnam war is a major event in the history of the USA military which allowed them to focus on a certain population and how they think around different individuals while out in
Rhetorical Analsys Novelist, Tim O'Brien, in his anecdote, "Style", connects the effects of war on both the soldiers and the victims. O'Brien's purpose is to reveal the dark contrast of the war-hardened soldiers, and the ravaged victims. He adopts a objective tone in order to convey the normality of the war and all of the death and pain brought on by it. O'brien opens his anecdote by describing the village, the dancing girl, and the soldiers' reaction to the dancing girl. He constructs the dancing girl while the soldiers walk through the blown up village.
This chapter “The Ghost Soldiers”, showed us how Tim O’Brien and the other soldiers were dealing with the war both physically and psychologically. It also shows us how the Tim O'Brien behaved and felt when he was shot, wounded and had a bacteria infection on his butt and how the war changed the way he thought, and viewed the other soldiers around him. This chapter also contain a lot of psychological lens. From the way Tim O’Brien felt when he was shot and separated from his unit to a new unit to when he wanted revenge on Bobby Jorgenson for almost “killing” him.
1 In “Sweetheart of the Song Tra Bong,” the protagonist is Fossie’s GIrlfriend, Mary Anne, who comes to the medical base in Vietnam to stay with Fossie. She comes very new and shiny and girly but then becomes dark and manly and obsessed with the war. Figurative Language - In the beginning when Mary Anne first arrives, Rat describes her as, “ She had long white legs and blue eyes and complexion like strawberry ice cream.”
In the chapter when he describes the man he kills, he talks about the state of the dead body by saying, “His jaw was in his throat, his upper lip and teeth were gone, his one eye was shut, his other eye was a star-shaped hole…the skin at his left cheek was peeled back in three ragged strips, his right cheek was smooth and hairless, there was a butterfly on his chin, his neck was open to the spinal cord and the blood there was thick and shiny and it was this wound that had killed him” (O’Brien Chapter 11). This brutal and horrifying imagery displays an irrefutable element of truth to O’Brien’s writing. Not only does this imagery highlight the truth to his writing, but it also sheds light on the brutal truth about the war in Vietnam. By using imagery as such a strong rhetorical device in his writing, he gives the average person a taste of just how barbaric and cruel Vietnam felt for the people who experience the war first hand on either side of the fighting. Tim O’Brien gives a very detailed and intense description of his time fighting in Vietnam during their war with America.
In the novel The Things They Carried by Tim O’Brien, the author skillfully presents a paradox about war and how it is both horrible and beautiful. Through O’Brien’s vivid storytelling and sorrowful anecdotes, he is able to demonstrate various instances which show both the horrible and beautiful nature of war. Within the vulnerability of the soldiers and the resilience found in the darkest of circumstances, O’brien is able to show the uproarious emotional landscape of war with a paradox that serves as the backbone of the narrative. In the first instance, O’Brien explores the beauty in horror within the chapter “Love.”
Answering the call to serve causes enough moral conflict and killing for the war only adds to it. Tim O’Brien struggles to make sense of his thoughts after killing a Vietnamese man while outside of My Khe. O’Brien writes “The Man I Killed” detailing how the man’s disfigured appearance looks repetitively, and dreaming about what the man’s life must of been like before his death. Afterwards O’Brien reflects saying, “It was entirely automatic. I did not hate the young man; I did not see him as the enemy…”
In the chapter “The Man I Killed” by Tim O’Brien, he writes about his feeling of shame and guilt after he killed a man for the first time. He uses repetition to get his point across. He used it to describe the man’s physical traits, he wrote, “The one eye did a funny twinkling trick red to yellow. His head was wrenched sideways, as if loose at the neck, and the dead young man seemed to be staring at some distant object beyond the bell-shaped flowers along the trail. The blood at the neck had gone to a deep purplish black.