The image of the Virgin Mary or the Madonna and her child Jesus Christ is an image that has been repeatedly depicted throughout history since the beginning of Christianity, and every time it is depicted in a slightly different way. William Robinson Leigh’s Lullaby of 1918 is another representation of this popular image and it serves as an expression of religious and cultural beliefs of Native Americans during this time period. Lullaby is a rectangular painting that is taller than it is wide. In the center of the image, a Native American woman can be seen sitting on the dirt floor of a Native American dwelling with her baby lying across her lap and they are sitting near a paltry fire. The infant is swaddled tightly in a white blanket with blue …show more content…
Leigh’s representation of the Madonna and child presents the pair in a state of humility and modesty, this is in contrast to the immaculate light we are commonly made to imagine them in when inside places of worship and prayer. Instead of the Native American woman sitting in a chair or in any sort of an elevated position, she is sitting on the dirty floor. Her position not only displays her humility and modesty, but it also expresses the immensely important belief in the oneness with nature and the Earth that many Native American cultures possess. Although the sight of the Virgin Mary sitting in a lower position is a less common one, it is certainly not unfamiliar or blasphemous. The Native American mother and her child in this image are housed in a small and simple tent. Their dwelling is completely void of personal possessions aside from the pair of moccasins scattered on the floor. Their lack of personal possessions and their place of residence are very similar to the conditions of the manger the Virgin Mary and Jesus are believed to have stayed in during their travels. Just as Mary, Jesus and Joseph were on journey, the cradleboard and its purpose to make travelling easier suggests that the Native American woman and her child are too on a literal or metaphorical
OUR LADY MARY OF ZION: AFRICAN DEPICTIONS OF THE CHRISTIAN MOTHER OF GOD Rachel Heiderscheidt 11 December 2015 ART 311 Riep The Catholic cult of the Virgin has spread its influence throughout the world over the centuries. In this paper, I will compare Marian imagery from three different African cultures: ancient Egypt, Ethiopia, and the Kongo people in the Democratic Republic of the Congo to a typical example of Western Marian iconography in order to explore the ways in which each culture has taken existing icon types and expanded upon them, bringing their own unique cultural identity to the table. In this way, we can see not only the unique stylistic elements of each culture, but the depth of devotion the figure of Mary, and mother
The quilt’s variety of colours conveys a link between the narrator’s multicultural family as well background. This idea is conveyed in lines fifteen through seventeen, “Six Van Dyke brown squares.. Mama’s cheeks.” Additionally, the colours of the quilt also play a role in being symbolism of the narrator’s family characteristics and love, such as in lines thirty-nine through forty, “of my father’s burnt umber pride, my mother’s ochre gentleness.” This concept is further presented in lines twenty-five and twenty-six, “Among her yellow sisters, their grandfather’s white family.”
The Pawnee men and the women were having some difference between their works. The men were the hunters, and when they went on hunting trips, they used buffalo-hide tepees as temporary shelter. Sometimes they went to war to protect their families, too. Then, the women’s main job was to be a farmer.
I read an Ethnography called "A Song Of Longing, An Ethiopian Journey", by Kay Kaufman Shelemay. Shelemay gathered a good amount of religious music in a town of Gondar, a city in Ethiopia. The Ethiopian rules and regulations upset her research and ended up studying the Ethiopian Christian service in Addis Ababa. During that time, she met and married a Jewish businessman, Jack Shelemay, from a Middle Eastern (Aden), whose family was permanently settled in Ethiopia. " A Song Of Longing" is not a book that was said it to be, she late changed it and made it about Ethiopian religious music, and also a story of Kaufman 's field experience.
In the poems “Richard Cory,” by Edwin Arlington Robinson and “Glass Ceiling,” by T.R. Hummer, the authors emphasize on the identity of the characters with the conveying of their emotions. Shielding ourselves from the outside world is a common trait seen in humans, we manage to hide our feelings from the people around us to the point that we feel we are going to explode if we hold it in any longer. In comparison, these poems suggest how our identities can change based off of the person you present on the exterior and the person you keep in the interior. In opposition to each other, the poem by Robinson focuses on a person who kept their emotions bottled up because it seeme that he didn 't have any close ties to a person his town, while in the poem by Hummer focuses on the girl knowing her grandmother enough to
Additionally, during the Pantheon meeting, a girl mentioned that when you are Pagan, “if you’re in a community of people who have the same meanings as you, then I think it’s easier”. I tried to depict this sense of comfort and unity through arrangement of the photographs, since “the aim of ethnographic film is to preserve, in the mind of the viewer, the structure of the events it is recording as
Body Ritual of the Nacirema by Horace Miner is a clever piece that describes a foreign sounding culture only to be realized that the group being described is one that is much more familiar. Through his process of describing conventional habits or “rituals” in an unconventional way, he allows the reader to look at this culture through a very unique lens. The Nacirema are the Americans and a representation of the American culture. Although this might not be immediately apparent to the reader, there are a number of hints throughout the text to help come to this realization.
Horace Miner, a American Anthropologist wrote an academic essay titled “Body Ritual Among the Nacirema.” In this article Miner described some of the bizarre rituals and practices of the “Nacirema” which the reader comes to find out that he is talking about North Americans. The way Miner goes into detail about how these people live makes them seem foreign. Thus making the norm for an American lifestyle seem odd because the certain type of lingo Miner uses to make this “tribe” more exotic then the actually are. His point in doing this is to show the reader how obnoxious anthropologist can be when they are explain a different culture.
Cather is a model of a lovable person. When I read this fiction The Song of the Lark, I am inspired by the friends of Thea. This paper explores the characters in Thea’s childhood. This fiction is considered as an autobiographical novel. Cather learns everything and she herself moulds her
Analysis of “Migrant Mother” The famous photo of the Dorothea Lange known as “Migrant Mother” has become an icon of the great depression. It is an image of mother and her three children. The photo was captured in 1936 in Nipomo, California. To analyze any piece of art is totally depending upon the reader’s perception, what the readers sees in that piece of art they can present their own views about it.
The Migrant Mother photograph represented what people were going through day by day and the emotions he or she was forced to overcome. Just the basic picture itself has many meanings and interpretations. Dorothy Lange captured a heart wrenching image of a mother and her children. The contrast and shadows of the photograph give it a dark and grieving tone. The mother is positioned in the center as the focus, however, the children are surrounding her in the background.
The mood of this painting is nurturing and humble. The painting is more life like the any other portrait of Mary and Jesus because Jesus does not have a halo on his head and his
In the song, “Whiskey Lullaby,” written by Jon Randall and Bill Anderson and sung by Brad Paisley and Alison Krauss, the message being sent is that love so strong can be ruined with just one mistake that could lead to worst outcomes. Told in second point-of-view, the author supports this theme by describing the setting of a gloomy country home establishing the major conflict of love and death and incorporating the use of irony, tone shifts, imagery, and word choices. Paisley’s purpose is to imply that love can become something putrid and could end up hurting loved ones very deeply. This song creates a mood of sadness and mournfulness for an audience that have experience this type of situation being described in the song. Throughout the whole song the singer used different tones when singing different parts of the song.
The painting “Self-Portrait with Her Daughter, Julie” by Élisabeth Vigée Lebrun shows the artist’s daughter as an extension of herself not only meant to exalt her love for her child but also to show herself in a flattering light as the devoted and beautiful mother. “Self Portrait
There are several interpretations of John Keats’ poem, Ode to a Nightingale. Keats begins his poem with talking about a bird that seems real, but as the poem progresses the bird turns into a symbol. Keats was envisioning how life could be much simpler and he was thinking about the different ways life is troublesome. His reality was taken over by his dream of having a life like the nightingale- worryless and free. He wishes that he could join the bird because if he could escape to the nightingale’s world, he could escape from reality and live a much more uncomplicated and worry free life.