Beth Brant’s journey through Writing as Witness is to reclaim power, particularly that which she perceives in relation to langauge and words. "I hope to convey the message that words are sacred," she says, establishing her perception of what the power words entails through emphasis on tribalography and reclaiming tribal culture and history. The power of language to shape our perceptions of other people is immense. Precise use of terms in regards to race and gender can have a significant impact on demystifying many misperceptions. Power of word also relates to identity, and when Brant speaks about her sexual identity and Mohawk heritage, she ultimately reclaims power, particularly the power of word is* it is understand from her perspective …show more content…
Brant wants to tell us the truth but finds it very hard for different reasons. First of all, she associates writing with the holy Bible. *However, when the colonizers arrived in the New World, they started to assimilate Indians with this book. It was an unreliable text for her and her People since abuse was permitted; it did not fit their ideologies and was a synonym for their misfortune. Brant speaks of homophobia as a sickness that was introduced by colonialism, just as smallpox and alcohol were introduced by the Europeans to weaken and destroy the first peoples of the land. "Although we have never left that home, in a sense we have been pulled and pushed into accepting the lies told about our Indian selves" …show more content…
"Sexuality, and the magic ability of our bodies to produce orgasm was another way to please Creator and ensure all was well and in balance in our world" (55). "...something I couldn't have said years ago when I was a battered woman, a self-hating half-breed, a woman who self-destructed at every turning, before I acknowledged by lesbianism and before I began to write"
The acclaimed Canadian author Joseph Boyden is often praised for providing an insightful look into Indigenous culture and history through his debut, Three Day Road. While the novel does explore the haunting memories of an Indigenous soldier, it also tackles concepts about storytelling and the power of words. Consequently, this essay investigates the question; How does Joseph Boyden use literary devices and narrative structure in Three Day Road to illustrate the power of stories and language? The novel serves as an examination of the power of words and the different roles they play in communication,
In “From Clan Mother to Loyalist Chief,” James Taylor Carson states that women and men have different roles in the Iroquois society. While women are responsible as a mother and farmer, men are responsible as a hunter. However, as an Iroquois women, Molly Brant changes other people perspective by gaining her authority and in the society. She left Niagara and becomes chief, as she left her roles as a clan mother to be a loyalist chief. After her successful role on Carleton Island, she tries to go back to Niagara but got rejected.
Indigenous voices and narratives have long been overlooked and marginalized in mainstream media while new and authentic Indigenous texts present a powerful means of representation and communication of Indigenous voices and culture. Indigenous Peoples in Canada have a rich cultural heritage with diverse languages and traditions. However, their experiences and perspectives are often misrepresented in Western media. Indigenous media, such as the documentary "Reel Indian," the poem "I lost my talk" by Rita Joe, and the novel "Lost in Space" by Drew Hayden Taylor, serve as crucial tools for representation, expression, and political and social commentary among Indigenous Peoples in Canada. These texts challenge misrepresentations, share cultural experiences, and break stereotypes.
Beth Brant’s journey through Writing as Witness is to reclaim power, particularly that which she perceives in relation to language and words. "I hope to convey the message that words are sacred," she says, establishing her perception of what the power of words entails through emphasis on tribalography as well as tribal culture and history. That power involves the ability of language to shape perception. Conscious exploration of the way individuals speak about race and sexuality can have a significant impact on demystifying many cultural misperceptions. Brant uses her writing to speak about her life and her experiences, and the relationship between sexuality and her Mohawk heritage.
Gender constructs are virtually everywhere. No matter what society, time period, or seemingly progressiveness of a people, gender continues to shape and limit ideologies. In Louise Erdrich’s novel The Last Report on the Miracles at Little No Horse, the main character experiences the limitations of gender constructs firsthand as she finds herself transformed to a male to achieve her goals of becoming a priest. It is after this transformation takes place that Father Damien is able have control over his life which he did not previously have living as Agnes.
It is true that the history of law offers us an understanding how the law evolves and change with time and place. Both the source of narcotics legislation and the Kathryn Burn’s article (Notaries, Truth, and the Consequences) somehow help us flesh out our understanding of sources of legal philosophy. Moreover, both examples somehow go beyond the traditional sources (Statutes, case law, custom, books of authority) of law. As Canadians, we require recognizing that these traditional roots of law stem from various European system by explorers and settlers.
In early February of 1675 the Indians infiltrated the town of Lancaster. They were not looking for money, they were looking for blood. The blood of Christians. Twenty-four English men, women and children survived this maliciousness, only to be held captive by the Indians. The Sovereignty and Goodness of God, tells the tale of Mary Rowlandson’s account as a prisoner for almost 12 weeks.
While Zora Neale Hurston associates race with identity in her essay, “How it Feels to Be Colored Me,” Gloria Anzaldúa similarly relates language to identity as well in her essay, “How to Tame a Wild Tongue.” In Hurston’s situation, because she’s black, she is forced to succumb to society’s views and standards on African Americans; growing up, she never realized her race was treated differently until she moved to a new town. Segregation was occurring at the time, and throughout her essay, she comes to terms with the realization that being black is a part of her identity. Correspondingly, Anzaldúa realizes that her language is also a part of her identity when she is forced to forfeit her native tongue to accommodate English speakers rather than them having them accommodate her. Although both authors have gone through
Native Americans in Canadian society are constantly fighting an uphill battle. After having their identity taken away in Residential Schools. The backlash of the Residential Schools haunts them today with Native American people struggling in today 's society. Native Americans make up five percent of the Canadian population, yet nearly a quarter of the murder victims. The haunting memories of Residential Schools haunt many Native Americans to this day.
Tracey Lindberg’s novel Birdie is narratively constructed in a contorting and poetic manner yet illustrates the seriousness of violence experience by Indigenous females. The novel is about a young Cree woman Bernice Meetoos (Birdie) recalling her devasting past and visionary journey to places she has lived and the search for home and family. Lindberg captures Bernice’s internal therapeutic journey to recover from childhood traumas of incest, sexual abuse, and social dysfunctions. She also presents Bernice’s self-determination to achieve a standard of good health and well-being. The narrative presents Bernice for the most part lying in bed and reflecting on her dark life in the form of dreams.
In recent years, Canada has built a reputation for its diverse and accepting society, however, the racist and violent treatment towards different ethnic groups, specifically Indigenous communities, makes up a significant part of the country's history and continues to have an effect on today’s society. The novel, Indian Horse, written by Richard Wagamese, strives to prove how individuals who encounter racial abuse and stereotypes will face hardships in an attempt to live to their full potential. This point is exhibited through Saul’s harsh experience in Residential School, his hockey journey, and alcoholism struggle. SUBTOPIC: The first example of how racism and racial stereotypes prevent an individual from reaching their full potential
Throughout history, there have been many literary studies that focused on the culture and traditions of Native Americans. Native writers have worked painstakingly on tribal histories, and their works have made us realize that we have not learned the full story of the Native American tribes. Deborah Miranda has written a collective tribal memoir, “Bad Indians”, drawing on ancestral memory that revealed aspects of an indigenous worldview and contributed to update our understanding of the mission system, settler colonialism and histories of American Indians about how they underwent cruel violence and exploitation. Her memoir successfully addressed past grievances of colonialism and also recognized and honored indigenous knowledge and identity.
Within “Language and Literature from a Pueblo Indian Perspective,” Leslie Marmon Silko invites the audience to perceive language from another cultural perspective, a perspective that is quite dissimilar in respect to white American culture. Clearly, Silko has a multitude of tricks up her sleeve, for the utilization of innumerable and purposeful rhetorical strategies is evident within the text. Her rhetorical strategies not only assist the audience in understanding the significance of storytelling in the Pueblo culture, but they also draw a stark contrast between how white American culture views the theory of language and how the Pueblo citizenry view it. Silko renders her audience with a glimpse into another way of viewing language and literature,
In her essay, “Where I Came from is Like This,” the author Paula Gunn Allen effectively utilizes ethos, logos, and pathos to convince her audience, women studies and ethnic scholars, of her claim that the struggles of American Indian women have had with their identities. Gunn Allen uses all three modes of persuasion to describe the struggles of American Indian women. She uses ethos to strengthen her credibility, logos to logically explain the issue, and pathos to emotionally explain the struggles of American Indian women have had with their identities. With ethos she tells us where she is from and how she got her information, which makes her more trustworthy and believable.
CHAPTER TWO: LITERATURE REVIEW Sexual fluidity and gender fluidity are relatively unfamiliar terms, therefore in this review the author will summarize some of the main studies on the fluidity of sexual and gender identity. This literature review aims to highlight some of the common misunderstandings in relation to sexuality and gender identity. The justification against doing this is to show that identity is not binary or fixed but can include multiplicities and individuals can experience fluidity in attractions or in their self-identity. 2.1 What is Gender Fluidity?