A literature course is not the natural habitat for a Public Health major. These individuals are accustomed to graphs, statistics, and some concise stories that exemplify the triumph of science over disease. Issues such as gender, faith, and personal achievement are measured in quantifiable terms and discussed in peer reviewed journals, not novels and poems. Diving into literary works of art was an enjoyable change of pace from equations and experiments. The works that I found to be most artistic and significant were the most candid. Specifically, my favorites were informal, rebellious, and frank in style and language. When a novel or poem uses dense, polite language address an issue, a reader feels disconnected and bored. The most creative, engaging works of the semester were those that were informal in tone. One work that exemplifies this style was The Brief Wondrous …show more content…
Rejecting accepted sequential organization and supplying extraneous information also add to the casual tone of the novel. Diaz does not tell Oscar’s story in the order of events. Instead, he jumps around. Stories from Oscar’s maternal grandparents’ past take up a substantial amount of the tale. Diving deeply into the story of Oscar’s grandfather and grandmother who have been dead since his mother was a very small child, before Oscar was even thought of, seems a bit ridiculous. But the rambling and tangents serve to give the novel a feeling of casual conversation, like Yunior and the reader are discussing the unfortunate events of the de Leon clan. Like everything else in life, one thing is related to everything else, all woven together. The story of Oscar’s life is just as related to the reign of Trujillo in the Dominican Republic as it is to Yunior’s infidelity, as well as it is to his mother’s teenage years. It all connects and deals with important issues of immigration, family relations, and
After he was trying to recover from the beating he got from the Capitan, he heard someone else who was trying to talk to him, but he couldn't hear a word that they were trying to say to him, “All that remained was the image of an Aslan-like figure with golden eyes who kept trying to speak to him but Oscar couldn’t hear a word above the blare of the merengue coming from the neighbor’s house.” (302) He saw the that the mongoose was trying to talk to him, but with all the noise around him he couldn't understand a thing that the mongoose was trying to say to him. At the end when Oscar was about to give up his life he saw all his family in the bus and then he saw the mongoose who was about to drive, “They drove past a bus stop and for a second Oscar imagined he saw his whole family getting in the guagua, even his poor dead abuelo and his poor dead abuela, and who is driving the bus but the Mongoose, and who is the cobrador but the Man Without a Face, but it was nothing but a final fantasy. (321) Oscar went to the point where he didn't want to suffer anymore, so he gave his life up to end up all the suffering. He went back to the cane fields were him and his mother suffered and both saw the mongoose.
Another way that Alvarez's personal experiences are reflected in the novel is through her portrayal of the violence and brutality of Trujillo's regime. Alvarez's family was directly Last Name 2 impacted by Trujillo's dictatorship, and she has written extensively about the trauma and violence that she and other Dominicans experienced during this time. In the novel, Alvarez vividly portrays the violence and brutality of Trujillo's regime, including the torture and murder of political dissidents. This reflects her own experiences and knowledge of the regime, and her belief in the importance of speaking out against oppression and injustice. For example, in chapter 6, Minerva Mirabal says, "We can't just let them get away with this.
Violence in Fiction The use of violence in fiction is beneficial, as well as purposeful in building and sustaining the author’s main point of the novel. In the article “How to Read Literature Like a Professor,” Thomas C. Foster states “[Violence and tragedy are] accidents only on the inside of the novel - on the outside they’re planned, plotted, and executed by somebody, with malice aforethought.” Accidents and tragedy in novels are purposely planned to keep the story moving along, but also to push the character(s) to reach a realization of the bigger picture, and the author’s intended purpose. In The Brief and Wondrous Life of Oscar Wao, Junot Díaz includes much violence in his story, whether verbal, or like on page 146, physical.
The character Yunior, being the narrator of The Brief Wondrous Life of Oscar Wao, is all in good reason being he is the standing of true Dominican male. Yunior emulates the Dominican American stereotypes of masculinity. Stereotyped that a man must be dominate, powerful, and with a attractive physic, Dominicans are expected to come with a violent nature and through physical violence and verbal aggression, act on an increased sexual drive without that masculine persona and things Oscars has a hard time crossing into those steps of manhood. From jump, it seems like Oscar in relation to the title isn’t the outsider and portrayed to enhance an image of the narrator in the mind of the reader. Then through a break down argument it became clear
Yunior represents much of Diaz own life experiences, which include the traumatic experience he had to endure throughout his life. Some of the traumas in these short stories
In “No Face”, Ysrael narrates the same events instead of Yunior. Although these two short stories do not directly feature Yunior and Rafa’s father, they are as much about Yunior’s growth and development during his father’s absence as they are about Ysrael. In “Situating Latin American Masculinity: Immigration, Empathy and Emasculation in Junot Diaz’s Drown”, John Riofrio emphasizes that “Ysrael sets the stage for the picture of masculinity which will reveal itself throughout all ten of the stories.” At this point in time, Yunior is only a nine year old boy in the Dominican Republic, at a point in life where he is on
Have you ever read a book or story that you just never wanted to put down? Books are basically magic, they can take you on adventures and to far away places. Maybe, one story strikes an intellectual thought or makes you have to read over and over until you finally get it. However, everyone has a favorite book or text, one that they claim is greater than any other. Throughout this semester, “Water, is Taught By Thirst” by Emily Dickinson, “We Wear the Mask” by Paul Laurence Dunbar, and “Story Of an Hour” by Kate Chopin, were the texts that I found most interesting.
After reading the first chapter, writing with Style, from “Thinking Well”, by John R. Trimble, he made it seem as if he was writing about my writing when he explained a novice writer. Trimble explains how a novice writer would write by giving examples of how their style of writing looks like. For example, Trimble explains how new writers unconsciously write and how they are not aware of their egocentrism. He states what a novice would have to achieve objectivity, empathy, courtesy and social sensitivity in order for him to have a readable style. Trimble then discusses what makes a veteran writer and how their thinking process reflects their writing situation.
In “Wildwood”, Junot Diaz presents a troubled teenager by the name Lola to have distinct conflicting values with her mother. Her mother has controversial Dominican norms and responsibilities. These norms are not what Lola wants to be. Her mother soon gets sick and increases Lola’s feelings to take action on how she wants to live her life. When Lola and her mom continue to carry their abusive conflict, Lola decides to run away to Wildwood.
Lucia left Daniel’s apartment after the third flick, the key to her family’s apartment bending in the catch of the door as she pulled. The room snarled at her as she entered, her grandmother and tío Camilo dancing toe-to-toe in a confused delirium of childish misunderstanding and exhausted reason. Hands waving and dusky like highlighters. People thought Lucia’s tío fue demente.
Creations, like most things in life, are improvable. Ideas and theories are always evolving into different ideas or more sophisticated ones. Discourse communities is a term that has been debated over the years. Three of those debaters are James Paul Gee, James P. Porter, and John Swales. In this essay I will analyze what each of these writers see as the definition of a discourse community while comparing specific points that each of them have regarding their personal view on the subject.
I have chosen public health as my major because it is a dynamic field. I have a passion for making a difference in people’s lives and helping others achieve their goals. It is with great passion that I am dedicated and willing to contribute my service or skills to help someone in need. My philosophy of health education is very simple, to prevent, improve and educate the lives of individuals, families, communities, populations, and societies. Besides, there is no safer way to touch people’s lives than through public health.
The Brief Wonderous Life of Oscar Wao by Junot Diaz is a novel that follows a family and its Fukú to and from the Dominican Republic and the United States. The stories involves a potentially non-existent curse called Fukú and its counter called Zafa. There is a loving, overweight, nontraditionally heroic protagonist named Oscar and other equally complex characters like his mother Beli. These characters seem to be continuously facing tragedy and negativity related to their appearance, particularly their skin color. In the end Fuku is left as an open-ended belief, Oscar ends up a hero in the eyes of the narrator, and Beli learns you cannot run from problems.
In this essay, I will analyze the poem Verses Upon the Burning of Our House (July 10th, 1666) by Anne Bradstreet, a puritan who most critics consider to be America’s first “authentic poet. The poem is based on a true story as Anne’s house really did burn down and illustrates her meditations on this event, the pain she felt after losing her home and the effect it had on her faith. The main theme is Anne’s struggle to not become attached to material things. I will begin by explaining the rhyme, style, and tone of the poem, continue by explaining which literary devices and interesting features we can find and the effect they have on the reader, then I will analyze the poem and finally I will give a brief conclusion. Verses Upon the Burning of Our House is a poem written in couplets in iambic tetrameter scheme which makes the story flow nicely.
Captivating a reader’s attention takes a great deal of thought as authors begin writing, it is almost crucial. A writer has to carefully plan out an intelligent way to charm readers into continuing to follow the written text then rather risking the fact that they might be putting the book down. Abandoning the composed novel or perhaps an essay. Opening lines are a vital segment of any piece of drafted work. Literary writer, José Martí uses carefully constructed literary devices such diction and figurative language to assemble the content of his essay Coney Island.