Summary: The Emergence Of Cultural Hierarchy In America

Growing up as an Immigrant in America, you grow to learn social conformity is prevalent and plays a key role in the systematic oppression of free thinkers. Social conformity does not only dictate the way you view issues but also makes you shy away from letting your own beliefs be heard. There are many ways people conform, television and social norms being the predominant forces. By having observed these behaviors at an early age, I’ve grown to develop my own moral judgment and have met like-minded individuals who share the same outlook on the ills of society.

The definition as well as the specific parts of accurate American history is a highly debated topic- especially in regards to educating children on American history. In “Let’s tell the Story of All America’s Cultures” by Yuh Ji-Yeon gives her point of view on the controversial topic of the success of American history education. As the author is a Korean immigrant she has a special connection to this topic, and is writing this article to giver her opinion in the debate of reforming education in America. Ji-Yeon successfully persuades the audience that American history education in the United States is discriminatory by using her personal experiences and emotions as she informs the audience of a possible solution

Migrations from different countries led The United States of America to become a melting pot, a pot which contains a variety of people and their cultures all around the globe. Therefore, their cultural development process in terms of art and politics affected the world and us itself. Throughout the history of The United States of American, there were many movies, singers and political events that represented their culture to the world. But in this very paper, in terms of representing the U.S. with its culture, I will point out the significances of the movie Saving Private Ryan, the singer Louis Daniel Armstrong, and political event The Emancipation Proclamation.

“Whether it is big or small, the size of a poor man’s yard incessantly reminds him that he is poor.” ―Mokokoma Mokhonoana

“The Wild One” written by art historian Ellen Landau focuses on the psyche of post World War 2 American society and how Jackson’s Pollock’s influence was able to shatter the conventions of an “American hero”, simultaneously bringing about change to what is considered to be an acceptable approach to picture making. Landau’s article begins by asking the question “is he the greatest living painter in the United States?” , she lays this as the platform for her central argument, linking this argument by thoroughly evaluating Pollocks deep rooted personality traits which brought about his own unique style of art making.

Classism is a major issue that plagues American society. Classism separates groups by their economic status in society. America is perceived to be a middle class society, however in reality the middle class does not hold majority of the nation’s wealth. Most of the nation’s wealth is held by 1% of the population in America which consists of 34% of the nation’s wealth, meanwhile “the richest 20% of Americans hold nearly 85% of the total household wealth in the country” (Adams et al, 2013, p. 151). American citizens that are a part of the upper class are privilege because they have access to majority of the resources. They are not shut out from opportunities like the middle and lower class. The class that an individual is in affects their chance

Traditions | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Met 's Heilbrunn Timeline of Art History. Oct. 2004. Web. 19 May 2016.

Throughout history, writers have been religiously recording the important events and emotions humanity has felt during the cheerful and depressing time. Authors, poets, and musicians have a special ability to get in touch with people’s emotions, but the artists of the Harlem Renaissance were exceptional at conveying their point of view to others. Many life changing events happened during the Harlem Renaissance, as well as the Roaring ‘20s. Of all of the writing periods the Harlem Renaissance preserved history through the diverse forms of art and writing that was produced during that time.

Classism is a concept that is learn through socialization. It is an attitude that causes discrimination against others based on their social or economic class, and sometimes perceived classification. The American class system is composed of: underclass, working poor, working class, lower-middle, upper-middle, and upper class. The way that the classes are structured only benefit groups near the top of the pyramid. The lower class groups (underclass, working poor, and working class) usually are the individuals who experience discrimination based on their economic status, or lack thereof. Classism is institutionally perpetuated. Classism can be physically seen in the structuring of neighborhoods. Individuals who are poor reside in neighborhoods that they can afford which usually

Focusing first on Wilson’s opening piece, it is possible to see how this particular Museum in Maryland, as an institution, is criticized. Wilson, when “mining” the museum in which his exhibition was displayed, found the busts of three prominent American

Social stratification has been a part of society for thousands of years and has yet to dissipate. It is prevalent on the micro and macro level and has been a part of various societies and cultures ranging from the united states all the way to India. Social Stratification, "is a system of inequality that takes into account the differences among individual members of a society and ranks them by their wealth, power, prestige, and ascribed status, thus creating a social hierarchy" (Larkin, 2015, para. 5). The organizing principles of social stratification are class, gender, and race. The caste, slavery, and class system are all products of social stratification and have been seen throughout history. Social stratification goes beyond the

Predicting how the United States would perceive the 20th century period (1900-1999) in the year 4016 can show how modernistic American culture became. With American advancements in technology to the unique modernistic techniques in artistic aspects, the American 20th century would be perceived about how anomalous the art and culture transpired. The 20th century American culture would not be found in an analogous ways, such as Paleolithic caves or the city of Pompeii. Any art or technology considered to be significant to American culture would certainly be placed in museums by the end of the 20th century. Nevertheless, in 4016, there may be no need to uncover the 20th century when it could possibly be put in a

The war for America was little and quickly over, be that as it may it was the first go through in American history where various had been not quite recently a long way from home shockingly, yet in outside countries. What they saw and acknowledged there, joined with after war fatigue, presented a sea change in American culture. Never again were they content with the old systems for considering our place on the planet, or the spot of the individual in the general population eye, the change spread to women as well. Solidified with the extended pace of industrialization and the general presentation of acquisition utilizing an advance, and that is when America handled an incredible attitude.

Ethnocentrism is judging another culture solely by the values and standards of one’s own culture. Individuals who are ethnocentric judge other groups in relation to their own ethnic group or culture. I think The United States likes to refer to themselves as the “big mixing pot” of cultures. I would agree, we do have a wide range of different cultures, but that does not mean that we do not “evaluate and judge other cultures based on how they compare to our own cultural norms.” I think us as Americans feel this way, because we are too scared to change what we have learned and known since birth. Most people in our society think of anything different than them, as weird or unusual. They do not want to even learn about the other cultures out there, because of the fact that they are different. In fact, I think most Americans are just ignorant and uneducated. Although, most of us view the Hispanic culture as “dirty” or “no good,” they jump at the first chance they get to eat their food.

M.H. Abrams’s The Mirror and the Lamp: romantic theories and the critical traditions is one of the most influential books in the field of western criticism. It was published in the year of 1953. The title of the book refers to the two contradictory metaphors used to portray the artist – one comparing the artist to a mirror which reflects nature as it is or perfected whereas the other compares the artist to a lamp that illuminates the object under consideration. Professor Abrams in his book illustrates the transition of the perspective of the theorists on the artist from one to the other and the ramifications of the latter in aesthetics, poetics and practical criticism. The essay “Orientation of critical theories” is the first chapter of this book. It provides a condensed history of the evolution of critical theories and discriminates between them with the aid of a simple diagram.