In the novel The Wondrous Life of Oscar Wao by Junot Diaz and in the film Stranger Than Fiction the audience encounters two heros, Oscar Wao and Harold Crick. Throughout the lives of both heros I identified similarities and differences in the characteristics of each that make them their own unique hero. In Oscar’s life, he seeks for love and for someone to love him back, which he has a difficult time accomplishing. Whereas in Harold's story, he attempts to determine who is writing his story so he can prevent them from ending his life. Both heros, Oscar and Harold, proceed on journeys that determine their fate.
In the novel The Wondrous Life of Oscar Wao the main character Oscar Wao is an outcast that desires to find love from a girl, however it is tough for him because of a dreaded curse that was placed upon his family for generations. Unlike other Dominican men, Oscar is quiet and considerate yet girls do not fancy him because in their perspective he is seen more as a friend or they simply think he is weird. Growing up Oscar was an outsider, he did not have any friends, and when he did make a friend they would desert him. It can be seen that Oscar also is a jealous character because when he found out that Manny was beating on his crush Ana, Oscar obtained his uncle's gun and made his way to try and shoot Manny.
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He works for the IRS, therefore no one likes him but he makes the best of his situation. When Harold first becomes aware that his life is being controlled by an author that writes tragedies, he is terrified and he is not sure what to do. He then concludes that he must live his life because it is going to end and he cannot stop it, so he finds love by learning to play guitar which was an instrument he has always wanted to play. Harold apprehends that he cannot ruin the story, so he lets the story finish and consequently Harold Crick
In the opening page of The Brief Wondrous Life of Oscar Wao the narrator, Yunior, defines Fukú as “... a curse or a doom of some kind” (1). He exposes us, the reader, to the origin of the Fukú and what it’s capable of doing. He explains that “ anyone who plotted against Trujillo would incur a fukú most powerful, down to the seventh generation and beyond” (3). For Abelard and his family that was the case, the Fukú affected them so far for three generations. The effect of the Fukú could be seen first with when Abelard was imprisoned, then Beli’s miscarriage, and lastly the killing of Oscar.
Beli as a young girl wanted a change in her life. Beli as a kid pretty much had everything she needed but what she really wanted was change. She was tired of not having the ability to have her own bed, or not being able to the clothes she wanted. She wanted all of it to change, even in the novel “The Brief Wondrous Life Of Oscar Wao” by Junot Diaz, It talk about how “she always wanted throughout her Lost Childhood: to escape” she wanted to escape from the life she called normal, she wanted to change. Just like Beli, Lola her daughter wanted a change in her life.
The Importance of Rationality At often times one may believe that making decisions should be predominantly based upon what one may feel or desire, though in reality such process frequently results in negative consequences, thus why in the process of making decisions, love should not overtake rationality. When love is prioritized in decision making, it tends to cause thoughts that typically won’t better the situation for those who are involved, while rationality would instead provide the proper reasoning to create a suitable outcome. In the process of making decisions, love should not overtake rationality.
In The Brief Life of Oscar Wao by Junot Diaz, Diaz starts the book off by describing a curse that has plagued the DR since the arrival of Christopher Columbus to the Caribbean. This curse which is known as the fuku americanus will, later on, become a major theme of the book, and will individually have its own effect of the protagonist, Oscar Wao, and anyone closely related to him. Oscar is this fairly young Dominican male who hasn't been very successful in his endeavors, especially the one in finding true love. But one can conclude that the cause for his lack of success is due to the fuku which scourges him and his relatives. As Diaz tells the story of how this curse, the fuku, effects him and his people, he is known to use a crude, extreme,
In the end, each of these two characters find who they are, one is noble and moral and the other is cold blooded and
What I found most striking about “The Brief Wondrous Life of Oscar Wao” by Junot Diaz, is that when you take away the Dominican mother, the Dominican abuelita, the fuku , the Spanglish, and the cultural references, Lola and Oscar, appear to suffer the trials and tribulations we all do as teenagers. As Junot Diaz immerses the reader in their tumultuous lives from the Dominican Republic to Paterson, New Jersey, you discover that Oscar and Lola are teenagers navigating the same physical and emotional roads we all did growing up. Oscar does not want to die a virgin and Lola wants to be independent. The mother clamors to provide for her children just like single mothers everywhere. Oscar was a “social introvert”, (Diaz, 2007, p. 22), finding
The Curse of Oscar Daniel Plummer Charlestown High School Have you ever felt cursed in your life-like anything you do or say causes bad luck? Well, this is Oscar de León. He is the protagonist in the novel, The Brief Wondrous Life of Oscar Wao by Junot Díaz. Oscar de León is a Dominican-American man who grew up in Paterson New Jersey and is the son of Beli, the brother of Lola, and the most cursed one out of all his family members.
The novel tells the various experiences of the women that existed in oscar’s life. There is a consistence of maltreatment of women starting from the beginning of the Cabral history and their fuku. The dominican republic is where the idea is patriarchy and the abuse of women stem from in the novel. Rafael Leónidas Trujillo, president of the Dominican Republic, felt as ruler he could do whatever he wanted to whomever he wanted. This was true about the dictator, he was most noted for his desire for beautiful young women.
When Thomas King says, “The truth about stories is, that’s all we are,” I believe he is pointing out how powerful of a force stories are in our lives. We are told stories from our childhood, as a way to remember history or pass down traditions. He is trying to make the point that stories make up our history, our cultures and ourselves. A good example of this comes from Nealon and Searls Giroux’s book, “Subjectivity.” The book says there is the “self” which is our primary selves, untouched by cultural influences or the law.
Humans have different perspectives and stories change and are told in different ways as time passes. The Greek myth of King Midas and the Golden Touch, for example, has had both its story and characters altered. The short story “The Golden Touch”, by Nathaniel Hawthorne, and the poem “from King Midas,” by Howard Moss both tell the same story, but has differences in the character portrayal and plot. Both versions have an instigator, someone who gives King Midas the touch.
The tragic hero is a literary device used to show the flaws of human nature; however this model can also pertain to real-life individuals in our society. For example, a Shakespearean tragic hero in real-life would be Robin Williams, a famous comedian who was adored by all. Essentially, nobility is distinguished by being upper class and having elevated character. In Robin Williams’ case he satisfies both specifications; as a child Williams grew up in a rich family and he obtained respect and notoriety by making others joyful . Additionally, Williams hamartia, or his fatal error that ultimately brings about his doom, lies in the depression that he struggles with his entire life.
Stories are the foundation of relationships. They represent the shared lessons, the memories, and the feelings between people. But often times, those stories are mistakenly left unspoken; often times, the weight of the impending future mutes the stories, and what remains is nothing more than self-destructive questions and emotions that “add up to silence” (Lee. 23). In “A Story” by Li-Young Lee, Lee uses economic imagery of the transient present and the inevitable and fear-igniting future, a third person omniscient point of view that shifts between the father’s and son’s perspective and between the present and future, and emotional diction to depict the undying love between a father and a son shadowed by the fear of change and to illuminate the damage caused by silence and the differences between childhood and adulthood perception. “A Story” is essentially a pencil sketch of the juxtaposition between the father’s biggest fear and the beautiful present he is unable to enjoy.
[He] does not notice the police car… follow him.” This one event, mixed with the stereotype the protagonist has thrown upon him by the cop, seals his fate. All three of these situations foreshadow the ironic and deadly situation that the poor lost man is about to find himself involved. It is these subtle hints to his death that not only add suspense to the plot, but also hold a key importance in conflict development. W.D. Valgardson uses many great elements of fiction to build plot and conflict, as well as teach the lesson of not making snap judgments in his short story Identities.
At a young age Oscar wanted to be love and to have sex but this something that never happened so he becomes depress and overweight. he soon thinks that it is the curse of the Fuku that Is over him and that is way he is not happy with his love life because he has became a
The values and attitudes that the protagonists carry with them into new worlds can influence their perception of their discoveries and its significance, giving the protagonist a growing depth of understanding and discernment. Discoveries, driven by wonder or necessity, can be challenging and confronting, compelling individuals to leave their comfort zone. Consequently, they are prepared to sacrifice the old to embrace the new, transforming and gaining new insights of themselves and the world around them. “The Tempest, a pastoral romance by William Shakespeare, portrays individuals who were faced with confronting experiences that assess their values, and who rediscover the necessity for compassion instead of abuse of power, leading them to re-evaluate their relations with other characters. In comparison, Ang Lee’s film, “The Life of Pi” is primarily focused on the process of self-discovery through isolation.