Mohamed Shere
American film
Homework #2
1. Mise-en-scéne is an expression used to describe the arrangement of scenery and stage properties and everything behind camera in the context of film production. The elements of Mise-en-scéne are set design, lighting, space, composition of the film, costume, makeup and hairstyles, acting, film stock and aspect ratio.
2. In the film Sunrise by F.W. Murnau, we see that there are two different prospective views in the same film that is life in the City and life in the country. Murnau has depicted life in the country first, showing it as a pre-industrialism and calm place. This is seen in the film when the countryside seems to show that the wife is preparing food for the family on the table in there
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In the film of Sunrise by F.W. Murnau, in the scene when the woman from the city and the cheating husband meeting by the lake, we see the scene as it goes by showing and majorly focusing on the two lovers and the background being blurry and lighting focusing on the lovers because there are times that on both sides the woman from the city seems to have no shadows. We also see that the clothing for the woman from the city seems to indicate the behavior and the characteristics of the woman. The woman from the city seems to be wearing black clothes during this scene and also is convincing the cheating husband to drown his wife. The black color for the woman indicates harsh and violent characteristics. There is the part also where by the words drowning show up and slowly slide down the screen, this is done in order to take the viewer into the imagination of the man where he thinks of drowning his own wife. We also see how the Woman makes the cheating husband dream of the City and tries to lures him to go with her to the city and while they both dream of this city, the scene shows different imaginations of the city trying its best to impress the man in order for him to go to the city with the woman from the …show more content…
In the film of Vertigo by Alfred Hitchcock, we can see that costume and make up is used in a unique way compared to other films. In this film costume and make up is used to attract lovers and to also imitate the lifestyle and appearance of another person. Also different colors are used to portray and to symbolize certain characters in the film, colors such as yellow, red, purple and green. In Vertigo, Scottie uses colors to make-believe in love and romance as to Madeline, Judy and Midge. In the film, we see that Scottie sees Madeline for the first time wearing a green dress. Madeline is portrayed as a beautiful lady with her hairstyle and her dressing style. This makes Scottie to fall in love with Madeline. Later on, when Scottie losses Madeline when she passes away, Scottie sees Judy wearing a green dress and this reminds him of Madeline, so the film goes on to dress up Judy trying her best to imitate Madeline in order for Scottie to love her more. We also see that Judy holds on to a dress with the color of purple, showing us that Purple color symbolizes the true Judy that Judy herself wants to be and also wants Scottie to love her for who she is and not using Judy to remember Madeline for himself. Midge is symbolized also using the color green by how she likes the color and we can also see that from her apartment being yellow and how she used to wear the color yellow. Midge changes her costume style and tries her best also to change so that Scottie may fall in love with
In the movie Nightjohn directed by Charles Burnett their were many differences than the book Nightjohn by Gary Paulsen. The differences are minimal and sometimes would not even be noticed. Most movies would be very boring if they would be the same as the book. In the book all the characters are different than they are in the movie. One character is Mrs.Waller the wife of Clel Waller.
Color Symbolism in The Great Gatsby In F. Scott Fitzgerald’s The Great Gatsby, Fitzgerald uses the colors green, red, and white throughout the novel to show symbolism that relates to the theme of the novel, the American Dream. The use of the colors are significant because each color symbolizes something different. One of the colors that is symbolized is green. There is a green light at the end of Daisy and Tom Buchanan’s boat dock.
Example: The color green is accosiated with the American Dream in the 1920s which was to be succesfull and have money. At the time all that mattered was that you could fufill your dreams. Throughout the novel Gatsby is in pursit of the green light which is Daisy.
This is showing after the bright snow that reminds people of happy times and Christmas cheer is mixing with the dirt and going back to the unhappy times. Carver also adds “But it was getting dark on the inside too” showing that even inside the houses is becoming unhappy. This setting emphasizes the mood the couple are feeling towards each other. They are feeling unhappy and dislike towards each other because what we can imply the man has cheated on the woman. The couple in “Hills Like White Elephants” are stopped at a train station that is between two different landscapes.
The colors white, yellow, blue, and green shape the novel’s characters and plot, resulting in a vivid story of love and blind pursuance. As mentioned earlier, the color green is one of the most recognized colors symbolically. The color green symbolizes future, or the American dream, and is most associated with Gatsby himself. This is what Gatsby is pursuing throughout the novel until he tragically perishes, his dream never becoming a reality.
By the utilization of this technique, the film’s mise-en-scene brings the audience’s attention to the space as a sort of institution of relaxation, in times of
In The Great Gatsby, F. Scott Fitzgerald exhausts numerous colors throughout the novel to demonstrate different aspects of the changing times. He associates colors like yellow, white, blue and gray with certain characters as well as specific topics in the novel. The color gray is associated with the character Jordan Baker as well as with the topics of moral and sexual ambiguity. Fitzgerald also demonstrates the use of color psychology in The Great Gatsby, thus causing the audience to acknowledge perceptions of those colors.
In the scene with the trip to the city, all these elements come together to form a crossover from city to country that was representative of the differences between urban and rural life, which directly reflects the dichotomy of modern and anti-modern views of the time. The most important aspect of Murnau’s direction is the direct contrast presented between city and country life. The trip to the city scene begins with a static shot of Indre running from Anses, and analyzing this shot reveals how the action, i.e., her running from her husband, is representative of the film’s main transition from country to city. The entirety of “Sunrise” is based around this concept of an escape to the city; in this sequence, Indre escapes from Anses by way of moving trolley, symbolizing the main border crossing of the film. Anses jumps onto the trolley in order to pursue his wife; the fast movement of the trolley and the frantic leap both represent fast-paced city life in opposition to the quiet, calm life of the country, creating a defined boundary of
After having failed several times at romantic relationships, she finds fulfillment in the simple pleasures of life and by letting her imagination roam free, creating its own lenses through which her reality is seen. One of the main ways this alternative level of reality and its effects on the way Paris is represented in the film cam be observed is through the unique use of color in the film. In this paper I will examine the way in which color influences not only the way in which Paris is reflected in the film, but also how its use influences the way in which we interpret certain scenes. As explained in the review by Evan Richards, “Desconstructing Amelie: Amélie has a very specific color palette.
Therefore, the color can give audiences totally different feeling when the director use different type of color in different moments because the colors can present characters’ emotions even the characters do not need any
Of the many examples of Mise en Scene is of the set design and how many scenes are shot on location. One example, of
If I was going to choose a seen from a movie to teach someone about the elements of mis-en-scene it would be a scene from the movie Joyful Noise. I would first tell a person the mis-en-scene are the actors, lighting, props, and costume. Basically it is anything that is used to make up a set. I would use the movie Joyful Noise because the producer did an amazing job of making the set, such as when they did their final scene they had to put in a lot of work and thought to make it look good. They had to get the lighting just right on the stage that made everyone look good, they had to get the dance movies just right to make sure that it would all fix in the screen of the camera, they had to set the stage just right where all of those people could
Coraline is a 2009 dark fantasy stop motion film based on the 2002 novel of the same name by Neil Gaiman. The film follows Coraline, an adventurous girl who discovers her idealised world behind a secret door in the house, unaware of the other worlds sinister secrets. The genre found throughout the film correlates with the dark fantasy genre, which is a subgenre of the fantasy genre. It incorporates darker themes of fantasy into the literary, artistic and cinematic works found in fantasy films. Additionally it will most often contain combinations of fantasy with several aspects that can be found in horror films.
It could be a scene of its own without actually relating to the mis-en-scene. When a face is isolated from the space it is present in and therefore looking at a close-up and understanding its expressiveness. The feelings and emotions do not have to pertain to the space even if that is what triggers them. A close-up of the face is like a silent soliloquy. While a soliloquy is an element of theatre, it therefore seems unnatural in cinema.
The Sun is the third piece of director Aleksandr Sokurov 's tetralogy on the power myths surrounding dictators. The story seemingly takes place over the course of just one day, August 15, 1945, the historical day Emperor Hirohito surrendered to Douglas MacArthur and renounced his divined nature. This essay will discuss the nature and role of change and tradition in the movie. Emperor Hirohito, whose viewpoint we are following, is a non-hero. He is a deity sitting in an Ivory Tower, a state of privileged seclusion from the facts and practicalities of the real world, while he cannot even button his own shirt.