Saranya D/O K Thayalan 15 September 2015
A0126894R (DG: E6)
Film Review (Swades) The protagonist, played by famous Bollywood actor Shah Rukh Khan, is a NRI (Non-Resident Indian), who works as a project manager for the Global Precipitation Measurement in NASA. After spending a good amount of time in the US, he decides to return to Delhi, his hometown, to find his caretaker Kaveri Amma (played by Kishori Ballal). Upon finding out that she has moved to a village called Charanpur, he makes his way to the village, whilst meeting a few interesting people on the way. He finds Kaveri Amma in Charanpur, and attempts to persuade her into moving to the States with her. The story revolves around how Mohan’s perspective of India changes throughout, and if he eventually chooses to stay at Charanpur with his family or go back to the US to work at NASA. Swades
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In fact, his motive was to bring Kaveri amma back to US, assuring her a “better life” there. He brings along a caravan with him to Charanpur, because he was unsure of the cleanliness there. Initially on his arrival to Charanpur, he would only drink bottled water, and would only sleep in his caravan. However, as the movie progresses, he is seen to be sleeping in the house, and even mentioned that “[he] has not slept so well in days”. This is reflective of the other versus home once again, like how the US is something that Mohan is used to, but India is where his true comfort lies. This scene attempts to reveal that “there is no place like home”. Also, after learning to love his country and growing a sense of patriotism towards India, Mohan is seen trying to fix problems faced in Charanpur, such as trying to fix the electricity, etc. It is crucial that one notes the meaning of Charanpur, ‘land that offers refuge’. This serves to show how India is accepting of everyone, and it will always be there for anyone, like how a mother will her
The Crazies to Say the Least “David leans on the sideline fence, sipping his coffee, watching the game. No one has yet noticed the dark figure walking out of the shadowy woods beyond the outfield. Weaving like a drunkard, he walks right onto the playing field, oblivious to the game. He is carrying a shotgun. Heads turn, mouths falling open in the bleachers and dugouts, everybody staring in collective disbelief.
Throughout “Stories We Tell” there are many questions and uncertainties pertaining the truth behind Sarah Polley’s biological father, and the affairs that her mother Diane may have been involved in. As we get deeper in the story we found out there have been multiple accusations of Diane being with other guys during her unfaithful marriage with Michael. The real question is who is the creator of this documentaries, Sarah Polley’s, biological father and why did Diane hide such a colossal secret from her family? From the dinner table jokes of Sarah being adopted, to the friends views of Diane 's affairs, there should have been more certainty from an earlier time to who her father
Most teenagers complain about not having enough freedom. To be able to sit and eat ice cream out of the box at ten in the morning for breakfast or blast their favorite music as loud as possible. For most, college provides that, opening its campus to their students with gates of gold granting young adults the freedom that they dream about. Unfortunately, a new danger that once was cloaked from young minds is being revealed, making this freedom less obtainable. That danger is rape.
Passchendaele takes place 3 years into World War 1, the Great War. Sgt. Michael Dunne is sent back to Calgary, Alberta after being diagnosed with neurasthenia due to the trauma he suffered during a fierce battle in the war. He meets Sarah Mann the nurse who is helping him recover. In the meantime, David Mann, Sarah’s brother, is desperately trying to get Cassie Walker’s father to accept his relationship with his daughter.
In the year 1945 Fritz Lang directed Scarlet Street, a truly classical film noir. The screenplay consists of two criminals who take advantage of a middle-aged painter in order to steal his artwork. Absolutely one of the finest of all film noirs, Fritz Lang’s Scarlet Street is a remake of Jean Renoir’s La Chienne. These two films share essentially the same structure. “The ineffectual nebbishy cashier and protagonist, Maurice Legrand in La Chienne and Chris Cross in Scarlet Street, demonstrates a level of cowardice and naiveté in grown men that is simply unforgivable, thereby resulting in a fate that must be tragic” (Hassannia Para. 1).
Lion, directed by Garth Davis, is a compelling interpretation of a remarkable true story of Saroo Brierley, lost as a child and reunited with his family 25 years later. Throughout Davis explores the unique circumstances under which Saroo is separated and reconnected with his family and his journey along the way. At some points of the film, I was confronted by how Saroo, a five-year-old boy, expertely navigates, with great instinct and genuine innocence, through an extended, yet life threatening ride. To put it in other words, Lion is a journey that grabs you entirely; whether you want it or not, and you are involved in each and every scene. I instantly fell in love with the connection and relationship between Saroo and his older brother
In the wildly popular Mexican film, Los olvidados (1950), Spanish director Luis Buñuel exposes the harsh realities of life in Mexico during the 1950’s. Luis Buñuel’s work on Los olvidados portrays a societal loss for all hope due to crime and violence as an infinitely vicious cycle, coupled with addressing the lack of reform for dilapidated living conditions throughout Mexico. In Los olvidados, Buñuel follows Pedro (Alfonso Mejía) a neglected bastard, and El Jaibo (Roberto Cobo) the leader of a gang of homeless children loitering in vacant lots. For Pedro, and the rest of the cast, a series of unfortunate outcomes have been strung together though common ignorance and a lack of self-control. Luis Buñuel’s use of focal length, editing, and dialogue
A Class Apart: Movie Analysis 1) Briefly summarize the film in your own words A Class Apart was about the Hernandez v Texas case. However, it was so much more than that, it was about Mexican Americans obtaining their rights. They were considered white but they did not get fair treatment. They were called horrible names and were treated poorly compared to white folks.
The late 19th century consisted of rigid work hours for children, the growth of strikes, and the use of yellow journalism. It was a challenging time for anyone below the upper class to live in. This is demonstrated throughout Newsies, a Broadway Musical displaying the challenges from this time period. Child labor, a major part of the movie, was the way of life and consisted of young children doing hard work as a vital part of the nation’s economy and income of families of the time. Another part of the movie, strikes, were the people’s way of refusing to work as a result of not getting their desires.
This could be seen on how the British were exploiting the Indian’s resources and through cheap labor. The film reflects the labor of Indian immigrants in the scene where they were protesting by refusing to go back and work in the mines and were charged at by the British on horseback. This act of violent of the British in terms of unjust labor can also be identify in the French Africa “natives” who were legally obligated for statute labor, a practice that lasted though 1946. It involves the harsh condition of labor in the colonial life where British officials would make the native villagers work a lot and mistreated them in the process similar to how the Indians immigrants were being treated (Pg. 894). Along with this, we could see how Gandhi had dealt with the economic regulation by his protest of the British mercantile system.
Student’s Name Professor’s Name Subject DD MM YYYY SANKOFA – CRITICAL REVIEW Sankofa, a movie by Haile Gerima revolves around the horrors of slavery, revealing the humiliating and torturous experiences people from the African Diaspora had to go through during the Atlantic slave trade period. A film based in Ghana, where the slave trade was rampant for centuries, it highlights the savagery of white people and how internalized the oppression was for the Africans through poetic descriptions of complacency and fear.
Ultimately, Lahiri suggests the idea that American culture plays an influential role in shaping one’s physical and cultural beliefs, but it is possible to avoid being assimilated through self-determination and resistance. In the story Interpreter of Maladies, an Indian-American family, known as the Das’s, travel to India, but upon arrival, they are clueless about the culture and history of their own country of nationality. Throughout the story, the behavior and actions of the Das family is told through the eyes of Mr.Kapasi, the
Khushwant Singh’s Train to Pakistan recounts the event of the Partition of India, which happened in 1947. Set in a fictional village of Mano Majra, the novel aims to depict the cultural and political clash between the Sikhs, Hindus, and Muslims and, by following the development of the characters, unveil the moral of humanity. Throughout the novel, Singh portrays the experience of conflict that each character, including Juggut Singh, Iqbal Singh, and Hukum Chand, has to deal with. Based on the characters’ development, Singh’s goal is to present the idea that love always conquers the power of violence and ethnic antagonism. Singh starts off with a description of the Partition and of Mano Majra, a habitat for Sikhs, Hindus, and Muslims.
The movie Spotlight, recounts the true events that occurred in Boston and were brought to light back in 2002. The movie talks about the massive cover-up scheme by the catholic church to conceals the fact that several priests were abusing and had abused hundreds of kids without any action from the Archdiocese. In this paper I will summarize the movie, discuss the type of victims shown in the movie, asses the risk level of the victims, and lastly relate the different theories of victimization and how each relates to the movie. The movie follows a group of journalists working at the Boston Globe, who are known as the spotlight team.
Two less Lonely People in the World... We Filipinos really love romantic comedies even those with cliché plots. Kita-Kita suddenly became one of the hottest topics on social media in the Philippines and that’s what sparked our interest in watching and critiquing this film. What sets it apart from the usual romantic-comedies we have watched is its attempt to put a twist on a typical “boy-meets-girl” happy ending story. Kita-Kita exhibit predictable scenes, however it still successfully grasps the attention of the viewers with its heart-warming love story about finding the right person at exactly the right time.