In thunder, lightning, or in rain? ” This signifies that by the witches telling Macbeth his prophecy in their meeting, and Macbeth therefore killing Duncan, the human world and the natural world were linked to his guilt. They were now associated through the darkness seen in nature, or the witches magical involvement. Some examples of nature revolting due to the unanticipated power shift is that after King Duncan is murdered, nature outside of the castle specifically begins to act “unnatural”. The sky is dark in the middle of the day which represents the way the king's life has been darkened, he has died, and his power taken by Macbeth in a dark manner, murder.
The Anglo-Saxon community must be defined by revenge and blood justice. In Beowulf, translated by Seamus Heaney, every character in the poem bears vengeful actions. The Finnsburg episode clearly illustrates how blood justice can be complicated and confusing. Hildeburh, a Dane, mother and the widow of Frisians, is confused as to which side to be loyal to after losing brother, son, and husband in war. Later, Hildeburh is carried back to Denmark because she is unable to make a decision, but has to return to her home.
In “The Path Through The Cemetery”, by Leo Rosen, figurative language helps show that Ivan is terrified and fearful of walking through the cemetery. In paragraph 10, the author uses a metaphor (“The cold was knife-sharp”) to describe how Ivan was terrified to be out in such cold; this also establishes a creepy mood by comparing the temperature to a sharp blade. The author also uses personification in paragraph 11 (“The wind was cruel”) to create imagery, and add details to show how fearful Ivan really is. Overall, Rosen’s use of metaphors (and other fig. lang.
In her novel, The Bell Jar, Sylvia Plath uses diction and tone to juxtapose the internal strife a character may experience with an an external normalcy. Protagonist Esther Greenwood exemplifies the tear that can occur between society and one of its members. The repetition of the word and idea of death is prevalent throughout the novel, found a majority of the time within Esther’s internal dialogue, portraying that she is obsessed with death, but contains it in her mind to avoid others knowing.Her reason for her secrecy reveals itself to be fear of appearing outside society’s realms. She proves this when each attempted suicide takes places far from the presence of others, such as her basement or any empty beach. Experiences of losing control
In her book “The Bloody Chamber and other short stories” writer Angela Carter explores the idea of “nightmarish terrors” with the way she portrays both the mystical monster-like creatures she writes about and the behaviour of her human characters. The story The Bloody Chamber explores the theme entrapment and isolation by forming a relationship between a “dominant male aggressor” and a more passive female “victim”, which affirms the gothic genre. She incorporates this theme of entrapment in the way she forms the words the girl uses to describe the Marquis’ actions towards her. The short phrase “He stripped me,” followed by her description of him being the “gourmand” that he was while relating her sexual encounter with him to be as if he were
Death has always been one of the most essential elements in weird fiction. It brings the dark and creepy atmosphere in the story which creates the attraction of the tale. There are varied types of death used in literature; in “The Night Wire” by H. F. Arnold, Morgan died in such a mysterious manner that readers can hardly explain what really happened, whereas the deaths of Mrs. De Ropp in “Sredni Vashtar” by H. H. Munroe and both characters in Hugh Walpole’s “The Tarn” are more obvious. From my point of view, “The Night Wire” uses the death most effectively to disturb the reader because of the inexplicable reason behind Morgan’s death. In “Sredni Vashtar”, Conradin was oppressed by Mrs. De Ropp for a long time “for his good” (53), stressed of losing his freedom
Death is in everyone's lives, and it is especially in Shakespeare’s Hamlet. In the play, death is a prominent theme. The attitude towards of death in Hamlet is different throughout all aspects of Denmark and may be caused by a multitude of events . Although for Hamlet, throughout the beginning, middle and end of the play, the chaos level in Denmark directly affects his attitude towards death. Denmark is filled with chaos in the beginning of the play, and in return makes Hamlet's attitude towards death overwhelmingly negative.
The Scarlet, blood color, is used by Poe to emphasize the power death holds, while the gloomy black drapes and carpet create the ominous sense of mourning and grief that death brings. Prince Prospero attempts to block death out; however, the presence of death is felt everywhere
Siegfried Sassoon takes on a narrative style in his poem “The Rear-Guard”, and combines it with complex syntax to portray the speaker’s horrific experiences throughout the war. The poem exposes a soldier’s experience of finding the violent battlefield above while searching through the death-filled tunnels below. Pairing the speaker’s point of view with specific word choice clearly demonstrates the excruciating mental and physical pain being a soldier inflicts, and leaves a glooming effect on the reader. Sassoon fills the poem with explicit imagery to reveal the pacifist theme he is trying to convey. Sassoon wants the audience to realize that war and violence is not the solution, and he portrays this theme through his poetry.
The Masque of the White Plague Humans tend to run away from the inevitable, which causes worry about the events to come. Although death is an event that all will eventually have to face, it is one of humanity’s most widely feared phenomenons. Death presents itself to society in a variety of ways, such as war, disease, and natural disasters. Society’s fear of death is an inspiration for many authors who have turned it into a work reflecting humans’ temporal nature and fear of the unknown. Edgar Allan Poe is a quintessential example of literary reflection of human mortality, as his short story, “The Masque of the Red Death,” reflects the tuberculosis epidemic of the nineteenth century.