Throughout history our society has grown and changed to form different images for itself by using natural habits that we all possess, such as lying and keeping secrets. As children we learn what secrets are and the impact that they have on ourselves as well as the people around us. As individuals it is second nature to keep something hidden that we may be ashamed of or something that we know will have consequences. When you put all of these secretive people together we create a civilization built on lies it causes different reactions from each person. In “55 Miles to the Gas Pump” Annie Proulx uses character and symbolism to make a point about the hardships of living in a remote destination and how having secrets without that community of people around can cause mental and even physical strife on us. In “55 Miles to the Gas Pump” Proulx uses character to help us gain …show more content…
Proulx uses descriptions such as “on the roof with a saw cutting a whole,” “sweat flies,” “exchanges the saw for a chisel and hammer,” and “ragged slab” (Proulx paragraph2). All of the phrases symbolize a rough masculine figure, like rancher Croom. Tools such as saws and chisels are usually used to build something up. In Mr Crooms case they were used to build up this lie that was hidden behind the attic door that no one was allowed to enter, and was now being torn apart by his wife. The “ragged slab” is a symbol of what Mr Croom had become. He had built this secret up and made it so sturdy, but during this same process he had torn himself apart, becoming a worn and useless board. Both of these symbols help to make Proulx’s point that if we do not let someone in through our attic doors we could end up like Mr Croom, built up so thick that we go crazy. And when we finally break open it is because we have worn ourselves down so much with this big secret and had no moral support through the
These towns, each with its unique characteristics and inhabitants, serve as a microcosm of society. They reflect the diversity and complexity of human nature, with people who are flawed, kind, helpful, and accepting. Through their interactions with the people in these small towns, Emily and Sloan experience the power of human connection and kindness. They learn that true identity transcends labels and appearances, and it is the genuine connections and relationships that bring out the best in
Have you ever felt safe somewhere, but realized your only protection was ignorance? In Jacqueline Woodson’s When a Southern Town Broke a Heart, she introduces the idea that as you grow and change, so does your meaning of home. Over the course of the story, Woodson matures and grows older, and her ideas about the town she grew up in become different. When she was a nine year old girl, Woodson and her sister returned to their hometown of Greenville, South Carolina by train. During the school year, they lived together in Downtown Brooklyn, and travelled to.
Montgomery had been seated in a different train car. To hide the fact that he had been hoboing, he had been alone in one of the passenger cars, thus avoided contact with the women for the rest of the trip until he came across his arresting officer. Not only did they travel in different locations, there cars had been on the opposite ends of each other (“Diagram”). The women had not even seen Montgomery for the whole train ride, in which where they had been asked to identify the men, only Ruby Bates could not recognize him (Linder, “Trials”). Undoubtedly, Olen had been thrown in a trap where there was no way out because of the racism that had been a popular concept in Alabama at the
In many dystopian compositions, the characters In The Giver by Lois Lowry, Jonas, the receiver of memory chooses to return all the memories back to his communities so that they could have a life with emotions, color, and diversity. In The Monsters Are Due on Maple Street by Rod Serling, members of the street were being very paranoid because some aliens came to their community to raid them. They had played with the neighbors, which lead to false accusations on each other. Jonas and the residents of the community show paranoia because they were second guessing their peers, they were hoping that no false accusations happen on them, and also because they want to protect themselves and their loved ones so that nothing bad happens to them.
A prime example of this is Mildred. “The small crystal bottle of sleeping tablets which earlier today had been filled with thirty capsules and which now lay uncapped and empty in the light of the tiny flare”(pg13). This quote is very important because it shows that even though Mildred says she’s happy and probably even thinks she’s happy, deep down she knows that she isn’t happy. However, in the society in Fahrenheit they are taught to just deny unhappy things and seek pleasure in whatever they can. This just doesn’t work because you can only feign ignorance for so long.
People act differently when they are with certain people than when they are alone. Some will call this act a “mask.” This metaphor is used because people cover up who they truly are or what they really feel with their actions; similar to the way a mask covers up a person’s face. This idea of a mask is explored in Paul Laurence Dunbar’s poem, “We Wear the Mask” and readers can see examples of “masks” in Harper Lee’s novel, To Kill a Mockingbird. People often wear masks to hide something about themselves that they are not proud of or hide their emotions and fears they do not want others to know.
However, she is three years younger than her brother, yet she always keep the task of getting to her aunt’s house first in mind, unlike Karl. This personality of hers compares to the “weathered gray” and monotonous feeling of the town. Mary and Karl were sent to North Dakota by train because “times were generally much better” there than in Kansas, so Mary was only concerned with doing what was right and was expected of her and her brother. The “bare horizon”, the “peeling gray paint”, and “the chill [that] had reached deep” had no effect on Mary, despite the effect it had on Karl.
The protagonists of both Erik Larson’s the Devil in the White City and Denis Johnson’s novella Train Dreams share similar experiences despite being located in different parts of the country. “That he'd taken on an acre and a home in the first place he owed to Gladys. He'd felt able to tackle the responsibilities that came with a team and wagon because Gladys had stayed in his heart and in his thoughts.” (Johnson, 82). At a time where women are beginning to venture out and become increasingly present in society, Grainier acknowledges the strength and support he received from his late-wife Gladys.
(STEWE-1) The community knowingly doesn’t allow certain thought provoking events to occur, and thus causes people to be limited in the amount of memories and knowledge they have. This is seen in the train stations, a place where all sorts of people go to everyday. Here the nation, by design, blasts people with commercials like, “Denham’s Dandy Dental Detergent, Denham’s” (Bradbury 75).
From this little lie at the time, it caused a massive fear and hysteria throughout the town. Further in the story we find there are hidden hatred, jealousy, and lust between the people
For instance, we learn that McTeague works in a small building and “made it do for a bedroom as well, sleeping on the big bed-lounge against the wall opposite the window.” This small detail hints at a poor, struggling lifestyle. Additionally, Norris notes McTeague “manufactured his moulds . . . [on] a washstand behind the screen in the corner” and collected “[t]here chairs, a bargain at the second-hand store” which further embellishes the idea of a low-class citizen.
The short story “The Knife” utilizes various forms of diction to strengthen the quality of the text. He uses imagery in order to draw the audience into the story. Vivid phrases, such as “the tight click of clamps” and “the tough fibrous sheet” create a description that resonates with the audience. Selzer uses diction to create the tone and mood of the story. In the opening paragraph, his word choice suggests that the speaker is a murderer; in later paragraphs, it is implied that the speaker is a surgeon trying to save a patient.
Without knowledge of these two black literary traditions, understanding the motives of Brother Jack, and more importantly Dr Bledsoe, are nearly impossible. Masking and signifying were methods of survival for blacks (and whites) trying to make it in the world. They were also ways to take advantage of others who were less informed of the world. Ralph Ellison writes the narrator as a person naive of the world at first, who gradually learns, through masking and signifying, that the world is a colder place than originally thought. The lessons the narrator learns from Dr Bledsoe and Brother Jack go a long way in establishing the identity of the man who chooses to live underground for the remainder of his life.
Writers, such as Dick Gregory, use imagery to help set the tone of their story or get their points across. In “Shame” the language used to
The main theme of the poem is centered on the masks that we wear in society, but the poem digs deeper than the simple statement, ‘we all wear masks’. Teasdale presents the insight that when we are walking on the sidewalk, surrounded by the chaos of the streets, we delve into our own thoughts and the mask lifts. Because we are among strangers rather than coworkers, family, or peers, we do