Symbolism In Cynthia Ryland's 'A Crush'

The beauty of the flowers against the extreme background of poverty makes the children's realize the lack of beauty and hope in their future. The children do not know whey they are angry by the flowers but the flowers represents the only hope, beauty and life amongst their life in the dust. When Lizbeth hears her father sobbing over his inability to find a job, she loses hope because her father had represented strength

He, even in her eyes, is not perfect, however they love each other mutually. For once, one of Janie’s husbands is not trying to dominate and make himself superior. Janie states this mutual love for him at their relationship’s beginning by saying, “he could be a bee to a blossom — a pear tree blossom in the spring”(Hurston ). At last, the mutual relationship like a bee and blossom is possible, both benefit and neither feels left out. He teaches her to shoot, hunt, play checkers, and work outside.

In her short story “Marigolds”, Eugenia Collier, tells the story of a young woman named Lizabeth growing up in rural Maryland during the Depression. Lizabeth is on the verge of becoming an adult, but one moment suddenly makes her feel more woman than child and has an impact on the rest of her life. Through her use of diction, point of view, and symbolism, Eugenia Collier develops the theme that people can create beauty in their lives even in the poorest of situations.

“Whenever the memory of those Marigolds flashes across my mind, a strange nostalgia comes with it and remains long after the picture has faded. I feel again the chaotic emotions of adolescence,illusions as smoke, yet as real as the potted geranium before me now. Joy and rage and wild animal gladness and shame become tangled together in a multicolored skein of 14-going-on-15 as I recall that devastating moment when I was suddenly more women than child, years ago in Miss.Lottie’s yard.” Both of these examples go to show that little things can have much more meaning than what materialistic things seen, but that they can have strong emotional ties to a person who views them in a different way. When Lizabeth comprehends this topic it leads towards her gain in

“ She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight,” (Hurston, 1937, p. 11). The bee gathering pollen became a reference for Janie throughout the rest of the story. “He could be a bee to a blossom—a pear tree blossom in the spring,” (Hurston, 1937, p. 106). After seeing the bee and the blossom, Janie wanted to find a connection like that in her life. She

Additionally, Ginny constructs a metaphor, as she asserts that “a seed is a contract for the future” (Hudes 16). To Ginny, planting a seed guarantees that she will soon be able to visually see the fruits of her labor, and will be able to relish in the joy of creating new life. This point means that imagery is as vitally important to Ginny as it is to her story, as her visualization of the future of her garden fuels her happiness and ability to cope with what she is going

Have you ever felt loss so deep that everything you see is different just because that person is gone? In Mother by Ted Kooser the speaker’s mother’s death made his world view more sorrowful. Through this view of the world Kooser uses symbolism, personification, and imagery to show the speaker’s feelings about his mother dying.

We live in a society that has increasingly demoralizes love, depicting it as cruel, superficial and full of complications. Nowadays it is easy for people to claim that they are in love, even when their actions say otherwise, and it is just as easy to claim that they are not when they indeed are. Real love is difficult to find and keeping it alive is even harder, especially when one must overcome their own anxieties and uncertainties to embrace its presence. This is the main theme depicted in Russell Banks’ short story “Sarah Cole: A Type of Love Story,” as well as in Richard Bausch’s “The Fireman’s Wife.” These narratives, although similar in some ways, are completely different types of love stories.

Pg. 80 This example can be tied back to my thesis and the seed this quote is trying to

In the short story “Everyday Use,” Alice Walker shows the conflicts and struggles with people of the African-American culture in America. The author focuses on the members of the Johnson family, who are the main characters. In the family there are 2 daughters and a mother. The first daughter is named Maggie, who had been injured in a house fire has been living with her mom. Her older sister is Dee, who grew up with natural beauty wanted to have a better life than her mother and sister.The author used symbolism throughout the whole story to show the difference between these characters. The symbolism is there to give us a further explanation on the family and also to tell us how much heritage is important to some, but not others.

The short story “What We Talk about When We Talk about Love” by Raymond Carver is about four friends- Laura, Mel, Nick, and Terri, gathering on a table and having a conversation. As they start to drink, the subject abruptly comes to “love.” Then, the main topic of their conversation becomes to find the definition of love, in other word to define what exactly love means. However, at the end, they cannot find out the definition of love even though they talk on the subject for a day long. Raymond Carver in “What We Talk about When We Talk about Love” illustrates the difficulty of defining love by using symbols such as heart, gin, and the sunlight.

Romance comes in all different forms and sizes, and Calbert understands that along with these she apprends why people fall in and out of love. Falling in love has a sense of vulnerability that requires taking risks that people are “willing to fail, / why we will still let ourselves fall in love,” in order to sustain real love. Calbert ends her poem with listing the romances with her husband and vows, “knowing nothing other than [their] love” because that is all that matters to her

A Red Convertible with Many Meanings Throughout the course of a given year, approximately 5.2 million people are affected by Post Traumatic Stress Disorder. Nearly 7.8% of the United States population will experience PTSD in their lifetime, and 3.6% of adults ages eighteen to fifty-four will experience PTSD (“What is PTSD?”). Henry is one of these people. Using symbolism and foreshadowing within the story, “The Red Convertible” by Louise Erdrich portrays a few motifs throughout the story and these include the bond of brotherhood, sacrifice, and the effects of war.

Take a second and imagine, imagine yourself being starved, tortured, and enslaved. What would you do to save your children and yourself? In Cynthia Ozick's story “The Shawl” we meet Rosa and her two daughters Stella, who is fourteen, and Magda an infant who is being concealed, on their grueling march to a concentration camp. The Nazi’s are unaware of Magda’s existence due to Rosa hiding her under the shawl as they are marching. Rosa is faced with the difficulty of keeping her daughters alive, while trying to survive herself. Through the point of view of Rosa, Ozick uses symbolism to capture the many different coping mechanisms used to survive the horrors of being a prisoner in a Nazi concentration camp and through her selflessness becomes a Christlike heroine. Rosa’s imagination gives positive characteristics to situations and objects to help cope with traumatic events such as, the magical properties of the shawl, the grass outside

Throughout the text, the speaker uses a diverse array of literary techniques to demonstrate the multidimensional nature of their love towards a lover. First, passionate love is conveyed in the spatial metaphor of loving with “the depth and breadth and height my soul can reach.” Here, love is a substance that fills up and infatuates the speaker, creating a powerful drive that forces her to express it. This spatial love is overwhelming and grand, which establishes the passionate and fervent tone of the poem.