“Being born a woman is my awful tragedy. From the moment I was conceived to have my whole circle of action, thought and feeling rigidly circumscribed by my inescapable feminity.” – Sylvia Plath
From Elizabethan society in Othello to mid-20th century in the Bell Jar, just as stated from Plath, patriarchy in the form of social convention and expectation defines the life of women with feminity.
I. The oppressive patriarchal society in Othello
In the patriarchal society of Othello, men have authority and superiority in domesticity and marriage. Women are often treated as possessions of men that blind obedience is required. Patriarchal rule justifies women's subordination as the natural order because women were thought to be physically and psychologically
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The Bell Jar
Similarly, in the Bell Jar, women also portray a submissive role in which they should devote themselves into domesticity and motherhood. The following – the use of symbolism and characterization in form of social convention in patriarchy, quest for Greenwood’s identity and its impact, the bell jar symbol – proves that women are defined by social convention in patriarchal society in the Bell Jar.
The story starts with a nineteen-year old girl named Esther Greenwood from Boston who has earned a summer internship at an eminent magazine publisher “the Ladies’ Days”. Being seen as a valuable chance to others, she is supposed to be having the time of her life. Yet, she feels devoid and miserable with her future. As the plot develops, Esther reveals her relationship with Buddy Willard, whom is seen as a “perfect” marriage partner in society’s view. Yet, when Buddy concedes his date with Joan and impurity, she was enraged by the seemingly innocent look of Billy. Thereafter, it is revealed that Billy has suffered from tuberculosis. During Esther’s visit to the sanitarium, Billy proposes to her but she turns it down
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Magazine and propaganda provide entertainment and information to people and thus reflect values and conventions in the society. Esther works in “the Ladies’ Day”, a fashion magazine publisher, which mainly gives advice to young woman about cooking and cleaning – skills that are necessary for women as a housewife in society’s view. This clearly indicates the domesticity of women. In addition, the propaganda of motherhood shows the unfairness and hypocrisy between genders. In the propaganda, it is said that “best men wanted pureness in their wives. Even though they would try to persuade a girl to have sex and say they would marry her later, but as soon as she gave in, they would lose all respect and end up making her life miserable.” It shows that the society values highly of women’ pureness before marriage, and such that Esther comments this as if “the world is divided into people who had slept with somebody and people who hadn’t, and this seemed the only really significant difference between one person and another.” If woman does not obey to this patriarchal rule, their life will be doomed - taunted by the society and cannot safeguard a marriage. On the other hand, remaining pure is merely an option for men, like Billy. They would only care about their own desire and does not have to bear any
Many female critics have looked towards The Wife of Bath as a feminist role model (Reisman) She wanted authority over her five husbands, “She’d been respectable throughout her life, with five churched husbands bringing joy and strife, Not counting other company in her youth;” (Chaucer, l. 459-461) In Othello, the society centered around the men having all the control over women except in their beds, which was when the women could take control. Othello uses his power to over Desdemona to mock her,“Ay, you did wish that I would make her turn. Sir, she can turn, and turn, and get go on, And turn again.
They show the harsh and cruel reality of the surrounding environment that women live in without framing that reality in beautiful frame. This is obvious in William Dean Howells’s “Editha” and Henry James’s “Daisy Miller”. Both Editha and Daisy share the same characteristic of the New Woman. These two women redefine the feminine ideology of women who suffer from following the social norms of their culture. They believe that women should have freedom as well as men, and they are responsible for making decisions in their lives without under
Esther is a person who will not acclimatize the stereotypes of society. It was unnatural for women of this time period to hold any high working positions besides shorthand and other domestic roles. Trying to break free of this world of systematic oppression, she clings on to the people that inspire her to take action. In the beginning of the novel, the reader is introduced to Doreen, a parallel character to Esther in the fact that she is willing to be sexual. From Esther’s standpoint, there are only “two kinds of people, virgin and not virgin.”
‘’The Bell Jar’’, by Sylvia Plath, is a novel that attracts audiences of all ages by the theme of the restricted role of women in 1950s, Esther Greenwood’s growth and transformation as the protagonist, and the bell jar, as a symbol that represents her struggles in life. The simple title and image of ‘’The Bell Jar’’ that the author uses, contradicts the multiple meanings that this image can impose on the novel. The bell jar can take on a wide range of meanings, including the feeling of being trapped and the sense of being watched or studied. First of all, one of the most important themes in this novel is the restricted role of women in 1950s. Esther, the protagonist and narrator of ‘’The Bell Jar ‘’, feels isolated from the world around her, because of the expectations placed upon her as a young woman living in 1950s, America.
It’s no surprise, that Shakespeare’s Macbeth was clearly constructed as a rebellion against femininity roles of the time. During the Elizabethan era, women were raised to believe they were inferior to men since men obtained desired masculine qualities such as strength, and loyalty, whereas women were viewed as figures of hospitality (1; 6; 28-31). Obviously, not being tempted by the luxury of subservient women, William Shakespeare rebuked this twisted belief, applying that women deserve more respect than their kitchen tables.
A Modern View of Feminist Criticism William Shakespeare 's "Othello” can be analyzed from a feminist perspective. This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions
In the novel, The Bell Jar, the protagonist Esther Greenwood, struggles to reach her own personal goals in a male-dominant society. The main character, Esther was expected to marry a man to become a housewife that will clean the house, support him, and nurture him. Esther has always nurtured her goals of her own and has never wanted to simply help a husband. In the novel, The Bell Jar, Mrs. Willard educates his son Buddy the way society views femininity and the roles of women. As Mrs. Willard explains to Buddy, “What a man is is an arrow into the future, and what a woman is the place the arrow shoots off from” (Plath 67).
Exposing Foundations: Psychoanalysis and Gender in Mulvey and Butler Woman… stands in patriarchal culture as signifier for the male other, bound by a symbolic order in which man can live out his phantasies and obsessions through linguistic command by imposing them on the image of woman still tied in her place as bearer of meaning, not maker of meaning. 6 In “Visual Pleasure and Narrative Cinema” (1975), Laura Mulvey points out that psychoanalytic theory can “advance our understanding of the status quo, of the patriarchal order in which we are caught” (2). To understand why woman is only “the bearer of meaning, not the maker of meaning” in this order, I will turn to a very small fraction of Lacan’s psychoanalytic philosophy. Here we find that
The play “Othello” by Shakespeare is about a man who eloped with the senator’s daughter. Then became deeply in love. The play also includes a man named Iago who hates the general Othello because he gave the lieutenant position in favor for Cassio. As a result, Iago decided to play devil and manipulate Othello’s mind by telling him that his wife Desdemona committed adultery with Cassio. Which lead Iago asking his wife Emilia to steal Desdemona’s handkerchief so he can place it in Cassio’s bedroom.
While Desdemona is a remarkably strong character, Emilia also displays independence unmatched by any other female in Othello, and there are multiple details of Shakespeare and his time that may have prompted such a portrayal. In Elizabethan England, many women worked behind the scenes of productions, like Shakespeare’s, as uncredited authors and editors (Crowley). Due to their anonymity, nobody can be sure that women were involved in Shakespeare’s plays nor Othello in particular, but there is a genuine possibility that female writers did have leverage. This may have had to do with how Emilia was portrayed as resilient from the time of Desdemona’s death all the way until her own, standing up for herself regardless of the ridicule it caused her (Iyasere). In fact, it even killed her in the end.
The Odyssey by Homer contains multiple moments where female characters are oppressed or fit into a patriarchy, but there are several moments where these character show signs of rebellion against this oppression. Applying a critical lense of feminism to these characters and relationships create complexities and conflicts within the novel that shine meaning on the world. The character Penelope offers many of these moments. Analyzing the actions, situation, and comparisons with other characters using a the feminist critical lense will show a more enriched version of Penelope and offer a deeper insight of the patriarchy, and how is affects the world.
Throughout the novel, it becomes clear that the subject of virginity and sexuality is something consistently weighing Esther down, many times her decisions are based on her need for sexual liberation. Esther, on a date with the simultaneous interpreter Constantin, reflects on an article she once read “[giving] all the reasons why a girl shouldn’t sleep with anybody but her husband and then only after they were married.” Upon reading the article, however, Esther thinks to herself “It might be nice to be pure and then to marry a pure man, but what if he suddenly confessed he wasn’t pure after we were married (…) I couldn’t stand the idea of a woman having to have a single pure life and a man being able to have a double life”. Clearly, Esther resents the implicit double standards; she finds it unjust to expect women to be virginal, which results in her ending her romance with Buddy Willard.
For Shakespeare’s plays to contain enduring ideas, it must illustrate concepts that still remain relevant today, in modern society. Shakespeare utilises his tragic play Othello, to make an important social commentary on the common gender stereotypes. During early modern England, Shakespeare had to comply to the strict social expectations where women were viewed as tools, platonic and mellow, and where men were displayed as masculine, powerful, tempered, violent and manipulative. As distinct as this context is to the 21st century, the play exposes how women were victimised by the men who hold primary power in the community in which they compelled women to conform to the ideal world of a perfect wife or confront an appalling destiny for challenging the system. Moreover, Shakespeare utilises the main antagonist, Iago, to portray how men are desperate to achieve what they want and to indirectly fulfil the stereotype of masculinity and power through manipulation.
The male roles in the family seem to be above females’ because they get to make decisions for girls. Men feel dominant to women, so the same behaviors as the women are acceptable for them. Along with these, the ladies are not expected to crave love and affection like the gentlemen do. The gender issue of men being dominant and women being submissive used in the drama, A Midsummer Night’s Dream, shows the differences in the roles, behaviors, and expectations appropriate for each gender and is an example of an outdated stereotype. Unlike the time frame of this literature, women in the present are valued equal to men.
Had the book taken place a decade or so ago, the idea of Esther pursuing to lose her virginity before marriage wouldn’t have even entered her head. Doreen could have been partially responsible for this, because her relaxed attitude towards sex is part of her rebellious nature that Esther aspires to