They began to drift apart more and more, that is until Gatsby forced them to confront their marriage when he asked Daisy to say she never loved Tom. This backfires when they began to grow close again. Then, when Daisy kills Myrtle and Tom gets Gatsby killed they run away together, as they always do. The quote, “They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made. .
In Eugenia W. Collier’s short story “Marigolds”, Lizabeth and her family experience an external conflict against society when the Great Depression’s burdens fall onto them, creating both emotional and financial stress; in this, Collier reveals that external struggle may lead to reckless actions. Early on, Lizabeth describes poverty as “...the cage in which [her family] was trapped…”, alluding to her desire to be free from the bars of impoverishment (Collier 126). Towards the climax in the story, Lizabeth hears her father crying about his inability to support his family without a steady income, which leads to her “...feelings [combining] in one great impulse toward destruction” (Collier 126). In this, Collier projects the idea that strenuous
Romey gets very emotional and is sad that their mother’s chair is broken. He gets very upset that the roof broke the last thing left they had from their mother. However, Mary Call thinks he overreacts. She thinks that he didn’t need to cry over it. She says, “A sissy, I thought.
This was resonant to Richard, “I found myself lying in bed, screaming, determined to run away, tussling with my mother and father who were trying to keep me still. I was lost in a fog of fear” (Wright 7). This means that from the ineffable beatings from his parents, Richard was having severe flashbacks, affecting his mental health. In conclusion, the beatings from his parents has caused Richard to get harsh flashbacks. The second incident is after Richard’s provocative uncle, Uncle Tom, moves in with him.
When esperanza shares her fears with one of the boys mothers about the monkey garden incident, she felt as if she was “ the one that was crazy” making her “feel ashamed”(97)All esperanza wanted to do after that incident was to “will my blood to stop , my heart to quit its pumping.”(97) Esperanza felt as if she couldn’t depend on anyone anymore after what she went through because of sally, “why did you leave me all alone? i waited my whole life. you're a liar, they all lied.”(100) Esperanza was devastated by what had just happened between her and
As the passage continues, it goes about saying “dust got into their eyes and blinded them”. This embodies not only the wind but also the urban setting as a location that will make you feel very vulnerable and unsafe. By the end of this selection the author finally speaks of Lutie directly and explains her specific thoughts towards the city. For instance, “cold fingers of the wind” personifies this city as very overwhelming and as if Lutie would much rather be anywhere
The storm has grown so strong and so persistent that it has swept away all Paul had to represent his hard work. He no longer has anything to support his family or his livestock and this is all a result of his instinctual decision to stay and fight for his land. The emotional effect of the storm’s wrath is revealed through both Paul and Ellen. For Paul “struggle has given sternness, an impassive courage”. Paul had lost all tangible symbols of being a successful husband (such as a prosperous farm and a happy wife and children).
“...a voice of woe to my own household pierces through my ears; and I sink backward on my handmaidens afaint for terror…” (Sophocles 64). All of this was too much for her to handle so she decided it would just be easier if she just took her life. Creon finds out the death of his wife through a messenger and blames himself, for his actions led all of his sorrows to happen. “I, I was the slayer, I say it, unhappy, of thee!” (Sophocles
But then she thinks “What if my mother leaving wasn’t true? What if T. Ray had made it up to punish me? “ (Kidd 41) Lily feels that T. Ray is just punishing her for what she had said and has a fight in her brain. After this she decides that it is best for her to leave T. Ray and this starts her coming of age journey. This piece of text demonstrates how internal conflict can start someone’s coming of age
Later in her pregnancy she becomes very ill. Soon after, she dies along with her baby. Suddenly Jurgis comes into realization with what is happening. Matthew Morris writes, “Jurgis comes to see and comprehend the class system that has destroyed everyone he cared about, and to join the fight to change that system” that has made him lose his job and lead to his wife’s death (5). Jurgis decides to join a rebellion to protest the mistreatment of immigrants.
The frost on the walls could also illustrate how long the relationship has been depleting and becoming loveless. The text manifests Sinclair Ross’s use of weather to reflect Ann’s thoughts and emotions. The loneliness, emptiness, and coldness of the setting are the cause of Ann 's situation as well as a reflection of her own inner sense of loneliness and isolation. The storm that is moving in as John leaves reflects her own impending emotional storm. Throughout the day, as the storm becomes increasingly violent, so does her own emotions become increasingly distraught.
In William Faulkner’s “A Rose for Emily”, the accumulation of dust in Miss Emily’s house reinforces her static and perverse character. The townspeople describe Emily’s house as full of “dust and shadows” (105), “lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps – an eyesore among eyesores” (98) for generations after generations. The house’s poor, dust-filled condition symbolizes its owner’s unflinching denial to new changes. Furthermore, the loss of her father drives Emily to act on her tenacious impulse to forestall time. Emily stubbornly holds onto her father’s body for three days, repeatedly claiming that “[he] was not dead” (101).