In Geoffrey Chaucer’s “The Miller’s Tale” he uses symbolism as a literary element to create an underlying Christian theme that portrays the characters in the story as biblical figures. Each character of the story represents a different figure from the bible such as, Nicholas and Alisoun representing Adam and Eve, John the carpenter representing a Great Divine and Absolon representing The Devil. Throughout the story, there are many different aspects that highlight the Christian theme and allow the readers to truly see this interpretation.
Throughout the story readers may recognize the alignment between Nicholas and Alisoun and Adam and Eve. This can be inferred because of the fact that these two characters recognize right from wrong in a situation,
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Toward the end of the tale, the Miller transforms the metrosexual, easy-going Absolon into a blackened devil carrying a flaming iron. Absolon’s transformation is in keeping with the Chaucerian idea that ‘"The leoun sit in his awayt always / To sle the innocent, if that he may" (Friar’s Tale 393-394). Absolon is a devil figure who sees all in the parish. So he knows who is committing mortal sins. He lies in wait and then injures the sinners. When Absolon declares "my soule bitake I unto Sathanas" after he accidentally kisses Allison's butt (750),. In this interpretation, Absolon's confrontation with Nicholas, which is represented by his branding of Nicholas with the hot poker, is an allegory of the enmity between God and Satan. It causes the fall of man when Nicholas's cry of "Water!" prompts John, a representation of the divine to fall from the ‘heavens’ of the small world in Oxford.
In conclusion, Chaucer used many different literary devices to convey the meaning of his story to his readers. However, the strongest literary tool that was used was symbolism. This techniques that was used by Chaucer brought life and meaning to this tale, which allowed the story to flow and stay clear to the readers. This tale was very interesting and engaging for readers and not only provided them with enjoyment, but also provided them with a sense of
One last technique is the foreshadowing. It came in various forms among them Kate 's nightmare which puts Larry 's death right before the reader 's eyes, although Kate herself does not believe it (xix). The whole play is wrapped in a language that helps in framing all these techniques and displaying the shared feeling of anger. Miller 's dialogue is a modern realistic one that is far away from being colloquial though it is simple and realistic. It is a modestly rich language that is at the same time deeply rooted in the daily speech.
In the selection passages, The Miller’s tale and The Reeve Tale both tell a story about tricking others in order to gain what they desire. Both of these tale are also similar because one tale is about gaining love and the other is about tricking others in order to gain money. The Miller’s tale and the Reeve’s tale both had a similar theme as well as the ending. At the end, none of the characters really gain anything or accomplish what they desire the most.
Arthur Miller used a lot of symbolism in his work. The poppets symbolize evil, according to the Bible. The stones that crushed Giles Corey symbolize the crushing weight of Salem’s sins. The witch trials symbolize intolerance, extremism, and hatred. The themes were also very evident.
In my opinion, I think that the Reeve may be over reacting a little. No one else was offended by the Miller’s tale. Maybe that should tell the Reeve something. Perhaps the Miller did not mean to offend him. The Reeve has managed his lord’s account since his lord was twenty years old.
Despite the fact that he is greatly greedy, he proceeds to teach “Avarice is the root of all evil”(Line 6, Chaucer). The character to as much story presentation extraordinary hypocrisy as well. As the story begins, the travelers go about as friendly, dependable and faithful. They risk their lives to kill the plague, the disease, which kill lots of people. As the travelers talks about their challenges which they have to overcome, they pledge that “to live and die each of them or the other, As if he were his own blood brothers”(Lines 241-242, Chaucer).
Chaucer’s descriptions were extremely detail oriented about each of the character’s appearance but his real reasoning behind his character descriptions were to show the true irony of the three estates. Chaucer was illustrated with his depiction of the three estates and accurately ridiculed and problematized each class and members of the classes through satire, irony, and oxymoron throughout his entire general prologue. The audience is able to get a comical understanding of how these three estates worked long ago and the people who were involved in each
Symbolism allows the author to create a story that would otherwise be bland and monotone. Without this dark romantic element, books, short stories, and poems would not have as much meaning nor appealing detail. Symbolism in "The Raven," "The Devil and Tom Walker," and "The Minister's Black Veil," creates layers of meaning and interesting characters. Symbolism has been used for centuries to spice up the literary world. Sometimes it is used in obvious ways, but other time it has to be thoroughly studied to be imperturbably understood.
The utilization of symbolism, diction and syntax all foreshadow the ending of the story and help the reader understand the meaning of
Juxtaposition of the Sacred and the Profane In “The Miller’s Tale”, we see many examples of Juxtaposition of the sacred and the profane. In the prologue, we get that the idea that the story would be about the life of people who are religious and holy and respectable since they are saints. However, as the story goes on, it is clear that the story is not about saints, but rather people that are the opposite of saints. He uses contrasting characters to show his attitude towards religion.
Throughout the novel, A Tale of Two Cities, Dickens uses a variety of rhetorical devices to convey his message of fate and history, but one of the most prominent devices used is symbolism. By strategically inserting an array of hidden symbols, such as the broken wine cask, footsteps, and Madame Defarge’s knitting, Dickens creates a bridge between the sequence of events that make up the story and the ideals of fate and history. To begin, the wine cask makes its first appearance in book one, chapter five when it is knocked to the ground in the streets of Saint Antoine. Dickens’ depiction of the broken wine cask outside Defarge’s wine shop, along with his portrayal of the peasants scrambling for the last lingering traces of the wine, clearly represents the desperate quality of the people’s hunger. Furthermore, their hunger ties directly
Arthur Miller was born on October 17th, 1915 in New York City and died February 10, 2005, in Roxbury, Connecticut. When he was young his family owned a women’s clothing store, however, they had lost it during the Great Depression which forced them to move into a smaller home in Brooklyn. The depression largely influenced Miller’s ideas and how he saw life, also looking to the Greeks for inspiration when writing, he had a tendency to revolve his characters around a power, “personal responsibility”, and the “twin poles of guilt and hope” (“Arthur Miller”). Meanwhile, Miller worked many jobs during the depression to earn money for college, he attended the University of Michigan in Ann Arbor, where he studied English and used his various scholarships
In The Miller’s Tale, a chapter in The Canterbury Tales, by Geoffrey Chaucer, women are dependent on men, and described as weak, and submissive. As a result, Chaucer portrays women as mere objects that can be possessed. Chaucer describes women as delicate beings. In “The Miller’s Tale,” when the Miller describes Allison, he talks about her personality:
The Miller’s physical description is intensely disgusting. As described within the prologue, he has a red beard, huge nostrils, a gaping mouth, a wart on his nose, and the most important feature that he has…. Is that he’s fat. His intense physicality was solely associated with lustfulness and, within the portrait, we get a certain amount of clues that it was medieval symbolism which held that red hair was a sign of lustful nature. Although, people that were like the miller, solely those within the peasant class, drew heavily upon negative stereotypes about the lower class within this time period.
This approach certainly rationalizes the way both of these characters act in
My fellow travelers, now that we have reached the end of our tour of the countryside, and have heard the last of these tales, it is time that I reveal a victor. A good friend of mine, Geoffrey Chaucer, has been recording your stories, and has compiled them into what he calls The Canterbury Tales. Last night, while the rest of you lay asleep, I reviewed the stories which each of you told, and I have concluded which story I believe was most befitting of the title of, “fullest measure of good morality and greatest pleasure.” This, as a surprise to some, I declare, is the tale told by the Miller. As I, Harry Bailey, proposed before, you all will all owe him a dinner upon our eventual return to the Tabard Inn.