Being a black woman raised in a white world, Ann Petry was familiar with the contrast in lives of African Americans and whites (McKenzie 615). The Street, centered in 1940’s Harlem, details these differences. While Petry consistently portrays Harlem as dark and dirty, she portrays the all-white neighborhoods of Connecticut as light and clean. This contrast of dark vs light is used in the expected way to symbolize despair vs success. But Ann Petry also uses the contrast in an unusual way by allowing the darkness to inspire, while the light exposes unexpected tragedies. Most places that Lutie Johnson goes in The Street are dark and dirty. The stairwell leading to the apartment she wants to rent appears to be symbolic of all that is wrong in Lutie’s …show more content…
Petry uses the light to expose trouble in the Chandler household. In the clean bright home, Lutie witnesses a relationship that looks to be only for appearances, and not a relationship made of love. And it is by the light of the Christmas tree that Lutie witnesses some of the horror that exists even in seemingly successful, bright homes, as Jonathon Chandler chooses this occasion to commit suicide. It is not only the light that is used contrary to the obvious. Ann Petry also uses the darkness as a vehicle to strengthen Lutie’s resolve to improve her life and be better able to provide for her son. Lutie has seen the light side of life and believes it is attainable for herself. She knows it is just a matter of trying hard enough, and working long enough, and saving enough (Petry 43). Later in Harlem, as Lutie walks past the dark, dirty storefronts, with their withered produce, her determination is strengthened to get out of her current situation; “the dark streets filled with shadowy figures that carried with them the horror of the places they lived in, places like her own apartment.” (Petry 153) Lutie seems to believe that she should do as Booker T. Washington advised and “pick [herself] up by the bootstraps” and make a new life for herself and her son. (Bressler
In The Autobiography of an Ex-Colored Man, the narrator, James Weldon Johnson, makes the decision to live life disguised as a white man after seeing and experiencing the troubles that hound the African-Americans after the abolition of slavery. In Lalita Tademy’s Cane River, a slave family struggles to survive through their enslavement and the aftermaths of the Emancipation Proclamation. Throughout both of these stories, white people are disrespectful to the black people despite them deserving respect. Occasionally, this disrespect festers and turns into unjustified hatred. Through the gloom of death in The Autobiography of an Ex-Colored Man and Cane River, one can see how prejudice is devastating to everything that stands in its path.
Throughout a majority of the novel, Lutie, the main character fights her battle of survival as her and her son Bub live through poverty. Although she continuously gets crushed every step of the way she always kept her head up as she wanted to give the best to her son. However, towards the end of the novel we see this change as Lutie gets exposed to things that become out of her control and she starts to give up. Despite Luties strength and commendable qualities, Petry sent her on a ‘journey of decline’ to her breaking point. From the start of the novel Petry describes the social issues going on throughout Harlem, and how Lutie goes about living with them.
Janie ran away to Eatonville to escape from a life she didn’t want to live, however, Eatonville represented the oppression that has continuously tormented her. In Eatonville, although Janie lived with the reassurance of financial security, she was limited in other aspects of life. Chained to the life Joe made her live, Janie slaved away at work, deprived of the social interactions she desired. It was evident that Joe held a grasp over the town and everyone in it, including Janie, “something else made men give way to him… Take for instance that new house of his.
Fighting power in Antigone and A Raisin In The Sun “Power concedes nothing without demand. ”- Frederick Douglass. Meaning the people in power will never pay attention to anything that isn’t pushed upon and demanded by the people. Throughout history people have fought for their beliefs and even have given up their lives for their beliefs.
Landing in New York and working hard unlike her mom or dad ever did in their life. The sense of darkness, that was the way for her, to everybody, but light is the place. A place where all your dreams come through and creates the person Walls is
Within the winding, bustling and twisted world of Sladehouse, lies a nebbish and awkward boy named Jonah Bishop. However, just as the rest of the characters in Sladehouse, he longs of what he doesn’t have, most notably: Acceptance. Jonah has a luculent longing for acceptance and friendship as expressed many times, including on page 19. To elaborate, as Jonah sits in silence next to his new-found friend Nathan, he mulls over the typical reactions he gets from his peers; more often than not, he is bullied, ostracized and tormented by the kids he knows from school about his interests. In contrast, Nathan does not mind his quirky, out of the box interests which is astonishing to Jonah.
“It invites one to be still, to hear divine voices speak” (hooks,125). This quote from A Place Where the Soul Can Rest by belle hooks describes the importance of the front porches to African American women who faced issues and judgment regarding their race, gender, and social standing. The porch signifies a place in which these women can relax, and escape not only from their household duties, but from all of the discrimination they face in their own neighborhoods. In the essay, the author herself reflects on her childhood as a young African American, and how her life was affected by racism, sexism, and gender stereotypes and roles. As a child, hooks’ place of safety and security lied on her front porch, where she was able to escape
Ann Petry pens a stimulating expositional read in her 1946 novel, The Street. Running with the over-arching anticipated universal theme of vulnerability, Petry establishes Lutie Johnson’s relationship with the urban setting quite succinctly. Through her use of well-placed literary conventions, Ann Petry delivers a piece that will withstand the test of time. Petry establishes the wind as a symbol of an attacker to foreshadow Lutie Johnson’s violent future. From the very first paragraph, the wind is written ripping through the street, doubling over the pedestrians against its force.
In his historical metafiction In the skin of a Lion, Ondaatje explores the importance of storytelling and the authority and power that comes with it. “Patrick's gift, that arrow into the past, shows him the wealth in himself, how he has been sown into history. Now he will begin to tell stories. He is a tentative man, even with his family. That night in bed shyly he tells the story of the nun”.
1920’s society offered a prominent way for blacks that look white to exploit its barrier and pass in society. Visible within Nella Larsen’s Passing, access to the regular world exists only for those who fit the criteria of white skin and white husband. Through internal conflict and characterization, the novella reveals deception slowly devours the deceitful. In Passing, Clare and Irene both deceive people. They both engage in deceit by having the ability to pass when they are not of the proper race to do so.
In “Two Kinds” By: Amy Tan The title itself embodies the symbols, which embodies the major themes of the work. “Two Kinds” is about a strict Chinese mother who pushes her Daughter Jing-mei to not only do her best, but also to be the best. “Only two kinds of daughters, she shouted in chinese. Those who are obedient and those who follow their own mind!
Darkness and music have given unusual prominence that emphasises the awful life in Harlem, and how music brought those two brothers together at the end of the story. Each symbol represents its own unique sign. The light used in many forms such as moonlight, spotlight, or even the light of the car. “There isn’t any other tale to tell, it’s the only light we’ve got in all this darkness” (James). Besides the fear, and despair of society in Harlem, the light seems to be glowing in the darkness, symbolizes a form of salvation and a moral life.
Light May Come but Darkness Always Follows An elderly, crippled man walks into the bunkhouse, stumbling on his feet. Following him is a smelly, debilitated dog who slows more and more as the darkness creeps in. All the lustrous, shining glow has been stolen from the sky and replaced with the grave, dingy black horizon. In John Steinbeck’s Of Mice and Men, descriptions of darkness reveal future events.
Poverty and Prejudice In the novel The Street by Ann Petry Lutie Johnson is a single mother living in Harlem trying to support herself and her son. Petry shows how poverty in Harlem had a cause, an effect, and how people reacted to poverty. Lutie, Boots, and an unnamed, stabbed girl’s lives are shaped by the poverty they live in. Racism is the cause of the poverty that Lutie lived in during the 1940s and she struggles with how black people like herself are forced to live in more poverty than white people.
The London fog, the town of Crythin Gifford, and the park scene all gives the novella a very gothic atmosphere. The novella, especially gives a feeling of dread and mystery with the atmosphere. “The Woman in Black” by Susan Hill is a haunting story that leaves the reader searching for more answers, maybe even more than