Symbolism In Where Are You Going, Where Have You Been?

In “Where Are You Going, Where Have You Been?” there are many theories as to who Arnold Friend is and what his role. The story does not introduce Arnold till the middle and end of the story when Arnold Friend and Ellie Oscar, his friend, decides to pull up to Connie’s house trying to be gentle, but threatening at the same time. The tone sets the mood of the story, the way he talks is suave, so he doesn’t scare her as much but you could sense a little of annoyance in his voice when she refuses. He asks her to come ride with him, but then starts to threaten her family so she would get out the house and be with him. Many would argue he portrays Satan or Connie’s karma for her misbehavior. Throughout the story, there are references that relates to the bible that relates to the title. Arnold’s friend, Ellie plays the quiet, menacing creep who seems like he is trying to help Connie when he offers to let her

In “Where Are You Going, Where Have You Been?”, Joyce Carol Oates tells a story of a young, innocent teenage girl, Connie who enjoys listening to music and begins exploring her sexuality and being with boys “the way it was in the movies and promised in songs” (Oates 198). In fact she catches the attention of Arnold Friend one night while at the mall meeting up with a boy. Not knowing he would appear in her life, Arnold strangely shows up at her house assuming they made plans to get together. His character is seen as the devil. He tries to seduce and persuade her to go with him for a ride similar to how the Devil lured Eve with a shiny and mysterious apple. Oates displays evidence of biblical allusions regarding Arnold Friend’s appearance and persona in the story by depicting his physical characteristics, his supernatural knowledge, and his demeanor as an image of evil.

Arnold Friend, the antagonist in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been?” represents the devil who arrives to bring Connie to the underworld. For example, his unusual appearance implies that he is an inhuman being, unlike what he wants to lead on. As he struggles to walk from his car to the front door, Connie notes that “his whole face was a mask...tanned down to his throat...as if he had..makeup on..but had forgotten about his throat”(5). Arnold Friend covers his demonic features in order to pass as a teenager with the intention of deceiving Connie into leaving with him. Disguising himself is a method he uses to ensure the she won’t immediately turn him down, but would at least consider his advances to get her

He symbolizes the dark side of reality. The author conveys Arnold as being a “bad boy.” Arnold knows that he can take advantage of Connie and nothing is going to stop him from doing so. He is a predator and is determined to lure Connie even if it means by force. Everything about the way Arnold looks and acts represents his shady and dark persona. Arnold’s hair is “shaggy, shabby black hair that looked crazy as a wig” (197). Also Arnold’s sunglasses serve as another symbol. His sunglasses reflect mirror images and don’t show his eyes. This is a symbol of disguise as if he is trying to hide who he really is. Arnold’s car is also a major symbol in this short story. It serves as a contrast between who Arnold is and who he is disguised as. The car symbolizes the fantasy and the reality aspect of Arnold. The new paint job on his car is used to symbolize Arnold’s fake disguise that he puts on to lure Connie in. Arnold’s car becomes a major example of his dark appearance and nature. The color of his car which is gold represents being flashy. Also it represents as being an out there person. As if he is trying to attract a younger crowd. Arnold has his full name, “Arnold Friend” written in tarlike black letters on the side of his car with a drawing of a round, grinning face that reminded Connie of a pumpkin, except it wore sunglasses (197). This reflects how Arnold tries to fit in with the young kids even though he is much older. Connie asks Arnold how old he is and she realizes that he is not a kid he might be thirty or older. When Connie realizes that Arnold is much older than she thought, she is taken over by fear of what’s going to happen. This situation is much different than anything else she has ever

“Where Are You Going, Where Have You Been,” is about a teenager named Connie who is trying to come to terms with her transformation from childhood to adulthood. Through this process, Connie attempts to act older than she is an tries to gain the attention of boys. In “Where Are You Going, Where Have You Been,” Joyce Oates portrays Connie as obsessed with men to symbolize how one’s obsession and narcissistic attitude can cause danger to seem surreal.

In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.

In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.

The story “Where Are You Going, Where Have You Been” was written by Joyce Carol Oates, published in 1966. In this short story, we are introduced to a 15 year old girl Connie. She is described to be very conceited, and she is always obsessing over her physical appearance. Her family life is perceived as very dysfunctional. Her mother is always comparing her to her older sister June, and Connie’s father is pretty much absent from her life. Because the lack of family support and guidance, Connie lies to her parents of her whereabouts, and she sneaks away to local hangouts. While being out, she unfortunately catches the eye of Arnold Friend. This man will erase Connie’s innosense and expose her to how cruel the world can actually be. Many literary

In Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been” the main protagonist finds herself in a very hostile situation. With an all most fateful encounter with a man known as Arnold Friend. Forcing her to choose whether to run off with him or taking her by force. This man known as Arnold Friend to the reader comes off as almost a demon. A person who uses many temptations, word play, and threats to take advantage of the young protagonist Connie. Oates’s biography explained her fiction writing as a mixture violence and sexual obsession. The writing style definitely fits the plot point of this story with both of her literary ingredients being present in not only Arnold Friend but in Connie as well.

In Joyce Carol Oates fictional short story “Where Are You Going, Where Have You Been?” the majority of the story lies beneath the surface. More specifically than just the story, you realize that there is more to the character Arnold Friend than what may appear. The author has always remained silent and ambiguous about the real meaning of Arnold Friend’s true nature and she leaves room for the readers to make their own interpretation of him. Readers can analyze Arnold Friend and see him as the devil, he could just be the personification of popular music imagined by Connie in a dream, but Arnold Friend could also be the result of drug use.

The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates is about a teenage girl named Connie who is in the mist of her adolescent rebellion. She wants to prove her maturity to others and herself. In the story, Oates describes that Connie always lets her mind flow freely in between her daydream. She even creates and keeps dreaming about her ideal male figure in her mind to make her happy and satisfied. Oates allows the reader to step into Connie’s “dream world” through the appearance of Arnold Friend. Throughout the story, there are many instances: the illogical time and settings, the similarity between Arnold and Connie and the unrealistic events show that the meeting between Connie and Arnold Friend is a dream. The dream is also a preparation for Connie before she steps onto the stage of being an adult.

Is the classical representation of a monster. That is, he is an amalgamation of features and attributes which resemble the protagonist and their faults. Connie wants to be mature, to which Arnold obliges from a sexual aspect and not a romantic one. Arnold is a man with a mashup of both young an old. His pattern in speaking seems to match that of the current generation of adolescents, and the persona he presents is that of teenage boy, even claiming to be eighteen. However, this is countered when Connie notes that “he was much older—thirty, maybe more” (315), a fact that frightens her. What Arnold is to Connie is a challenge of her want to be an adult, and a trail of her ability to deal with adult issue. Such as a man who singles her out sexual reason. Her wish to be an adult is something she seeks while passively avoiding it. Her avoidance is marked by day dreams of puppy love romance, like a typical teenager; yet, her attractive flaunt to be mature is presented as if she seeks to be an

Joyce Carol Oates uses physical characterization to foreshadow early on what truly is going to happen to Connie. Arnold is hiding things about his physical appearance. No matter what Connie says or does, Arnold keeps talking, and yet he reveals nothing about himself. He never physically asks Connie to join him, but his words have the same force and pull as the actions he only threatens to take."Soon as you touch the phone I don 't need to keep my promise and can come inside...anybody can break through a screen door and glass and wood and iron or anything else if he needs to, anybody at all.” No matter what Connie says or does, Arnold keeps talking, and yet he reveals nothing about himself. His words to Connie are mean, and forceful, there is not a single question Arnold asks Connie just demanding her what to do. Friend has 'shaggy black hair that looked crazy as a wig.

How are id, ego and superego represented in “Where Are You Going? Where Have You Been?” By Joyce Carol Oates?

In what ways would you transform when presented with a life or death situation? In the prevailing and fast-paced short story, “Where Are You Going, Where Have You Been” by Joan Carol Oates we find out how much a person can change when crucial and demanding situations arise. In this short story the self-indulged protagonist, Connie will have to face her worse nightmares that she believed would be her ultimate fantasy. Connie is a fifteen-year-old girl who, like most young women, are ruled by their hormones and budding sexualities. She is a flighty teen who does not get along with her family and wishes to be an adult. At first glance, we are made to believe that Connie is a static character through her infuriating naivety and cliché persona. When we delve into the story we see the altruistic and sincere characteristics, which