“It was a pleasure to burn.” Ray Bradbury, the author of Fahrenheit 451, uses the symbols war, phoenix, and hearth to show the theme, “Knowledge is both joyful and painful”, throughout the story. In Fahrenheit 451 they live in a futuristic society where all books are banned. Due to all books being banned, to keep the people in line they have firefighters who burn the books reported. This causes people to break the rules and go behind the governments back because they don’t trust them. Bradbury uses symbolism to represent the dystopian society and how banning books can bring joy and pain to the readers. One of these symbols is war. War can represent how the actual war going on relates to the inner war in Montag’s head. In part one Montag …show more content…
In part three it says, “ He touched it, just to be sure it was real. He waded in and stripped in darkness to the skin, splashed his body, arms, legs, and head with raw liquor; drank it and snuffed some up his nose. Then he dressed in Faber’s old clothes and shoes. He tossed his own clothing into the river and watched it swept away. Then, holding the suitcase, he walked out in the river until there was no bottom and he swept away in the dark”(Bradbury 133). A phoenix represents Montag washing off his past and becoming a new person in a way. In the past Montag’s knowledge became a pain to everyone around him because they feared him. This caused big problems for him within the society which is why he needed to be rebirthed as new. In this case, knowledge brought joy to Montag but pain to everyone else within the …show more content…
Hearth represents the heart of the home. Knowledge became Montag’s home and when everything went wrong it was the only thing he had left. Which raises a question, is knowledge worth risking everything for? To Montag it is. It’s the one thing that brings him life in a world full of people walking around like zombies. Knowledge is Montag’s home. In part three it says, “ He burnt the bedroom walls and the cosmetic chest because he wanted to change everything, the chairs, the tables, and in the dining room the silver ware and the plastic dishes, everything that showed that he had lived here in this empty house with a strange woman who would forget him tomorrow, who had gone a quite forgotten him already listening to her Seashell Radio pour in on her and in on her as she rode across town, alone”(Bradbury 110). Montag sees how empty this house truly was and how empty and lonely he felt living there without the ability to learn anything. The society was filled with zombies who didn't know anything and his house was the worst. His so called wife didn’t truly love him, to her he wasn’t even there he was just a ghost in existence. Knowledge and books became Montag’s home when he had nothing left. His wife was gone, Clarisse was gone, his house was gone, and most of all his identity was gone. If he had a choice, would he do it all again? Is knowledge too painful to
When you feel really comfortable and passionate about something, you never want to let it go and feel much pride for it. In part one of the novel, Montag experiences an eye opener event when "the fumes of kerosene bloomed about her" (Bradbury 39). He had never experienced such event in his career. Never in his life did he think someone would die for books. Because of this, Montag realized that living in a world where books were banned and education was vague was not worth living in.
He brings this up to his wife Mildred days later, and she doesn’t seem to understand where he’s coming from. Montag then states, “You weren't there, you didn't see," he said. "There must be something in books, things we can't imagine, to make a woman stay in a burning house; there must be something there. You don't stay for nothing” (Bradbury 54). This is when he begins to realize that there must be some sort of substance or value in books, but still doesn’t understand it completely
Struggling between knowledge and individuality in a society where they confiscate it can be hard and challenging, however this is exactly what Montag had to go through. Montag wanted a new life, he wanted to start over. After meeting Clarrise, a young girl knowing what she wants in life, everything for Montag changed. Montag put himself in very dangerous positions and chose life threatening choices after realizing what was right. Montag went against the rules because he was so interested in Clariese’s opinions and ideas.
First, Montag was not conscience of his surroundings. Like everyone else, he was a slave to cheap thrills, fast pleasures, and mindless entertainment. In fact, he loved his job burning books, “It was a pleasure to burn. It was a special pleasure to see things eaten, to see things blackened and changed” (Bradbury 1). Then, his new mind began to stir when he met Clarisse.
Ray Bradbury’s dystopian novel Fahrenheit 451 tells the story of a future world where books are banned and burned. At the heart of this story is a theme of information censorship, where ideas and knowledge are suppressed by an oppressive government. In Fahrenheit 451, Bradbury uses the motif of fire to emphasize the dangers of censorship and to illustrate how the destruction of books and knowledge leads to a society that is unable to think critically or question authority. The novel introduces the motif of fire in the opening scene, where protagonist Guy Montag is seen burning books.
Montag lives with his wife, Mildred, and works as a fireman who burns books along with the houses that they belong to. For Montag, burning books was a pleasure and he convinces himself that he loves his job. But Montag’s character developed more as the story continued on. Events that caused a change in Montag’s personality was when he first talked with Clarisse, when he saw Mildred attempting suicide, when he stole a book while burning a house, when Montag goes to see Faber, and when Montag sees a woman kill herself along with her books.
At the outset, Montag was consumed by the darkness. He was a fireman who started fires instead of dousing them. Asked how long he has done so. He replies, “since I was twenty, 10 years ago.” (5) All the time he was, burning book after book, not knowing the full extent of his actions; he was totally unaware of all the knowledge being destroyed at his hand.
Montag leads a group of intellectuals toward the destroyed city in the hopes of rebuilding it. Montag's courage in standing up for what was right was admirable. Montag's transformation is complete by the end of the novel. Despite the fact that he has yet to master the information he receives from books, his thinking changes enough for him to reject his society and embrace the possibility of a new one. Whereas the previous society crumbled as a result of its refusal to accept knowledge, knowledge will serve as the foundation for the new society.
In this part of the book, all of the firemen including Montag received a call to burn a house with the books in there. Here became the turning point for Montag as he saw the woman, who already had made her decision to die rather than live in a world of oppression and restricted freedom of thought which books symbolize in this part, burns with the illegal books in the burning house, refusing to go out without the assurance of the safety of the books. We can suppose that his perception is gradually changing through the phrase showing that Montag felt a huge guilt over this, unlike the other firemen or Beatty. Furthermore, during the conversation with his wife, Mildred, Montag says, “We burn a thousand books. We burnt a woman.
Due to this action, we see that the protagonist isn’t able to read books; his job [as a fireman] does the opposite. Apparently, Montag’s society does not believe in pursuing knowledge because it makes people see the faults in the world [wisdom creates a threat in the government]. As the story
He makes great changes choosing his knowledge over the life he could’ve kept at home, in the city full of censorship. He chose to leave his life in the city behind him to spread knowledge to others, to run away from the life he had. Montag shows a connection to knowledge rather than ignorance because most characters in the book do not realize their ignorance because they do not realize how they’re being deceived. They do not care what books are about nor what knowledge is about. Yet Montag’s development in the book leads him to.
Tired of being censored, Montag decides it’s time to leave society and be himself. He knows about the scholars near the abandoned city, and wants to learn all they have to offer, so he can help the world. A quote showing how Montag has broken free from the extreme censorship in society reads, “He saw many hands held to its warmth, hands without arms, hidden in darkness. Above the hands, motionless faces that were only moved and tossed and flickered with firelight. He hadn't known fire could look this way.
Montag is a fireman who lives next to young Clarisse, he finds her ways pretty odd but fascinating. Clarisse likes to make Montag think about what is actually going on in society and makes him feel really uncomfortable doing so, but he keeps coming back for more conversation. Montag is in denial about the way the world ‘used’ to be before the burning of books. He sees no value at this point to any of the knowledge that can be gained by books.
Montag realizes that not everyone is willing to see the faults in their society. Trying to change that is futile. The reader, in turn, recognizes that many people are afraid of knowing more. They are afraid of seeing the wrong in what was perceived as perfect, as good, as
Fahrenheit 451, by Ray Bradbury, is a novel about a futuristic society where books are banned and firemen burn books rather than put out fires. The main character Montag is a fireman who lives with his wife Mildred. Montag ends up stealing books which is against the law especially because he is a fireman; and Mildred is against anything that has to do with books. Society wants everyone to be happy but there 's an alarming mechanical hound in this novel that kills people and is asymbol of fear. Bradbury’s novel shows how a society overcomes the eradication of books through the use of symbolism, motif, and imagery.