For this assignment I went to a symphony orchestra. The place was comfortable and very secure. When entering the concert hall people showed to be very composed and organized. While finding their seats most of them picked the front and middle row, and were happily chatting and taking pictures before the concert started. In other words, it had a very pleasant and happy mood. Most of the individuals that assisted were mostly from 45+ of age. There were also a handful of young people, and very few children. The most used type of wardrobe was informal, although a couple of people (three or two) wore formal dresses or clothes. In addition, the illumination was also good. When the orchestra started the lighting above the stage area was the only one on while the rest of the room was dark. This made the audience most concentrated in the function than their surroundings. At the beginning, when waiting in lobby, I was a little nervous because I felt like I …show more content…
Besides, it’s made with the key in the D major giving it a sunny like feeling. The time of this piece range approximately from 4 to 5 minutes yet it gives a good insight of what it’s to come, as it establishes the feverish, hot and cheerful atmosphere for the play. It does have a lot of dynamics, volume and contrast, but it’s by no means excessive. Its tempo is also very fast (presto) giving the piece a much livelier mood. In addition, the instruments were all equally important, but the one that touched me the most were definitely the violins, which fast yet sweet melodies are still swirling on my head. Overture to Marriage of Figaro it’s such an extraordinary and difficult composition to play, that it’s no wonder that it has such a fame and captive those who heard it with its energetic
1. It was one of her biggest crowd’s since the 1990’s. 2. Many of the audience member’s were fans who gave the performance 10’s 3. The auditorium resounded with they’re bravo’s and more’s 4.
On the day of Sunday April 10th, I went to a jazz ensemble concert at the Trinity University Ruth Taylor Recital Hall. This hall was much larger than the previous performance I attended. My first impression of the group was that they were relaxed and comfortable. For instance, when the drummer winked the drummer gave when the director explained his switch from the trumpet to drums.
Although the stage and costumes are seemingly more saturated with decorative props than the stark, almost empty surroundings of the Beijing Opera, there is a subdued dimness that allows the audience to put full attention to the male vocalist and his muse. The singing lines in the Beijing Opera were performed within a limited range, at a very high octave with a limited range. Similar to screeching, the notes were carried high in her throat, and produced with a certain harshness. On the contrary, the big, powerful “bel canto” operatic voice of the male singer in the Italian Opera, resonates with rich, full sounds throughout his voice range. The male performer’s voice and the message of love to the woman present with him, is obviously the main focal point of the piece.
Although this is somewhat long duration compared to other music that listened before, the segment of the piece is played repeatedly so that I used to observe this music. The pinches in this work are unfamiliar to the audiences because they are not standard chromatic scale, which is equal temperament. The unique tuning system and the performance style increase the tension of the
6. Take a single act from the Marriage of Figaro and, using particular examples, show how Mozart structures the act in terms key, form and texture. How does the opera critique the social order of the time? This essay looks at the first act of Mozart’s opera buffa ‘Marriage of Figaro’ in detail, specifically focussing on the key, form and texture used within this act.
This piece consisted of two different movements. The second part of it was a lot more allegro, upbeat, and energized. It symbolized the eternal love that no one, not even a powerful king, could take away. The whole orchestra had more active roles and a polyphonic texture. Together they made a beautiful
Before this I had never attended a classical concert, so this was a new experience for me. This concert was worthwhile because not only was it affordable, it was also great for the price. Each song made me feel different, I could sense the emotion coming from these songs and the way the musicians played together added a feeling of satisfactory altogether. The venue had a large impact on the performance. The Nightingale Concert Hall provided great acoustics for the performances and fit well with the overall style of the concert.
It features two main themes, plus many melodic episodes. The structure - in A-B-A form - is clearly identifiable through the themes that mark each of the sections: the lyrical melody that opens the work, the exciting piu animato that ends with a demanding cadenza, and the final recapitulation that is followed by a cheeky and vivacious codetta that brings the work to a dramatic close. Possessing a memorable melodic theme, the piece tests the performer through the unending phrases, virtuosic c and the resultant nimble fingerwork required. It has remained one of the great standards amongst the
The Appalachian Symphony Orchestra performed, Celebration and Remembrance. The orchestra opened with Fanfare for the Common Man. Which was conducted by Mr. Smith. It was a great way to start off a World War II and Civil War Memorial concert. It was the opening piece and the orchestra was full of energy, and came out loud and with the bang.
“La Mer” is a classical French piece of music that was written by Debussy in the twentieth century. The song begins with a disjunct sound caused by the different melodies and harmonies being played by different sections of the orchestra. Slowly out of the chaos brings a light, airy feeling that was accomplished by the help of a flute and violin solo. The excitement again grows causing a repetitive feel, but this time it is cultivated by the brass and the percussion sections that cause a tremendous increase in the volume of the piece. The song is halted, and proceeds as the cellos crescendo which seems to have a direct correlation to an increase in tempo.
There were many musical elements heard throughout these pieces and it was interesting to hear how they varied in each song and suite. In Intermezzo, it began with a quieter violin solo melody creating a monophonic texture. Soon after, it became accompanied by the other violins and cellos, then the full ensemble came in creating a moderate, flowing melody at about mezzo forte and switching to a polyphonic texture. Next, there was a harp solo at forte with many crescendos and decrescendos. The full ensemble enters again raising the dynamics to forte before decrescendoing and slowing down to end with a held note and final tone.
The instruments used in the jazz concert were primarily those from the brass and woodwind family—4 trumpets (brass), 5 trombones (brass), and 5 saxophones (woodwind)—along with members from the string family (Double Bass and Electric Guitar) and percussion family (Piano and 7-piece Drums). The conductor only walked into the center of the stage to signal the major changes in the movement, i.e. the crescendos and decrescendos, when to abruptly cut off, etc. From offstage, I could see that the main form of communication between the conductor and the performers were the conductor’s nods (for soloists) and hand gestures for volume, speed, and pauses. The conductor would also
Reason to listen: I think it’s safe to say that all of you have listened to or heard music at one point of your life, but did you know music influences and manipulates us more than we know? III. Thesis Statement: Today I am going to tell you about an aspect of human culture that appears just about everywhere you go: music. IV. Credibility Statement: Being a big music lover, I was curious about how much music really affected me, and hence my research began.
First of all, the piece is quite interesting as a prelude – an introductory piece of music as it start off with dynamic and vibrant sounds that include the whole ensemble. This piece is structured as a three-part or ternary form which consists of ABA’ form. The idea of this piece is mainly act as an introductory of a story because this piece is only an excerpt from a bigger orchestral performance. From what I have heard, the solo performance is mainly comprise of the woodwind instruments in part B that indicated the slight sign of relief and calmness. The piece has a lot of variation where the composer include different timbres and dynamics such as the high dynamic structure during the first and the last part with the associating crashes of cymbals.
This movement begins with a beautiful love song until a turbulent middle sections rudely interrupts its dream-like reverie. The finale, Andante-Allegro, begins with a quiet, introspective introduction in the piano alone which then leads into an exuberant Allegro. At the Allegro, the violin breaks forth with ascending, slashing passages from its lowest to its highest register, creating a sense of drama and importance. However, then comes a playfulness that sneaks into the music almost without notice. And then after a rush of virtuosic passages from both violin and piano, the sonata comes to an explosive end.